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Reading books adventure Nowadays a big variety of genres are exist. In our electronic library you can choose any book that suits your mood, request and purpose. This website is full of free ebooks. Reading online is very popular and become mainstream. This website can provoke you to be smarter than anyone. You can read between work breaks, in public transport, in cafes over a cup of coffee and cheesecake.
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Today let's analyze the genre adventure. Genre adventure is a reference book for adults and children. But it serve for adults and children in different purposes. If a boy or girl presents himself as a brave and courageous hero, doing noble deeds, then an adult with pleasure can be a little distracted from their daily worries.


A great interest to the reader is the adventure of a historical nature. For example, question: «Who discovered America?»
Today there are quite interesting descriptions of the adventures of Portuguese sailors, who visited this continent 20 years before Columbus.




It should be noted the different quality of literary works created in the genre of adventure. There is an understandable interest of generations of people in the classic adventure. At the same time, new works, which are created by contemporary authors, make classic works in the adventure genre quite worthy competition.
The close attention of readers to the genre of adventure is explained by the very essence of man, which involves constant movement, striving for something new, struggle and achievement of success. Adventure genre is very excited
Heroes of adventure books are always strong and brave. And we, off course, want to be like them. Unfortunately, book life is very different from real life.But that doesn't stop us from loving books even more.

Read books online » Adventure » The Dorrington Deed-Box by Arthur Morrison (top romance novels txt) 📖

Book online «The Dorrington Deed-Box by Arthur Morrison (top romance novels txt) 📖». Author Arthur Morrison



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or to blow fire out of Hachiman's mouth and nose I don't know, though no doubt it might be an interesting subject for inquiry; perhaps he did both. You observe the chamber is lined with metal, which does something towards giving the thing its weight, and there are cunning little openings among the armour-joints in front which would transmit air and sound—even permit of a peep out. Now Mr. Deacon might or might not have found out this back door after the figure had been a while in his possession, but it is certain he knew nothing of it when he bought it. Copleston knew nothing of it, though the thing has stood in his place for months. You see it's not a thing one would notice at once—I never should have done so if I hadn't been looking for it." He shut the part, and the joints, of irregular outline, fell into the depths of the folds, and vanished as if by magic.

"Now," Dorrington went on, "as I told you, Copleston knew nothing of this, but one of his men found it out. Do you happen to have heard of one Samuel Castro, nicknamed 'Slackjaw,' a hunchback whom Copleston employed on odd jobs?"

"I have seen him here. He called, sometimes with messages, sometimes with parcels. I should probably have forgotten all about him were it not that he was rather an extraordinary creature, even among Copleston's men, who are all remarkable. But did he——"

SLACKJAW

"SLACKJAW."

"He murdered Mr. Deacon, I think," Dorrington replied, "as I fancy I can explain to you. But he won't hang for it, for he was drowned this afternoon before my eyes, in an attempt to escape from the police. He was an extraordinary creature, as you have said. He wasn't English—a half-caste of some sort I think—though his command of language, of the riverside and dock description, was very free; it got him his nickname of Slackjaw among the longshoremen. He was desperately excitable, and he had most of the vices, though I don't think he premeditated murder in this case—nothing but robbery. He was immensely strong, although such a little fellow, and sharp in his wits, and he might have had regular work at Copleston's if he had liked, but that wasn't his game—he was too lazy. He would work long enough to earn a shilling or so, and then he would go off to drink the money. So he was a sort of odd on-and-off man at Copleston's—just to run a message or carry something or what not when the regular men were busy. Well, he seems to have been smart enough—or perhaps it was no more than an accident—to find out about Hachiman's back, and he used his knowledge for his own purposes. Copleston couldn't account for missing things in the night—because he never guessed that Castro, by shutting himself up in Hachiman about closing time, had the run of the place when everybody had gone, and could pick up any trifle that looked suitable for the pawnshop in the morning. He could sleep comfortably on sacks or among straw, and thus save the rent of lodgings, and he could accept Hachiman's shelter again just before Copleston turned up to start the next day's business. Getting out, too, after the place was opened, was quite easy, for nobody came to the large store-rooms till something was wanted, and in a large place with many doors and gates, like Copleston's, unperceived going and coming was easy to one who knew the ropes. So that Slackjaw would creep quietly out, and in again by the front door to ask for a job. Copleston noticed how regular he had been every morning for the past few months, and thought he was getting steadier! As to the things that got smashed, I expect Slackjaw knocked them over, getting out in the dark. One china vase, in particular, had been shifted at the last moment, probably after he was in his hiding-place, and stood behind the image. That was smashed, of course. And these things, coming after the bad voyage of the ship in which he came over, very naturally gave poor Hachiman an unlucky reputation.

"Probably Slackjaw was sorry at first when he heard that Hachiman was bought. But then an idea struck him. He had been to Mr. Deacon's rooms on errands, and must have seen that fine old plate in the sitting-room. He had picked up unconsidered trifles at Copleston's by aid of Hachiman—why not acquire something handsome at Deacon's in the same way? The figure was to be carried to Bedford Mansions as soon as work began on Wednesday morning. Very well. All he had to do was to manage his customary sojourn at Copleston's over Tuesday night, and keep to his hiding-place in the morning. He did it. Perhaps the men swore a bit at the weight of Hachiman, but as the idol weighed several hundredweights by itself, and had not been shifted since it first arrived, they most likely perceived no difference. Hachiman, with Slackjaw comfortably bolted inside him (though even he must have found the quarters narrow) jolted away in the waggon, and in course of time was deposited where it now stands.

"Of course all I have told you, and all I am about to tell you, is no more than conjecture—but I think you will say I have reasons. From within the idol Slackjaw could hear Mr. Deacon's movements, and no doubt when he heard him take his hat and stick and shut the outer door behind him, Hachiman's tenant was glad to get out. He had never had so long and trying a sojourn in the idol before, though he had provided himself this time with something to keep his spirits up—in that little flat bottle he left behind. Probably, however, he waited some little time before emerging, for safety's sake. I judge this because I found no signs of his having started work, except a single small knife-mark on the plate case. He must have no more than begun when Mr. Deacon came back for his letters. First, however, he went and shut the bedroom window, lest his movements might be heard in some adjacent rooms; the man who was painting said he heard that, you remember. Well, hearing Mr. Deacon's key in the lock, of course he made a rush for his hiding-place—but there was no time to get in and close up before Mr. Deacon could hear the noise. Mr. Deacon, as he entered, heard the footsteps in the next room, and went to see. The result you know. Castro, perhaps, crouched behind the idol, and hearing Mr. Deacon approaching, and knowing discovery inevitable, in his mad fear and excitement, snatched the nearest weapon and struck wildly at his pursuer. See! here are half a dozen heavy, short Japanese swords at hand, any one of which might have been used. The thing done, Castro had to think of escape. The door was impossible—the hall-porter was already knocking there. But the man had no key—he could be heard moving about and calling for one. There was yet a little time. He wiped the blade of the weapon, put it back in its place, took the keys from the dead man's pocket, and regained his concealment in the idol. Whether or not he took the keys with the idea of again attempting theft when the room was left empty I don't know—most likely he thought they would aid him in escape. Anyway, he didn't attempt theft, but lay in his concealment—and a pretty bad time he must have had of it—till night. Probably his nerve was not good enough for anything more than simple flight. When all was quiet, he left the rooms and shut the door behind him. Then he lurked about corridors and basements till morning, and when the doors were opened, slipped out unobserved. That's all. It's pretty obvious, once you know about Hachiman's interior."

"And how did you find out?"

"When you left me here I considered the thing. I put aside all suspicions of motive, the Japanese and his sword and the rest of it, and addressed myself to the bare facts. Somebody had been in these rooms when Mr. Deacon came back, and that somebody had murdered him. The first thing was to find how this person came, and where he came from. At first, of course, one thought of the bedroom window, as the police had done. But reflection proved this unlikely. Mr. Deacon had entered his front door, was inside a few seconds, and then was murdered close by the figure of Hachiman. Now if anybody had entered by the window for purposes of robbery, his impulse on hearing the key in the outer door (and such a thing could be heard all over the rooms, as I tested for myself)—his impulse, I say, would be to retreat by the way he had come, that is by the window. If, then, Mr. Deacon had overtaken him before he could escape, the murder might have taken place just as it had done, but it would have been in the bedroom, not in a room in the opposite direction. And any thief's attention would naturally be directed at first to the gold plate—indeed, I detected a fresh knife-mark in the door of the case, which I will show you presently. Now, as you see by the arrangement of the rooms, the retreat from the plate case to the bedroom window would be a short one, whereas the murderer must in fact have taken a longer journey in the opposite direction. Why? Because he had arrived from that direction, and his natural impulse was to retreat by the way he had come. This might have been by the door to the back stairs, but a careful examination of this door and its lock and key convinced me that it had not been opened. The key was dirty, and to have turned it from the opposite side would have necessitated the forcible use of a pair of thin hollow pliers (a familiar tool to burglars), and these must have left their mark on the dirty key. So I turned back to the idol. This was the spot the intruder had made for in his retreat, and the figure had been brought into the place the very morning of the murder. Also, things had disappeared from its vicinity at Copleston's. More—it was a large thing. What if it were hollow? One has heard of such things having been invented by priests anxious for certain effects. Could not a thief smuggle himself in that way?

"The suggestion was a little startling, for if it were the right one the man might be hiding there at that moment. I gave the thing half an hour's examination, and in the end found what I have shown you. It was not the sort of thing one would have found out without looking for it. Look at it even now. Although you have seen it open, you couldn't point to the joints."

Dorrington opened it again. "Once open," he went on, "the thing was pretty plain. Here is the rag—perhaps it was Castro's pocket-handkerchief—used to wipe the weapon. It is stained all over, and cut, as you will observe, by the sharp edge. Also, you may see a crumb or two—Slackjaw had brought food with him, in case of a long imprisonment. But chiefly observe the bottle. It is a flat, high-shouldered, 'quartern' bottle, such as publicans sell or lend to their customers in poor districts, and as usual it bears the publican's name—J. Mills. It's a most extraordinary thing, but it seems the fate of almost every murderer, no matter how cunning, to leave some such damning piece of evidence about, foolish as it may seem afterward. I've known it in a dozen cases. Probably Castro, in the dark and in his excitement, forgot it when he quitted his hiding-place. At any rate it helped me and made my course plain. Clearly this man, whoever he was, had come from Copleston's. Moreover, he was a small man, for the space he had occupied would be too little even for a man of middle height. Also he bought drink of J. Mills, a publican; if J. Mills carried on business near Copleston's so much the easier my task would seem. Before I left, however, I went to the basement and inspected the ladder, the removal of which had caused the police so much exercise. Then it was plain why Dowden had cleared out. All his prevarication and uneasiness were explained at once, as the police might have seen if they had looked behind the ladder as well as at it. For it had been lying lengthwise against the wooden partition which formed the back of the compartments put up to serve the tenants as wine-cellars. Dowden had taken three planks out of this partition, and so

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