The Count of Monte Cristo by Alex Dumas Pere (best book reader TXT) 📖

polite attention even towards Madame Danglars, soon dispelled every impression of fear. It appeared impossible to the baroness that a man of such delightfully pleasing manners should entertain evil designs against her; besides, the most corrupt minds only suspect evil when it would answer some interested end—useless injury is repugnant to every mind. When Monte Cristo entered the boudoir,—to which we have already once introduced our readers, and where the baroness was examining some drawings, which her daughter passed to her after having looked at them with M. Cavalcanti,—his presence soon produced its usual effect, and it was with smiles that the baroness received the count, although she had been a little disconcerted at the announcement of his name. The latter took in the whole scene at a glance.

The baroness was partially reclining on a sofa, Eugenie sat near her, and Cavalcanti was standing. Cavalcanti, dressed in black, like one of Goethe's heroes, with varnished shoes and white silk open-worked stockings, passed a white and tolerably nice-looking hand through his light hair, and so displayed a sparkling diamond, that in spite of Monte Cristo's advice the vain young man had been unable to resist putting on his little finger. This movement was accompanied by killing glances at Mademoiselle Danglars, and by sighs launched in the same direction. Mademoiselle Danglars was still the same—cold, beautiful, and satirical. Not one of these glances, nor one sigh, was lost on her; they might have been said to fall on the shield of Minerva, which some philosophers assert protected sometimes the breast of Sappho. Eugenie bowed coldly to the count, and availed herself of the first moment when the conversation became earnest to escape to her study, whence very soon two cheerful and noisy voices being heard in connection with occasional notes of the piano assured Monte Cristo that Mademoiselle Danglars preferred to his society and to that of M. Cavalcanti the company of Mademoiselle Louise d'Armilly, her singing teacher.

It was then, especially while conversing with Madame Danglars, and apparently absorbed by the charm of the conversation, that the count noticed M. Andrea Cavalcanti's solicitude, his manner of listening to the music at the door he dared not pass, and of manifesting his admiration. The banker soon returned. His first look was certainly directed towards Monte Cristo, but the second was for Andrea. As for his wife, he bowed to her, as some husbands do to their wives, but in a way that bachelors will never comprehend, until a very extensive code is published on conjugal life.

"Have not the ladies invited you to join them at the piano?" said Danglars to Andrea. "Alas, no, sir," replied Andrea with a sigh, still more remarkable than the former ones. Danglars immediately advanced towards the door and opened it.

The two young ladies were seen seated on the same chair, at the piano, accompanying themselves, each with one hand, a fancy to which they had accustomed themselves, and performed admirably. Mademoiselle d'Armilly, whom they then perceived through the open doorway, formed with Eugenie one of the tableaux vivants of which the Germans are so fond. She was somewhat beautiful, and exquisitely formed—a little fairy-like figure, with large curls falling on her neck, which was rather too long, as Perugino sometimes makes his Virgins, and her eyes dull from fatigue. She was said to have a weak chest, and like Antonia in the "Cremona Violin," she would die one day while singing. Monte Cristo cast one rapid and curious glance round this sanctum; it was the first time he had ever seen Mademoiselle d'Armilly, of whom he had heard much. "Well," said the banker to his daughter, "are we then all to be excluded?" He then led the young man into the study, and either by chance or manoeuvre the door was partially closed after Andrea, so that from the place where they sat neither the Count nor the baroness could see anything; but as the banker had accompanied Andrea, Madame Danglars appeared to take no notice of it.

The count soon heard Andrea's voice, singing a Corsican song, accompanied by the piano. While the count smiled at hearing this song, which made him lose sight of Andrea in the recollection of Benedetto, Madame Danglars was boasting to Monte Cristo of her husband's strength of mind, who that very morning had lost three or four hundred thousand francs by a failure at Milan. The praise was well deserved, for had not the count heard it from the baroness, or by one of those means by which he knew everything, the baron's countenance would not have led him to suspect it. "Hem," thought Monte Cristo, "he begins to conceal his losses; a month since he boasted of them." Then aloud,—"Oh, madame, M. Danglars is so skilful, he will soon regain at the Bourse what he loses elsewhere."

"I see that you participate in a prevalent error," said Madame Danglars. "What is it?" said Monte Cristo.

"That M. Danglars speculates, whereas he never does."

"Truly, madame, I recollect M. Debray told me—apropos, what is become of him? I have seen nothing of him the last three or four days."

"Nor I," said Madame Danglars; "but you began a sentence, sir, and did not finish."

"Which?"

"M. Debray had told you"—

"Ah, yes; he told me it was you who sacrificed to the demon of speculation."

"I was once very fond of it, but I do not indulge now."

"Then you are wrong, madame. Fortune is precarious; and if I were a woman and fate had made me a banker's wife, whatever might be my confidence in my husband's good fortune, still in speculation you know there is great risk. Well, I would secure for myself a fortune independent of him, even if I acquired it by placing my interests in hands unknown to him." Madame Danglars blushed, in spite of all her efforts. "Stay," said Monte Cristo, as though he had not observed her confusion, "I have heard of a lucky hit that was made yesterday on the Neapolitan bonds."

"I have none—nor have I ever possessed any; but really we have talked long enough of money, count, we are like two stockbrokers; have you heard how fate is persecuting the poor Villeforts?"

"What has happened?" said the count, simulating total ignorance.

"You know the Marquis of Saint-Meran died a few days after he had set out on his journey to Paris, and the marchioness a few days after her arrival?"

"Yes," said Monte Cristo, "I have heard that; but, as Claudius said to Hamlet, 'it is a law of nature; their fathers died before them, and they mourned their loss; they will die before their children, who will, in their turn, grieve for them.'"

"But that is not all."

"Not all!"

"No; they were going to marry their daughter"—

"To M. Franz d'Epinay. Is it broken off?"

"Yesterday morning, it appears, Franz declined the honor."

"Indeed? And is the reason known?"

"No."

"How extraordinary! And how does M. de Villefort bear it?"

"As usual. Like a philosopher." Danglars returned at this moment alone. "Well," said the baroness, "do you leave M. Cavalcanti with your daughter?"

"And Mademoiselle d'Armilly," said the banker; "do you consider her no one?" Then, turning to Monte Cristo, he said, "Prince Cavalcanti is a charming young man, is he not? But is he really a prince?"

"I will not answer for it," said Monte Cristo. "His father was introduced to me as a marquis, so he ought to be a count; but I do not think he has much claim to that title."

"Why?" said the banker. "If he is a prince, he is wrong not to maintain his rank; I do not like any one to deny his origin."

"Oh, you are a thorough democrat," said Monte Cristo, smiling.

"But do you see to what you are exposing yourself?" said the baroness. "If, perchance, M. de Morcerf came, he would find M. Cavalcanti in that room, where he, the betrothed of Eugenie, has never been admitted."

"You may well say, perchance," replied the banker; "for he comes so seldom, it would seem only chance that brings him."

"But should he come and find that young man with your daughter, he might be displeased."

"He? You are mistaken. M. Albert would not do us the honor to be jealous; he does not like Eugenie sufficiently. Besides, I care not for his displeasure."

"Still, situated as we are"—

"Yes, do you know how we are situated? At his mother's ball he danced once with Eugenie, and M. Cavalcanti three times, and he took no notice of it." The valet announced the Vicomte Albert de Morcerf. The baroness rose hastily, and was going into the study, when Danglars stopped her. "Let her alone," said he. She looked at him in amazement. Monte Cristo appeared to be unconscious of what passed. Albert entered, looking very handsome and in high spirits. He bowed politely to the baroness, familiarly to Danglars, and affectionately to Monte Cristo. Then turning to the baroness: "May I ask how Mademoiselle Danglars is?" said he.

"She is quite well," replied Danglars quickly; "she is at the piano with M. Cavalcanti." Albert retained his calm and indifferent manner; he might feel perhaps annoyed, but he knew Monte Cristo's eye was on him. "M. Cavalcanti has a fine tenor voice," said he, "and Mademoiselle Eugenie a splendid soprano, and then she plays the piano like Thalberg. The concert must be a delightful one."

"They suit each other remarkably well," said Danglars. Albert appeared not to notice this remark, which was, however, so rude that Madame Danglars blushed.

"I, too," said the young man, "am a musician—at least, my masters used to tell me so; but it is strange that my voice never would suit any other, and a soprano less than any." Danglars smiled, and seemed to say, "It is of no consequence." Then, hoping doubtless to effect his purpose, he said,—"The prince and my daughter were universally admired yesterday. You were not of the party, M. de Morcerf?"

"What prince?" asked Albert. "Prince Cavalcanti," said Danglars, who persisted in giving the young man that title.

"Pardon me," said Albert, "I was not aware that he was a prince. And Prince Cavalcanti sang with Mademoiselle Eugenie yesterday? It must have been charming, indeed. I regret not having heard them. But I was unable to accept your invitation, having promised to accompany my mother to a German concert given by the Baroness of Chateau-Renaud." This was followed by rather an awkward silence. "May I also be allowed," said Morcerf, "to pay my respects to Mademoiselle Danglars?" "Wait a moment," said the banker, stopping the young man; "do you hear that delightful cavatina? Ta, ta, ta, ti, ta, ti, ta, ta; it is charming, let them finish—one moment. Bravo, bravi, brava!" The banker was enthusiastic in his applause.

"Indeed," said Albert, "it is exquisite; it is impossible to understand the music of his country better than Prince Cavalcanti does. You said prince, did you not? But he can easily become one, if he is not already; it is no uncommon thing in Italy. But to return to the charming musicians—you should give us a treat, Danglars, without telling them there is a stranger. Ask them to sing one more song; it is so delightful to hear music in the distance, when the musicians are unrestrained by observation."

Danglars was quite annoyed by the young man's indifference. He took Monte Cristo aside. "What do you think of our lover?" said he.

"He appears cool. But, then your word is given."

"Yes, doubtless I have promised to give my daughter to a