ADVENTURE books online

Reading books adventure Nowadays a big variety of genres are exist. In our electronic library you can choose any book that suits your mood, request and purpose. This website is full of free ebooks. Reading online is very popular and become mainstream. This website can provoke you to be smarter than anyone. You can read between work breaks, in public transport, in cafes over a cup of coffee and cheesecake.
No matter where, but it’s important to read books in our elibrary , without registration.



Today let's analyze the genre adventure. Genre adventure is a reference book for adults and children. But it serve for adults and children in different purposes. If a boy or girl presents himself as a brave and courageous hero, doing noble deeds, then an adult with pleasure can be a little distracted from their daily worries.


A great interest to the reader is the adventure of a historical nature. For example, question: «Who discovered America?»
Today there are quite interesting descriptions of the adventures of Portuguese sailors, who visited this continent 20 years before Columbus.




It should be noted the different quality of literary works created in the genre of adventure. There is an understandable interest of generations of people in the classic adventure. At the same time, new works, which are created by contemporary authors, make classic works in the adventure genre quite worthy competition.
The close attention of readers to the genre of adventure is explained by the very essence of man, which involves constant movement, striving for something new, struggle and achievement of success. Adventure genre is very excited
Heroes of adventure books are always strong and brave. And we, off course, want to be like them. Unfortunately, book life is very different from real life.But that doesn't stop us from loving books even more.

Read books online » Adventure » Scaramouche: A Romance of the French Revolution by Rafael Sabatini (dark books to read txt) 📖

Book online «Scaramouche: A Romance of the French Revolution by Rafael Sabatini (dark books to read txt) 📖». Author Rafael Sabatini



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“My friend, my saviour!” Pantaloon flung a great arm about the young man’s shoulders. “You shall stay to breakfast with us.”

“I confess to a hope that you would ask me,” said Andre-Louis.





CHAPTER II. THE SERVICE OF THESPIS

They were, thought Andre-Louis, as he sat down to breakfast with them behind the itinerant house, in the bright sunshine that tempered the cold breath of that November morning, an odd and yet an attractive crew. An air of gaiety pervaded them. They affected to have no cares, and made merry over the trials and tribulations of their nomadic life. They were curiously, yet amiably, artificial; histrionic in their manner of discharging the most commonplace of functions; exaggerated in their gestures; stilted and affected in their speech. They seemed, indeed, to belong to a world apart, a world of unreality which became real only on the planks of their stage, in the glare of their footlights. Good-fellowship bound them one to another; and Andre-Louis reflected cynically that this harmony amongst them might be the cause of their apparent unreality. In the real world, greedy striving and the emulation of acquisitiveness preclude such amity as was present here.

They numbered exactly eleven, three women and eight men; and they addressed each other by their stage names: names which denoted their several types, and never—or only very slightly—varied, no matter what might be the play that they performed.

“We are,” Pantaloon informed him, “one of those few remaining staunch bands of real players, who uphold the traditions of the old Italian Commedia dell’ Arte. Not for us to vex our memories and stultify our wit with the stilted phrases that are the fruit of a wretched author’s lucubrations. Each of us is in detail his own author in a measure as he develops the part assigned to him. We are improvisers—improvisers of the old and noble Italian school.”

“I had guessed as much,” said Andre-Louis, “when I discovered you rehearsing your improvisations.”

Pantaloon frowned.

“I have observed, young sir, that your humour inclines to the pungent, not to say the acrid. It is very well. It is I suppose, the humour that should go with such a countenance. But it may lead you astray, as in this instance. That rehearsal—a most unusual thing with us—was necessitated by the histrionic rawness of our Leandre. We are seeking to inculcate into him by training an art with which Nature neglected to endow him against his present needs. Should he continue to fail in doing justice to our schooling... But we will not disturb our present harmony with the unpleasant anticipation of misfortunes which we still hope to avert. We love our Leandre, for all his faults. Let me make you acquainted with our company.”

And he proceeded to introduction in detail. He pointed out the long and amiable Rhodomont, whom Andre-Louis already knew.

“His length of limb and hooked nose were his superficial qualifications to play roaring captains,” Pantaloon explained. “His lungs have justified our choice. You should hear him roar. At first we called him Spavento or Epouvapte. But that was unworthy of so great an artist. Not since the superb Mondor amazed the world has so thrasonical a bully been seen upon the stage. So we conferred upon him the name of Rhodomont that Mondor made famous; and I give you my word, as an actor and a gentleman—for I am a gentleman, monsieur, or was—that he has justified us.”

His little eyes beamed in his great swollen face as he turned their gaze upon the object of his encomium. The terrible Rhodomont, confused by so much praise, blushed like a schoolgirl as he met the solemn scrutiny of Andre-Louis.

“Then here we have Scaramouche, whom also you already know. Sometimes he is Scapin and sometimes Coviello, but in the main Scaramouche, to which let me tell you he is best suited—sometimes too well suited, I think. For he is Scaramouche not only on the stage, but also in the world. He has a gift of sly intrigue, an art of setting folk by the ears, combined with an impudent aggressiveness upon occasion when he considers himself safe from reprisals. He is Scaramouche, the little skirmisher, to the very life. I could say more. But I am by disposition charitable and loving to all mankind.”

“As the priest said when he kissed the serving-wench,” snarled Scaramouche, and went on eating.

“His humour, like your own, you will observe, is acrid,” said Pantaloon. He passed on. “Then that rascal with the lumpy nose and the grinning bucolic countenance is, of course, Pierrot. Could he be aught else?”

“I could play lovers a deal better,” said the rustic cherub.

“That is the delusion proper to Pierrot,” said Pantaloon, contemptuously. “This heavy, beetle-browed ruffian, who has grown old in sin, and whose appetite increases with his years, is Polichinelle. Each one, as you perceive, is designed by Nature for the part he plays. This nimble, freckled jackanapes is Harlequin; not your spangled Harlequin into which modern degeneracy has debased that first-born of Momus, but the genuine original zany of the Commedia, ragged and patched, an impudent, cowardly, blackguardly clown.”

“Each one of us, as you perceive,” said Harlequin, mimicking the leader of the troupe, “is designed by Nature for the part he plays.”

“Physically, my friend, physically only, else we should not have so much trouble in teaching this beautiful Leandre to become a lover. Then we have Pasquariel here, who is sometimes an apothecary, sometimes a notary, sometimes a lackey—an amiable, accommodating fellow. He is also an excellent cook, being a child of Italy, that land of gluttons. And finally, you have myself, who as the father of the company very properly play as Pantaloon the roles of father. Sometimes, it is true, I am a deluded husband, and sometimes an ignorant, self-sufficient doctor. But it is rarely that I find it necessary to call myself other than Pantaloon. For the rest, I am the only one who has a name—a real name. It is Binet, monsieur.

“And now for the ladies... First in order of seniority we have Madame there.” He waved one of his great hands towards a buxom, smiling blonde of five-and-forty, who was seated on the lowest of the steps of the travelling house. “She is our Duegne, or Mother, or Nurse, as the case requires. She is known quite simply and royally as Madame. If she ever had a name in the world, she has long since forgotten it, which is perhaps as well. Then we have this pert jade with the tip-tilted nose and the wide mouth, who is of course our soubrette Columbine, and lastly, my daughter Climene, an amoureuse of talents not to be matched outside the Comedie Francaise, of which she has the bad taste to aspire to become a member.”

The lovely Climene—and lovely indeed she was—tossed her nut-brown curls and laughed as she looked across at Andre-Louis. Her eyes, he had perceived by now, were not blue, but hazel.

“Do not believe him, monsieur. Here I am queen, and I prefer to be queen here rather than a slave in Paris.”

“Mademoiselle,” said Andre-Louis, quite solemnly, “will be queen wherever she condescends to reign.”

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