Jerome Cardan by William George Waters (ebook reader library TXT) 📖

affirms, are open to contention. He then passes on to discuss the properties of matter: fire, moisture, cold, dryness, and vacuum. The last-named furnishes him with a text for a discourse on a wonderful lamp which he invented by thinking out the principle of the vacuum. This digression on the very threshold of the work is a sample of what the reader may expect to encounter all through the twenty-one books of the _De Subtilitate_ and the seventeen of the _De Varietate_. Regardless of the claims of continuity, he jumps from principle to practice without the slightest warning. Intermingled with dissertations on abstract causes and the hidden forces of Nature are to be found descriptions of taps and pumps and syphons, and of the water-screw of Archimedes, the re-invention of which caused poor Galeazzo Rosso, Fazio's blacksmith friend, to go mad for joy. There are diagrams of furnaces, of machinery for raising sunken ships, and of the common steelyard. Cardan finds no problem of the universe too recondite to essay, and in like manner he sets down information as to the most trivial details of every-day economy: how to kill mice, why dogs bay the moon, how to make vinegar, why a donkey is stupid, why flint and steel produce fire, how to make the hands white, how to tell good mushrooms from bad, and how to mark household linen. He treats of the elements, Earth, Air, and Water, excluding Fire, because it produces nothing material; of the heavens and light: metals, stones, plants, and animals. Marvellous stories abound, and the most whimsical theories are advanced to account for the working of Nature. He tells how he once saw a man from Porto Maurizio, pallid, with little hair on his face, and fat in person, who had in his breasts milk enough to suckle a child. He was a soldier, and this strange property caused him no slight inconvenience. Sages, he affirms, on account of their studious lives, are little prone to sexual passion. With them the vital power is carried from the heart to a region remote from the genitals, _i.e._ to the brain, and for this reason such men as a rule beget children weak and unlike themselves. Diet has a valid effect on character, as the Germans, who subsist chiefly on the milk of wild cows, are fierce and bold and brutal. Again, the Corsicans, who eat young dogs, wild as well as domestic, are notably fierce, cruel, treacherous, fearless, nimble, and strong, following thus the nature of dogs. He argues at length to show that man is neither an animal nor a plant, but something between the two. A man is no more an animal than an animal is a plant. The animal has the _anima sensitiva_ which the plant lacks, and man transcends the animal through the gift of the _anima intellectiva_, which, as Aristotle testifies, differs from the _sensitiva_. Some maintain that man and the animals must be alike in nature and spirit, because it is possible for man to catch certain diseases from animals. But animals take certain properties from plants, and no one thinks of calling an animal a plant. Man's nature is threefold: the Divine, which neither deceives nor is deceived; the Human, which deceives, but is not deceived; the Brutish, which does not deceive, but is deceived. Dissertations on the various sciences, the senses, the soul and intellect, things marvellous, demons and angels, occupy the rest of the chapters of the _De Subtilitate_.

At the end of the last book of _De Varietate_, Cardan gives a table showing the books of the two works arranged in parallel columns so as to exhibit the relation they bear to each other. A comparison of the treatment accorded to any particular branch of Natural Philosophy in the _De Subtilitate_ with that given in the _De Varietate_, will show that in the last-named work Cardan used his most discursive and anecdotic method. Mechanics are chiefly dealt with in the _De Subtilitate_, and all through this treatise he set himself to observe in a certain degree the laws of proportion, and kept more or less to the point with which he was dealing, a system of treatment which left him with a vast heap of materials on his hands, even after he had built up the heavy tome of the _De Subtilitate_. Perhaps when he began his work upon the fresh volume he found this _ingens acervus_ too intractable and heterogeneous to be susceptible of symmetrical arrangement, and was forced to let it remain in confusion. Few men would sit down with a light heart to frame a well-ordered treatise out of the _debris_ of a heap of note-books, and it would be unjust to censure Cardan's literary performance because he failed in this task. Probably no other man living in his day would have achieved a better result. It is certain that he expended a vast amount of labour in attempting to reduce his collected mass of facts even to the imperfect form it wears in the _De Varietate Rerum_.[120]

Considering that this book covers to a great extent the same ground as its predecessor, Cardan must be credited with considerable ingenuity of treatment in presenting his supplementary work without an undue amount of repetition. In the _De Varietate_ he always contrives to bring forward some fresh fact or fancy to illustrate whatever section of the universe he may have under treatment, even though this section may have been already dealt with in the _De Subtilitate_. The characteristic most strongly marked in the later book is the increased eagerness with which he plunges into the investigation of certain forces, which he professes to appreciate as lying beyond Nature, and incapable of scientific verification in the modern sense, and the fabled manifestations of the same. He loses no opportunity of trying to peer behind the curtain, and of seeking--honestly enough--to formulate those various pseudo-sciences, politely called occult, which have now fallen into ridicule and disrepute with all except the charlatan and the dupe, who are always with us. Where he occupies in the _De Subtilitate_ one page in considering those things which lie outside Nature--demons, ghosts, incantations, succubi, incubi, divinations, and such like--he spends ten in the _De Varietate_ over kindred subjects. There is a wonderful story[121] told by his father of a ghost or demon which he saw in his youth while he was a scholar in the house of Giovanni Resta at Pavia. He searches the pages of Hector Boethius, Nicolaus Donis, Rugerus, Petrus Toletus, Leo Africanus, and other chroniclers of the marvellous, for tales of witchcraft, prodigies, and monstrous men and beasts, and devotes a whole chapter to chiromancy,[122] a subject with which he had occupied his plenteous leisure when he was waiting for patients at Sacco. The diagram of the human hand given by him does not differ greatly from that of the contemporary hand-books of the "Art," and the leading lines are just the same. The heavenly bodies are as potent here as in Horoscopy. The thumb is given to Mars, the index finger to Jupiter, the middle finger to Saturn, the ring finger to the Sun, and the little finger to Venus. Each finger-joint has its name, the lowest being called the procondyle, the middle the condyle, and the upper the metacondyle. He passes briefly over as lines of little import, the _via combusta_ and the _Cingulus Orionis_, but lays some stress on the character of the nails and the knitting together of the hand, declaring that hands which can be bent easily backward denote effeminacy or a rapacious spirit. He teaches that lines are most abundant in the hands of children, on account of the tenderness of the skin, and of old men on account of the dryness, a statement which might suggest the theory that lines come into existence through the opening and closing of the hand. But the adoption of this view would have proved more disastrous to chiromancy than ridicule or serious criticism; so he straightway finds an explanation for this fact in the postulate that lines in young people's hands speak as to the future, and in old men's as to the past. Later he goes on to affirm that lines in the hand cannot be treated as mere wrinkles arising from the folding of the skin, unless we are prepared to admit that wrinkled people are more humorous than others, alluding no doubt to the lines in the face caused by laughter, a proposition which does not seem altogether convincing or consequential, unless we also postulate that all humorous men laugh at every joke. There is a line in the hand which he calls the _linea jecoraria_, and the triangle formed by this and the _linea vitae_ and the _linea cerebri_, rules the disposition of the subject, due consideration being given to the acuteness or obtuseness of the angles of this triangle. Cardan seems to have based his treatise on one written by a certain Ruffus Ephesius, and it is without doubt one of the dullest portions of his work.[123]

It is almost certain that Cardan purposed to let the _De Varietate_ come forth from the press immediately after the _De Subtilitate_, but before the MS. was ready, it came to pass that he was called to make that memorable journey to Scotland in order to find a remedy for the ailment which was troubling the Archbishop of St. Andrews, a journey which has given to Britons a special interest in his life and work. In dealing with the Cosmos in the _De Subtilitate_ he had indeed made brief mention of Britain; but, writing then, he had no personal relations with either England or Scotland, or the people thereof; and, but for his subsequent visit, he would not have been able to set down in the pages of his second book so many interesting and suggestive notes of what he had seen and heard, and his ideas of the politics of the time. Again, if he had not been urged by the desire all men feel to read what others may have to say about places they have visited, it is not likely that he would have searched the volumes of Hector Boethius and other early writers for legends and stories of our island. Writing of Britain[124] in the _De Subtilitate_ he had praised its delicate wool and its freedom from poisonous beasts: a land where the wolf had been exterminated, and where the sheep might roam unvexed by any beast more formidable than the fox. The inordinate breeding of rooks seems even in those days[125] to have led to a war of extermination against them, carried on upon a system akin to that which was waged against the sparrow in the memory of men yet living. But besides this one, he records, in the _De Subtilitate_, few facts concerning Britain. He quotes the instances of Duns Scotus and Suisset in support of the view that the barbarians are equal to the Italians in intellect,[126] and he likewise notices the use of a fertilizing earth--presumably marl--in agriculture,[127] and the longevity of the people, some of whom have reached their hundred and twentieth year.[128] The first notice of us in the _De Varietate_ is in praise of our forestry, forasmuch as he remarked that the plane tree, which is almost unknown in Italy through neglect, thrives well in Scotland, he himself having seen specimens over thirty feet high growing in the garden of the Augustinian convent near Edinburgh. The lack of fruit in England he attributes rather to the violence of the wind than to the cold; but, in spite of our cruel skies, he was able to eat ripe plums in September, in a district close to the Scottish border. He bewails the absence of olives and nuts, and recommends the erection of garden-walls in order to help on the cultivation of the more delicate fruits.

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