Ten Years Later by Alexandre Dumas (autobiographies to read .TXT) 📖

hastened to follow their gracious sovereign. The Seasons, allies of Spring, followed him closely, to form a quadrille, which, after many words of more or less flattering import, was the commencement of the dance. The music, hautboys, flutes, and viols, was delightfully descriptive of rural delights. The king had already made his appearance, amid thunders of applause. He was dressed in a tunic of flowers, which set off his graceful and well-formed figure to advantage. His legs, the best-shaped at court, were displayed to great advantage in flesh-colored silken hose, of silk so fine and so transparent that it seemed almost like flesh itself. The most beautiful pale-lilac satin shoes, with bows of flowers and leaves, imprisoned his small feet. The bust of the figure was in harmonious keeping with the base; Louis’s waving hair floated on his shoulders, the freshness of his complexion was enhanced by the brilliancy of his beautiful blue eyes, which softly kindled all hearts; a mouth with tempting lips, which deigned to open in smiles. Such was the prince of that period: justly that evening styled “The King of all the Loves.” There was something in his carriage which resembled the buoyant movements of an immortal, and he did not dance so much as seem to soar along. His entrance produced, therefore, the most brilliant effect. Suddenly the Comte de Saint-Aignan was observed endeavoring to approach either the king or Madame.

The princess—who was robed in a long dress, diaphanous and light as the finest network tissue from the hands of skillful Mechlin workers, one knee occasionally revealed beneath the folds of the tunic, and her little feet encased in silken slippers decked with pearls—advanced radiant with beauty, accompanied by her cortege of Bacchantes, and had already reached the spot assigned to her in the dance. The applause continued so long that the comte had ample leisure to join the king.

“What is the matter, Saint-Aignan?” said Spring.

“Nothing whatever,” replied the courtier, as pale as death; “but your majesty has not thought of Fruits.”

“Yes; it is suppressed.”

“Far from it, sire; your majesty having given no directions about it, the musicians have retained it.”

“How excessively annoying,” said the king. “This figure cannot be performed, since M. de Guiche is absent. It must be suppressed.”

“Ah, sire, a quarter of an hour’s music without any dancing will produce an effect so chilling as to ruin the success of the ballet.”

“But, come, since—”

“Oh, sire, that is not the greatest misfortune; for, after all, the orchestra could still just as well cut it out, if it were necessary; but—”

“But what?”

“Why, M. de Guiche is here.”

“Here?” replied the king, frowning, “here? Are you sure?”

“Yes, sire; and ready dressed for the ballet.”

The king felt himself color deeply, and said, “You are probably mistaken.”

“So little is that the case, sire, that if your majesty will look to the right, you will see that the comte is in waiting.”

Louis turned hastily towards the side, and in fact, on his right, brilliant in his character of Autumn, De Guiche awaited until the king should look at him, in order that he might address him. To give an idea of the stupefaction of the king, and that of Monsieur, who was moving about restlessly in his box,—to describe also the agitated movement of the heads in the theater, and the strange emotion of Madame, at the sight of her partner,—is a task we must leave to abler hands. The king stood almost gaping with astonishment as he looked at the comte, who, bowing lowly, approached Louis with the profoundest respect.

“Sire,” he said, “your majesty’s most devoted servant approaches to perform a service on this occasion with similar zeal that he has already shown on the field of battle. Your majesty, in omitting the dance of the Fruits, would be losing the most beautiful scene in the ballet. I did not wish to be the substance of so dark a shadow to your majesty’s elegance, skill, and graceful invention; and I have left my tenants in order to place my services at your majesty’s commands.”

Every word fell distinctly, in perfect harmony and eloquence, upon Louis XIV.‘s ears. Their flattery pleased, as much as De Guiche’s courage had astonished him, and he simply replied: “I did not tell you to return, comte.”

“Certainly not, sire; but your majesty did not tell me to remain.”

The king perceived that time was passing away, that if this strange scene were prolonged it would complicate everything, and that a single cloud upon the picture would eventually spoil the whole. Besides, the king’s heart was filled with two or three new ideas; he had just derived fresh inspiration from the eloquent glances of Madame. Her look had said to him: “Since they are jealous of you, divide their suspicions, for the man who distrusts two rivals does not object to either in particular.” So that Madame, by this clever diversion, decided him. The king smiled upon De Guiche, who did not comprehend a word of Madame’s dumb language, but he remarked that she pretended not to look at him, and he attributed the pardon which had been conferred upon him to the princess’s kindness of heart. The king seemed only pleased with every one present. Monsieur was the only one who did not understand anything about the matter. The ballet began; the effect was more than beautiful. When the music, by its bursts of melody, carried away these illustrious dancers, when the simple, untutored pantomime of that period, only the more natural on account of the very indifferent acting of the august actors, had reached its culminating point of triumph, the theater shook with tumultuous applause.

De Guiche shone like a sun, but like a courtly sun, that is resigned to fill a subordinate part. Disdainful of a success of which Madame showed no acknowledgement, he thought of nothing but boldly regaining the marked preference of the princess. She, however, did not bestow a single glance upon him. By degrees all his happiness, all his brilliancy, subsided into regret and uneasiness; so that his limbs lost their power, his arms hung heavily by his sides, and his head drooped as though he was stupefied. The king, who had from this moment become in reality the principal dancer in the quadrille, cast a look upon his vanquished rival. De Guiche soon ceased to sustain even the character of the courtier; without applause, he danced indifferently, and very soon could not dance at all, by which accident the triumph of the king and of Madame was assured.