In Château Land by Anne Hollingsworth Wharton (no david read aloud txt) 📖

warned Quentin, "For him whose tongue wagged too freely an amulet for the throat which never failed to work a certain cure." The house of Tristan, our _cocher_ told us, we should find in one of the narrow streets of the old part of Tours, which we have not yet explored.


VI

LANGEAIS AND AZAY-LE-RIDEAU

PENSION B----, TOURS, September 3rd.

WHEN we started toward Langeais this afternoon we were pleased to think that our way was much the same as that which Felix took in search of his "Lily of the Valley." The Loire lay before us just as he described it,--"a long watery ribbon which glistens in the sun between two green banks, the rows of poplars which deck this vale of love with moving tracery, the oak woods reaching forward between the vineyards on the hillsides which are rounded by the river into constant variety, the soft outlines crossing each other and fading to the horizon."

We passed by Luynes, whose steep hillside steps we shall mount some day to see the fine view of the river and valley from the outer walls and terrace of the chateau, as its doors are said to be inhospitable to those who wish to inspect the interior. This afternoon Langeais and Azay-le-Rideau are beckoning us, although we were tempted to stop for a nearer view of the strange Pile de Cinq Mars, which is, we are told, an unsolved architectural puzzle. The most probable explanation is that this lofty tower was once part of a signalling system, by beacon fires, which flamed messages along the valley, past Luynes to the Lantern of Rochecorbon and as far eastward as Amboise.

Although there are the ruins of a castle of the same name quite near the Pile de Cinq Mars, the home of Henry d'Effiat, Marquis de Cinq Mars, seems to have been at Chaumont, where Alfred de Vigny placed the opening scenes of his novel.

To compensate for our disappointing morning at Plessis-les-Tours, we had an entirely satisfactory afternoon at Langeais, where we beheld a veritable fortress of ancient times. At a first glance we were as much interested in the little gray town of Langeais, which is charmingly situated on the right bank of the Loire, as in the chateau itself, whose facade is gloomy and austere, a true mediaeval fortress, "with moat, drawbridge, and portcullis still in working order," as Walter expresses it. As we stood on the stone steps at the entrance between the great frowning towers waiting for the portcullis to be raised, we felt as if we might be in a Scott or Dumas novel, especially as our Quaker lady repeated in her own dramatic fashion:

". . . . And darest thou then
To beard the lion in his den,
The Douglas in his hall?
And hopest thou hence unscathed to go?
No, by Saint Bride of Bothwell, no!
Up drawbridge, grooms--what, warder, ho!
Let the portcullis fall."

Lord Marmion turn'd,--well was his need,--
And dashed the rowels in his steed,
Like arrow through the archway sprung,
The ponderous gate behind him rung;
To pass there was such scanty room,
The bars, descending, razed his plume.

Fortunately for us the portcullis rose instead of falling, and so, with plumes unscathed, we passed through the doorway, and as if to add to the _vraisemblance_ of the situation and make us feel quite mediaeval, soldiers stood on each side of the entrance, apparently on guard, and it was not until after we had entered the chateau that we discovered them to be visitors like ourselves.

If the facade of Langeais, with its severe simplicity and solidity, its great stone towers, massive walls, _chemin de ronde_ and machiolated cornices, gave us an impression of power and majesty, we found that it also had a smiling face turned toward the hill and the lovely gardens. Here the windows open upon a lawn with turf as green and velvety as that of England, and parterres of flowers laid out in all manner of geometrical figures. From a court basking in sunshine, two beautiful Renaissance doors lead into the castle. Through one of them we passed into a small room in which the inevitable postcards and souvenirs were sold by a pretty little dark-eyed French woman, who acted as our guide through the castle. We begged her to stand near the vine-decked doorway to have her photograph taken, which she did with cheerful alacrity. Some soldiers, who were buying souvenirs, stepped through the doorway just in time to come into the picture, their red uniforms adding a delightful touch of color as they stood out against the gray walls of the chateau. It was a charming scene which we hoped to be able to send you, but alas! a cloud passed over the sun, and this, with the dark stone background, made too dull a setting, and by the time the sun was out again our guide was in request to take a party of tourists through the chateau, ourselves among them. Langeais is so popular during this busy touring season that hours and turns are strictly observed.

One of the soldiers is evidently the _cher ami_ of our pretty Eloisa, who waved her little hand to him as she sent a coquettish glance from her fine eyes in his direction, and threw him a kiss, after which she applied herself to her task as cicerone, conducting us from room to room, enlarging upon the history and associations of the chateau, and explaining to us that of the original castle, built by Foulques Nerra, or "Fulk the Black," in 990, only the ruinous donjon keep is to be seen beyond the gardens. The present chateau is of much later date, and was built by Jean Bourre, comptroller of the finances for Normandy under Louis XI, who was granted letters patent of nobility and the captaincy of Langeais about 1465. After listening to thrilling tales of the barbarous cruelty of Fulk the Black, Count of Anjou, who had his first wife burned at the stake and made himself very disagreeable in other ways, as our guide naively remarked in French of the purest Touraine brand, Lydia exclaimed, "The more perfect the French, the easier it is to understand!"

"It is all the same to me, good or bad," groaned Walter in reply to Lydia's Ollendorf phrase, uttering quite audible animadversions against foreign languages in general and the French in particular, which our guide fortunately did not comprehend, especially as he concluded with a crushing comparison, "Why are not all the guides like that wonderful little woman at the Castle of Chillon, who told her story in English, French, and German with equal fluency and facility?"

"Why, indeed!" echoed Miss Cassandra, who being a fellow sufferer is most sympathetic.

It certainly is exasperating to a degree to have the interesting history and traditions given forth in a language that one does not understand, and with such rapidity that if those who are able to grasp the meaning attempt to translate they quite lose the thread of the discourse and are left far behind in the story.

As we passed through the great halls and spacious rooms with timbered ceilings, tapestried walls, and beautifully tiled floors, we were impressed with the combination of mediaeval strength and homelike comfort, especially in the living rooms and bedrooms. The graceful mural decorations of flowers and cherries in the Salon des Fleurs are in strong contrast with the massive woodwork and the heavy carved furniture, and yet the ensemble is quite harmonious. In the guard room we noticed a fine frieze in which the arms of Anne of Brittany are interwoven with her motto, "_Potius Mori quam Foedari!_"

From this and much more in the line of careful restoration and rich decoration and furnishing, you may believe that the interior of Langeais has undergone a transformation, at the hands of several owners of the chateau, since the days when Mr. Henry James spoke of its apartments as "not of first-class interest." M. Christophe Baron and Monsieur and Madame Jacques Siegfried have, while preserving the distinctive characteristics of an ancient fortress, made of Langeais an entirely livable chateau.

Just here we are reminded by our historians that we Anglo-Saxons have a link far back in our own history with Langeais and the cruel Fulk, Duke of Anjou, as one of his descendants married Matilda, daughter of Henry I, of England, and their grandson was Richard Coeur de Lion, who was Count of Touraine and Lord of Langeais as well as King of England.

In the beautiful long salon, with its wonderful sixteenth century tapestries and handsomely carved Spanish choir stalls, our guide became especially eloquent, telling us that this was the room in which Charles VIII and Anne de Bretagne were married, the inlaid table in the centre being that upon which the marriage contract was signed.

"What is the little black-eyed woman talking about?" asked Miss Cassandra, in a most pathetic tone. Fortunately, our cicerone gave us more time in this room than in the others, and as we stood by the windows which look out upon the court and gardens, a blaze of color in the September sunshine, Lydia and I tried to explain about the very remarkable marriage solemnized in this chateau between the heiress of Brittany and the young King of France.

Odd as royal marriages usually are, this was especially melodramatic, as the royal lover seems to have set forth to meet the lady of his choice with a sword in one hand and a wedding ring in the other.

The hand of the young Duchess of Brittany was naturally sought after by many princes, who looked with longing eyes upon her rich inheritance, in addition to which, as Brantome says, she was renowned for her beauty and grace, which latter was not impaired by the fact that one leg was shorter than the other. She was also learned, according to the learning of her day, and clever, which circumstances probably weighed lighter than vanity when put in the scale against the wealth of the Duchy of Brittany. Among the various pretendants to the hand of the Duchess was Louis, Duke of Orleans, who as next in succession to his cousin Charles was a suitor quite worthy of the hand of this high-born lady. Feats of valor had been performed by Louis in Brittany earlier in