Dawn by H. Rider Haggard (the first e reader txt) 📖

a large magnolia-tree. Going through glass doors that opened outwards into the verandah, Mrs. Carr entered a room luxuriously furnished as a boudoir. This had apparently no other exit, and Arthur was beginning to wonder where the museum could be, when she took a tiny bramah key from her watch-chain, and with it opened a door that was papered and painted to match the wall exactly. He followed her, and found himself in a stone passage, dimly lighted from above, and sloping downwards, that led to a doorway graven in the rock, on the model of those to be seen at the entrance of Egyptian temples.

"Now, Mr. Heigham," she said, flinging open another door, and stepping forward, "you are about the enter 'The Hall of the Dead.'"

He went in, and a strange sight met his gaze. They were standing in the centre of one side of a vast cave, that ran right and left at right angles to the passage. The light poured into it in great rays from skylights in the roof, and by it he could see that it was hollowed out of the virgin rock, and measured some sixty feet or more in length, by about forty wide, and thirty high. Down the length of each side of the great chamber ran a line of six polished sphinxes, which had been hewn out of the surrounding granite, on the model of those at Carnac, whilst the walls were elaborately painted after the fashion of an Egyptian sepulchre. Here Osiris held his dread tribunal on the spirit of the departed; here the warrior sped onward in his charging chariot; here the harper swept his sounding chords; and here, again, crowned with lotus flowers, those whose corpses lay around held their joyous festivals.

In the respective centres of each end of the stone chamber a colossus towered in its silent and unearthly grandeur. That to the right was a statue of Osiris, judge of the souls of the dead, seated on his judgment-seat, and holding in his hand the source and the bent-headed sceptre. Facing him at the other end of the hall was the effigy of the mighty Ramses, his broad brow encircled by that kingly symbol which few in the world's history have worn so proudly, and his noble features impressing those who gaze upon them from age to age with a sense of scornful power and melancholy calm, such as does not belong to the countenance of the men of their own time. And all around, under this solemn guardianship, each upon a polished slab of marble, and enclosed in a case of thick glass, lay the corpses of the Egyptian dead, swathed in numberless wrappings, as in their day the true religion that they held was swathed in symbols and in mummeries.

Here were to be found the high-priest of the mysteries of Isis, the astronomer whose lore could read the prophecies that are written in the stars, the dark magician, the renowned warrior, the noble, the musician with his cymbals by his side, the fair maiden who had--so said her cedar coffin-boards--died of love and sorrow, and the royal babe, all sleeping the same sleep, and waiting the same awakening. This princess must have been well known to Joseph, that may have been her who rescued Moses from the waters, whilst the babe belongs to a dynasty of which the history was already merging into tradition when the great pyramid reared its head on Egypt's fertile plains.

Arthur stood, awed at the wonderful sight.

"Never before," said he, in that whisper which we involuntarily use in the presence of the dead, "did I realize my own insignificance."

The thought was abruptly put, but the words represented well what was passing in his mind, what must pass in the mind of any man of culture and sensibility when he gazes on such a sight. For in such presences the human mite of to-day, fluttering in the sun and walking on the earth that these have known and walked four thousand years ago, must indeed learn how infinitely small is the place that he occupies in the tale of things created; and yet, if to his culture and sensibility he adds religion, a word of living hope hovers on those dumb lips. For where are the spirits of those that lie before him in their eternal silence! Answer, withered lips, and tell us what judgment has Osiris given, and what has Thoth written in his awful book? Four thousand years! Old human husk, if thy dead carcass can last so long, what limit is there to the life of the soul it held?

"Did you collect all these?" asked Arthur, when he had made a superficial examination of the almost countless treasures of the museum.

"Oh, no; Mr. Carr spent half his long life, and more money than I can tell you, in getting this collection together. It was the passion of his life, and he had this cave hollowed at enormous cost, because he thought that the air here would be less likely to injure them than the English fogs. I have added to it, however. I got those papyri and that beautiful bust of Berenice, the one in black marble. Did you ever see such hair?"

Arthur thought to himself that he had at that moment some not far from his heart that must be quite as beautiful, but he did not say so.

"Look, there are some curious things;" and she opened an air-tight case that contained some discoloured grains and a few lumps of shrivelled substance.

"What are they?"

"This is wheat taken from the inside of a mummy, and those are supposed to be hyacinth bulbs. They came from the mummy-case of that baby prince, and I have been told that they would still grow if planted."

"I can scarcely believe that: the principle of life must be extinct."

"Wise people, say, you know, that the principle of life can never become extinct in anything that has once lived, though it may change its form; but I do not pretend to understand these things. However, we will settle the question, for we will plant one, and, if it grows, I will give the flower to you. Choose one."

Arthur took the biggest lump from the case, and examined it curiously.

"I have not much faith in your hyacinth; I am sure that it is dead."

"Ah! but many things that seem more dead than that have the strangest way of suddenly breaking into life," she said, with a little sigh. "Give it to me; I will have it planted;" and then, with a quick glance upward, "I wonder if you will be here to see it bloom."

"I don't think that either of us will see it bloom in this world," he answered, laughing, and took his leave.

CHAPTER XXXV

 

Had Arthur been a little less wrapped up in thoughts of Angela, and a little more alive to the fact that, being engaged or even married to one woman, does not necessarily prevent complications arising with another, it might have occurred to him to doubt the prudence of the course of life that he was pursuing at Madeira. And, as it is, it is impossible to acquit him of showing a want of knowledge of the world amounting almost to folly, for he should have known upon general principles that, for a man in his position, a grizzly bear would have been a safer daily companion than a young and lovely widow, and the North Pole a more suitable place of residence than Madeira. But he simply did not think about the matter, and, as thin ice has a treacherous way of not cracking till it suddenly breaks, so outward appearances gave him no indication of his danger.

And yet the facts were full of evil promise, for, as time went on, Mildred Carr fell headlong in love with him. There was no particular reason why she should have done so. She might have had scores of men, handsomer, cleverer, more distinguished, for the asking, or, rather, for the waiting to be asked. Beyond a certain ability of mind, a taking manner, and a sympathetic, thoughtful face, with that tinge of melancholy upon it which women sometimes find dangerously interesting, there was nothing so remarkable about Arthur that a woman possessing her manifold attractions and opportunities, should, unsought and without inquiry, lavish her affection upon him. There is only one satisfactory explanation of the phenomenon, which, indeed, is a very common one, and that is, that he was her fate, the one man whom she was to love in the world, for no woman worth the name ever loves two, however many she may happen to marry. For this curious difference would appear to exist between the sexes. The man can attach himself, though in varying degree, to several women in the course of a lifetime, whilst the woman, the true, pure-hearted woman, cannot so adapt her best affection. Once given, like the law of the Medes and Persians, it altereth not.

Mildred felt, when her eyes first met Arthur's in Donald Currie's office, that this man was for her different from all other men, though she did not put the thought in words even to herself. And from that hour till she embarked on board the boat he was continually in her mind, a fact which so irritated her that she nearly missed the steamer on purpose, only changing her mind at the last moment. And then, when she had helped him to carry Miss Terry to her cabin, their hands had accidentally met, and the contact had sent a thrill through her frame such as she had never felt before. The next development that she could trace was her jealousy of the black-eyed girl whom she saw him helping about the deck, and her consequent rudeness.

Up to her present age, Mildred Carr had never known a single touch of love: she had not even felt particularly interested in her numerous admirers, but now this marble Galatea had by some freak of fate found a woman's heart, awkwardly enough, without the semblance of a supplication on the part of him whom she destined to play Pygmalion. And, when she examined herself by the light of the flame thus newly kindled, she shrank back dismayed, like one who peeps over the crater of a volcano commencing its fiery work. She had believed her heart to be callous to all affection of this nature, it had seemed as dead as the mummied hyacinth; and now it was a living, suffering thing, and all alight with love. She had tasted of a new wine, and it burnt her, and was bitter sweet, and yet she longed for more. And thus, by slow and sad degrees, she learnt that her life, which had for thirty years flowed on its quiet way unshadowed by love's wing, must henceforth own his dominion, and be a slave to his sorrows and caprices. No wonder that she grew afraid!

But Mildred was a woman of keen insight into character, and it did not require that her powers of observation should be sharpened by the condition of her affections, to show her that, however deeply she might be in love with Arthur Heigham, he was not