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ks for thee seek out
Some other spoil? no common fund have we
Of hoarded treasures; what our arms have won
From captur'd towns, has been already shar'd,
Nor can we now resume th' apportion'd spoil.
Restore the maid, obedient to the God!
And if Heav'n will that we the strong-built walls
Of Troy should raze, our warriors will to thee
A threefold, fourfold recompense assign."

To whom the monarch Agamemnon thus:
"Think not, Achilles, valiant though thou art
In fight, and godlike, to defraud me thus;
Thou shalt not so persuade me, nor o'erreach.
Think'st thou to keep thy portion of the spoil,
While I with empty hands sit humbly down?
The bright-ey'd girl thou bidd'st me to restore;
If then the valiant Greeks for me seek out
Some other spoil, some compensation just,
'Tis well: if not, I with my own right hand
Will from some other chief, from thee perchance,
Or Ajax, or Ulysses, wrest his prey;
And woe to him, on whomsoe'er I call

g, comfortless

And haunted! Ah, my side, my brow And temples! All with changeful pain My body rocketh, and would fain Move to the tune of tears that flow: For tears are music too, and keep A song unheard in hearts that weep. [She rises and gazes towards the Greek ships far off on the shore.

O ships, O crowding faces Of ships[9], O hurrying beat Of oars as of crawling feet, How found ye our holy places? Threading the narrows through, Out from the gulfs of the Greek, Out to the clear dark blue, With hate ye came and with joy, And the noise of your music flew, Clarion and pipe did shriek, As the coilèd cords ye threw, Held in the heart of Troy!

What sought ye then that ye came? A woman, a thing abhorred: A King's wife that her lord Hateth: and Castor's[10] shame Is hot for her sake, and the reeds Of old Eurôtas stir With the noise of the name of her. She slew mine ancient King, The Sower of fifty Seeds[11], And cast forth mine and me, As shipwrecked men, that cling To a

attributed to Confucius. But much of the Li Chi is from later hands. Of the Yi, the Shu, and the Shih, it is only in the first that we find additions attributed to the philosopher himself, in the shape of appendixes. The Ch'un Ch'iu is the only one of the five Ching which can, with an approximation to correctness, be described as of his own 'making.'

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3 ©ö¸g.

4 ®Ñ¸g.

5 ¸Ö¸g.

6 夡O.

7 ¬K¬î.

'The Four Books' is an abbreviation for 'The Books of the Four Philosophers [1].' The first is the Lun Yu [2], or 'Digested Conversations,' being occupied chiefly with the sayings of Confucius. He is the philosopher to whom it belongs. It appears in this Work under the title of 'Confucian Analects.' The second is the Ta Hsio [3], or 'Great Learning,' now commonly attributed to Tsang Shan [4], a disciple of the sage. He is he philosopher of it.

67, is a certain fact, of which nobody will deny the sister island the honour and glory; but, it seems to me, he was no more an Irishman than a man born of English parents at Calcutta is a Hindoo. Goldsmith was an Irishman, and always an Irishman: Steele was an Irishman, and always an Irishman: Swift's heart was English and in England, his habits English, his logic eminently English; his statement is elaborately simple; he shuns tropes and metaphors, and uses his ideas and words with a wise thrift and economy, as he used his money: with which he could be generous and splendid upon great occasions, but which he husbanded when there was no need to spend it. He never indulges in needless extravagance of rhetoric, lavish epithets, profuse imagery. He lays his opinion before you with a grave simplicity and a perfect neatness. Dreading ridicule too, as a man of his humour--above all an Englishman of his humour--certainly would, he is afraid to use the poetical power which he really possessed; one often fancies in r

Raynold Cobham, and their company rode out on the one side and wastedand exiled the country, as the lord Harcourt had done; and the kingever rode between these battles, and every night they lodged together.


Thus by the Englishmen was brent, exiled, robbed, wasted and pilledthe good, plentiful country of Normandy. Then the French king sent forthe lord John of Hainault, who came to him with a great number: alsothe king sent for other men of arms, dukes, earls, barons, knights andsquires, and assembled together the greatest number of people that hadbeen seen in France a hundred year before. He sent for men into so farcountries, that it was long or they came together, wherefore the kingof England did what him list in the mean season. The French king heardwell what he did, and sware and said how they should siever returnagain unfought withal, and that such hurts and damages as they haddone should be dearly revenged;

se those things are called substances within which, as species, the primary substances are included; also those which, as genera, include the species. For instance, the individual man is included in the species 'man', and the genus to which the species belongs is 'animal'; these, therefore-that is to say, the species 'man' and the genus 'animal,-are termed secondary substances.

It is plain from what has been said that both the name and the definition of the predicate must be predicable of the subject. For instance, 'man' is predicted of the individual man. Now in this case the name of the species man' is applied to the individual, for we use the term 'man' in describing the individual; and the definition of 'man' will also be predicated of the individual man, for the individual man is both man and animal. Thus, both the name and the definition of the species are predicable of the individual.

With regard, on the other hand, to those things which are present in a subject, it is generally the case

ely, Plot, Character, Diction, Thought, Spectacle, Song. Two of the parts constitute the medium of imitation, one the manner, and three the objects of imitation. And these complete the list. These elements have been employed, we may say, by the poets to a man; in fact, every play contains Spectacular elements as well as Character, Plot, Diction, Song, and Thought.

But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to the representation of character: character comes in as subsidiary to the actions. Hence the incidents and the plot are the end of a tragedy; and the end is the chief thing of all. Again, without action there cannot be a tragedy; there may be without character. The tragedies of most of

To save their fleet their last efforts they try,
And stones and darts in mingled tempests fly.
As when sharp Boreas blows abroad, and brings
The dreary winter on his frozen wings;
Beneath the low-hung clouds the sheets of snow
Descend, and whiten all the fields below:
So fast the darts on either army pour,
So down the rampires rolls the rocky shower:
Heavy, and thick, resound the batter'd shields,
And the deaf echo rattles round the fields.
With shame repulsed, with grief and fury driven,
The frantic Asius thus accuses Heaven:
"In powers immortal who shall now believe?
Can those too flatter, and can Jove deceive?
What man could doubt but Troy's victorious power
Should humble Greece, and this her fatal hour?
But like when wasps from hollow crannies drive,
To guard the entrance of their common hive,

nd albeit they all leade us with a common accord to despise povertie, and other accidental! crosses, to which

Omnes eodem cogimur, omnium Versatur urna, serius, ocius Sors exitura, et nos in aeternum Exilium impositura cymbae, [Footnote: Hor. I. iii. Od. iii. 25.]

All to one place are driv'n, of all Shak't is the lot-pot, where-hence shall Sooner or later drawne lots fall, And to deaths boat for aye enthrall.

And by consequence, if she makes us affeard, it is a continual subject of torment, and which can no way be eased. There is no starting-hole will hide us from her, she will finde us wheresoever we are, we may as in a suspected countrie start and turne here and there: quae quasi saxum Tantalo semper impendet.[Footnote: Cic. De Fin. I. i.] "Which evermore hangs like the stone over the head of Tantalus:" Our lawes doe often condemne and send malefactors to be executed in the same place where the crime was committed: to which whilest they are going, leade them along the fairest houses, or

kly to do any good. A school would be his death. When he comes tobe a little stronger, who knows what a year or two's Latin may do forhim?

HARDCASTLE. Latin for him! A cat and fiddle. No, no; the alehouseand the stable are the only schools he'll ever go to.

MRS. HARDCASTLE. Well, we must not snub the poor boy now, for Ibelieve we shan't have him long among us. Anybody that looks in hisface may see he's consumptive.

HARDCASTLE. Ay, if growing too fat be one of the symptoms.

MRS. HARDCASTLE. He coughs sometimes.

HARDCASTLE. Yes, when his liquor goes the wrong way.

MRS. HARDCASTLE. I'm actually afraid of his lungs.

HARDCASTLE. And truly so am I; for he sometimes whoops like aspeaking trumpet--(Tony hallooing behind the scenes)--O, there hegoes--a very consumptive figure, truly.

Enter TONY, crossing the stage.

MRS. HARDCASTLE. Tony, where are you going, my charmer? Won't yougive papa and I a little of your company, lovee?

TONY. I'm in haste, mother; I cannot