Himalayan Journals, vol 1 by J. D. Hooker (best ebook for manga .TXT) đź“–
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Paintings, remarkable only for their hideous proportions and want of perspective, are daubed in vermilion, ochre, and indigo.
The elephant, camel, and porpoise of the Ganges, dog, shepherd, peacock, and horse, are especially frequent, and so is a running pattern of a hand spread open, with a blood-red spot on the palm.
A still less elegant but frequent object is the fuel, which is composed of the manure collected on the roads of the city, moulded into flat cakes, and stuck by the women on the walls to dry, retaining the sign-manual of the artist in the impressed form of her outspread hand. The cognizance of the Rajah, two fish chained together, appears over the gates of public buildings.
The hundreds of temples and shrines throughout the city are its most remarkable feature: sacred bulls, and lingams of all sizes, strewed with flowers and grains of rice meet the eye at every turn; and the city’s boast is the possession of one million idols, which, of one kind and another, I can well believe. The great Hindoo festival of the Holi was now celebrating, and the city more than ordinarily crowded; throwing red powder (lac and flour), with rose-water, is the great diversion at a festival more childish by far than a carnival.
Through the kindness of Mr. Reade (the Commissioner), I obtained admission to the Bishishar-Kumardil, the “holiest of holies.” It was a small, low, stone building, daubed with red inside, and swarming with stone images of Brahminee bulls, and various disgusting emblems.
A fat old Brahmin, naked to the waist, took me in, but allowed no followers; and what with my ignorance of his phraseology, the clang of bells and din of voices, I gained but little information.
Some fine bells from Nepal were evidently the lion of the temple.
I emerged, adorned with a chaplet of magnolia flowers, and with my hands full of Calotropis and Nyctanthes blossoms.
It was a horrid place for noise, smell, and sights. Thence I went to a holy well, rendered sacred because Siva, when stepping from the Himalaya to Ceylon, accidentally let a medicine chest fall into it.
The natives frequent it with little basins or baskets of rice, sugar, etc., dropping in a little of each while they mutter prayers.
Illustration — EQUATORIAL-SUNDIAL
The observatory at Benares, and those at Delhi, Matra on the Jumna, and Oujein, were built by Jey-Sing, Rajah of Jayanagar, upwards of 200 years ago; his skill in mathematical science was so well known, that the Emperor Mahommed Shah employed him to reform the calendar.
Mr. Hunter, in the “Asiatic Researches,” gives a translation of the lucubrations of this really enlightened man, as contained in the introduction to his own almanac.
Illustration — EQUINOCTIAL SUNDIAL.
Of the more important instruments I took sketches; No. 1, is the Naree-wila, or Equatorial dial; No. 2, the Semrat-yunta, or Equinoctial dial; No. 3, an Equatorial, probably a Kranti-urit, or Azimuth circle.* [Hunter, in As Soc. Researches, 177 (Calcutta); Sir R. Barker in Phil. Trans., lxvii. 608 (1777); J. L. Williams, Phil.
Trans., lxxxiii. 45 (1793).] Jey-Sing’s genius and love of science seem, according to Hunter, to have descended to some of his family, who died early in this century, when “Urania fled before the brazen-fronted Mars, and the best of the observatories, that of Oujein, was turned into an arsenal and cannon foundry.”
Illustration — BRASS AZIMUTH CIRCLE
The observatory is still the most interesting object in Benares, though it is now dirty and ruinous, and the great stone instruments are rapidly crumbling away. The building is square, with a central court and flat roof, round which the astrolabes, etc. are arranged.
A half naked Astronomer-Royal, with a large sore on his stomach, took me round—he was a pitiful object, and told me he was very hungry.
The observatory is nominally supported by the Rajah of Jeypore, who doles out a too scanty pittance to his scientific corps.
In the afternoon Mr. Reade drove me to the Sar-nath, a singular Boodhist temple, a cylindrical mass of brickwork, faced with stone, the scrolls on which were very beautiful, and as sharp as if freshly cut: it is surmounted by a tall dome, and is altogether about seventy or a hundred feet high. Of the Boodh figures only one remains, the others having been used by a recent magistrate of Benares in repairing a bridge over the Goomtee! From this place the Boodhist monuments, Hindoo temple, Mussulman mosque, and English church, were all embraced in one coup d’oeil. On our return, we drove past many enormous mounds of earth and brickwork, the vestiges of Old Benares, but whether once continued to the present city or not is unknown. Remains are abundant, eighteen feet below the site of the present city.
Benares is the Mecca of the Hindoos, and the number of pilgrims who visit it is incalculable. Casi (its ancient name, signifying splendid), is alleged to be no part of this world, which rests on eternity, whereas Benares is perched on a prong of Siva’s trident, and is hence beyond the reach of earthquakes.* [Probably an allusion to the infrequency of these phenomena in this meridian; they being common both in Eastern Bengal, and in Western India beyond the Ganges.] Originally built of gold, the sins of the inhabitants were punished by its transmutation into stone, and latterly into mud and thatch: whoever enters it, and especially visits its principal idol (Siva fossilised) is secure of heaven.
On the 18th I left Benares for Ghazepore, a pretty town situated on the north bank of the river, celebrated for its manufacture of rose-water, the tomb of Lord Cornwallis, and a site of the Company’s stud. The Rose gardens surround the town: they are fields, with low bushes of the plant grown in rows, red with blossoms in the morning, all of which are, however, plucked long before midday. The petals are put into clay stills, with twice their weight of water, and the produce exposed to the fresh air, for a night, in open vessels.
The unskimmed water affords the best, and it is often twice and even oftener distilled; but the fluid deteriorates by too much distillation. The Attar is skimmed from the exposed pans, and sells at 10 pounds the rupee weight, to make which 20,000 flowers are required. It is frequently adulterated with sandal-wood oil.
Lord Cornwallis’ mausoleum is a handsome building, modelled by Flaxman after the Sybil’s Temple. The allegorical designs of Hindoos and sorrowing soldiers with reversed arms, which decorate two sides of the enclosed tomb, though perhaps as good as can be, are under any treatment unclassical and uncouth. The simple laurel and oak-leaf chaplets on the alternating faces are far more suitable and suggestive.
March 21.—I left Ghazepore and dropped down the Ganges; the general features of which are soon described. A strong current four or five miles broad, of muddy water, flows between a precipitous bank of alluvium or sand on one side, and a flat shelving one of sand or more rarely mud, on the other. Sand-banks are frequent in the river, especially where the great affluents debouche; and there generally are formed vast expanses of sand, small “Saharas,” studded with stalking pillars of sand, raised seventy or eighty feet high by gusts of wind, erect, stately, grave-looking columns, all shaft, with neither basement nor capital, the genii of the “Arabian Nights.”
The river is always dotted with boats of all shapes, mine being perhaps of the most common description; the great square, Yankee-like steamers, towing their accommodation-boats (as the passengers’
floating hotels are called), are the rarest. Trees are few on the banks, except near villages, and there is hardly a palm to be seen above Patna. Towns are unfrequent, such as there are being mere collections of huts, with the ghat and boats at the bottom of the bank; and at a respectful distance from the bazaar, stand the neat bungalows of the European residents, with their smiling gardens, hedgings and fencings, and loitering servants at the door. A rotting charpoy (or bedstead) on the banks is a common sight, the “sola reliquia” of some poor Hindoo, who departs this life by the side of the stream, to which his body is afterwards committed.
Shoals of small goggled-eyed fish are seen, that spring clear out of the water; and are preyed upon by terns and other birds; a few insects skim the surface; turtle and porpoises tumble along, all forming a very busy contrast to the lazy alligator, sunning his green and scaly back near the shore, with his ichthyosaurian snout raised high above the water. Birds are numerous, especially early and late in the day. Along the silent shore the hungry Pariah dog may be seen tearing his meal from some stranded corpse, whilst the adjutant-bird, with his head sunk on his body and one leg tucked up, patiently awaits his turn. At night the beautiful Brahminee geese alight, one by one, and seek total solitude; ever since having disturbed a god in his slumbers, these birds are fated to pass the night in single blessedness. The gulls and terns, again, roost in flocks, as do the wild geese and pelicans,—the latter, however, not till after making a hearty and very noisy supper. These birds congregate by the sides of pools, and beat the water with violence, so as to scare the fish, which thus become an easy prey; a fact which was, I believe, first indicated by Pallas, during his residence on the banks of the Caspian Sea. Shells are scarce, and consist of a few small bivalves; their comparative absence is probably due to the paucity of limestone in the mountains whence the many feeders flow. The sand is pure white and small-grained, with fragments of hornblende and mica, the latter varying in abundance as a feeder is near or far away. Pink sand* [I have seen the same garnet sand covering the bottom of the Himalayan torrents, where it is the produce of disintegrated gneiss, and whence it is transported to the Ganges.] of garnets is very common, and deposited in layers interstratified with the white quartz sand.
Worm-marks, ripple-marks, and the footsteps of alligators, birds and beasts, abound in the wet sand. The vegetation of the banks consists of annuals which find no permanent resting-place. Along the sandy shores the ever-present plants are mostly English, as Dock, a Nasturtium, Ranunculus sceleratus, Fumitory, Juncus bufonius,, Common Vervain, Gnaphalium luteo-album, and very frequently Veronica Anagallise. On the alluvium grow the same, mixed with Tamarisk, Acacia Arabica, and a few other bushes.
Withered grass abounds; and wheat, dhal (_Cajanus_) and gram (_Cicer arietinum_), Carthamus, vetches, and rice are the staple products of the country. Bushes are few, except the universally prevalent Adhatoda and Calotropis. Trees, also, are rare, and of stunted growth; Figs, the Artocarpus and some Leguminosa prevail most. I saw but two kinds of palm, the fan-palm, and Phoenix: the latter is characteristic of the driest locality. Then, for the animal creation, men, women, and children abound, both on the banks, and plying up and down the Ganges. The humped cow (of which the ox is used for draught) is common. Camels I occasionally observed, and more rarely the elephant; poneys, goats, and dogs muster strong. Porpoises and alligators infest the river, even above Benares. Flies and mosquitos are terrible pests; and so are the odious flying-bugs,* [Large Hemipterlus insects, of the genus Derecteryx.] which insinuate themselves
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