Ten Years Later by Alexandre Dumas (autobiographies to read .TXT) 📖

inquired De Guiche, “that the repetition of the ballet still takes place?”

“Quite sure.”

“Well, you see, Raoul,” continued De Guiche, endeavoring to smile, “you see, the court is not so very sorrowful, or so readily disposed for internal dissensions, when dancing is carried on with such assiduity. Come, acknowledge that,” said the count to Raoul, who shook his head, saying, “I have nothing to add.”

“But,” inquired the chevalier, curious to learn whence Raoul had obtained his information, the exactitude of which he was inwardly forced to admit, “since you say you are well informed, vicomte, how can you be better informed than myself, who am one of the prince’s most intimate companions?”

“To such a declaration I submit. You certainly ought to be perfectly well informed, I admit; and, as a man of honor is incapable of saying anything but what he knows to be true, or of speaking otherwise than what he thinks, I will say no more, but confess myself defeated, and leave you in possession of the field of battle.”

Whereupon Raoul, who now seemed only to care to be left quiet, threw himself upon a couch, whilst the count summoned his servants to aid him in dressing. The chevalier, finding that time was passing away, wished to leave; but he feared, too, that Raoul, left alone with De Guiche, might yet influence him to change his mind. He therefore made use of his last resource.

“Madame,” he said, “will be brilliant; she appears to-day in her costume of Pomona.”

“Yes, that is so,” exclaimed the count.

“And she has just given directions in consequence,” continued the chevalier. “You know, Monsieur de Bragelonne, that the king is to appear as Spring.”

“It will be admirable,” said De Guiche; “and that is a better reason for me to remain than any you have yet given, because I am to appear as Autumn, and shall have to dance with Madame. I cannot absent myself without the king’s orders, since my departure would interrupt the ballet.”

“I,” said the chevalier, “am to be only a simple egypan; true, it is, I am a bad dancer, and my legs are not well made. Gentlemen, adieu. Do not forget the basket of fruit, which you are to offer to Pomona, count.”

“Rest assured,” said De Guiche, delightedly, “I shall forget nothing.”

“I am now quite certain that he will remain,” murmured the Chevalier de Lorraine to himself.

Raoul, when the chevalier had left, did not even attempt to dissuade his friend, for he felt that it would be trouble thrown away; he merely observed to the comte, in his melancholy and melodious voice, “You are embarking in a most dangerous enterprise. I know you well; you go to extremes in everything, and the lady you love does so, too. Admitting for an instant that she should at last love you—”

“Oh, never!” exclaimed De Guiche.

“Why do you say never?”

“Because it would be a great misfortune for both of us.”

“In that case, instead of regarding you simply imprudent, I cannot but consider you absolutely mad.”

“Why?”

“Are you perfectly sure—mind, answer me frankly—that you do not wish her whom you love to make any sacrifice for you?”

“Yes, yes; quite sure.”

“Love her, then, at a distance.”

“What! at a distance?”

“Certainly; what matters being present or absent, since you expect nothing from her? Love her portrait, a memento.”

“Raoul!”

“Love is a shadow, an illusion, a chimera; be devoted to the affection itself, in giving a name to your ideality.”

“Ah!”

“You turn away; your servants approach. I will say no more. In good or bad fortune, De Guiche, depend on me.”

“Indeed I shall do so.”

“Very well; that is all I had to say to you. Spare no pains in your person, De Guiche, and look your very best. Adieu.”

“You will not be present, then, at the ballet, vicomte?”

“No; I shall have a visit to pay in town. Farewell, De Guiche.”

The reception was to take place in the king’s apartments. In the first place, there were the queens, then Madame, and a few ladies of the court, who had been carefully selected. A great number of courtiers, also selected, occupied the time, before the dancing commenced, in conversing, as people knew how to converse in those times. None of the ladies who had received invitations appeared in the costumes of the fete, as the Chevalier de Lorraine had predicted, but many conversations took place about the rich and ingenious toilettes designed by different painters for the ballet of “The Demi-Gods,” for thus were termed the kings and queens of which Fontainebleau was about to become the Pantheon. Monsieur arrived, holding in his hand a drawing representing his character; he looked somewhat anxious; he bowed courteously to the young queen and his mother, but saluted Madame almost cavalierly. His notice of her and his coldness of manner were observed by all. M. de Guiche indemnified the princess by a look of passionate devotion, and it must be admitted that Madame, as she raised her eyes, returned it to him with interest. It is unquestionable that De Guiche had never looked so handsome, for Madame’s glance had its customary effect of lighting up the features of the son of the Marshal de Gramont. The king’s sister-in-law felt a storm mustering above her head; she felt, too, that during the whole of the day, so fruitful in future events, she had acted unjustly, if not treasonably, towards one who loved her with such a depth of devotion. In her eyes the moment seemed to have arrived for an acknowledgement to the poor victim of the injustice of the morning. Her heart spoke, and murmured the name of De Guiche; the count was sincerely pitied and accordingly gained the victory over all others. Neither Monsieur, nor the king, nor the Duke of Buckingham, was any longer thought of; De Guiche at that moment reigned without a rival. But although Monsieur also looked very handsome, still he could not be compared to the count. It is well known—indeed all women say so—that a wide difference invariably exists between the good looks of a lover and those of a husband. Besides, in the present case, after Monsieur had left, and after the courteous and affectionate recognition of the young queen and of the queen-mother, and the careless and indifferent notice of Madame, which all the courtiers had remarked; all these motives gave the lover the advantage over the husband. Monsieur was too great a personage to notice these details. Nothing is so certain as a well settled idea of superiority to prove the inferiority of the man who has that opinion of himself. The king arrived. Every one looked for what might possibly happen in the glance, which began to bestir the world, like the brow of Jupiter Tonans. Louis had none of his brother’s gloominess, but was perfectly radiant. Having examined the greater