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or despite, folly is made crime. But since sin must ever be arraigned for itself, and error is prone to plead for mercy, I leave no word here that can be misconstrued or misapplied. Certain it is that Elizabeth Whitman was marked as one of strangely fluctuating moods, as the truly gifted ever are, and of a wild, incomprehensible nature, little understood by those who should have known her best, and with whom she was most intimate. Over this, in tracing her history, it were well to pause, were it not that thus we might give countenance to this prominent fact of modern days, that the eccentricities of genius are often substituted for genius itself, or are made its prime characteristics, as the gold of the jeweller is recommended for its beauty and strength in proportion to its alloy.

However much we may regret the waywardness of such a heart in the present instance, in that it rejected one so nobly qualified as was Mr. Buckminster to appreciate its genius and its love, while sympathizing with his own mortifying disappointment, (for this we must admit,) that she had in the secrets of her nature a preference for another, we cannot altogether know its results. So cautiously and discreetly did he, through a long and beautiful life, qualify both his lips and his pen, that little or nothing remains beyond these letters of the novelist—which we may not doubt are authentic, as they were long in the possession of Mrs. Henry Hill, of Boston, the "Mrs. Sumner" of the novel—to tell how the heart was instructed, and how blighted hope and blasted affection were made the lobes through which the spirit caught its sublimest and holiest respiration. We know

  "Through lacerations takes the spirit wing,
  And in the heart's long death throe grasps true life."

One little remark which has been suffered to creep into his Memoirs is, however, of peculiar significance. I quote it here.

In speaking of Connecticut to a friend, he says, "My place was there; I always wished that state to be my home; but Providence has directed my line of duty far away from the place of my first affections."

He also—as one who had every means of knowing the fact has informed me—was deeply affected on reading the "romance" here following, and at the time remarked that, had the author been personally acquainted (not knowing that she was) with the circumstances of his engagement with Elizabeth Whitman, she could not have described them with more graphic truth.

The Hon. Pierrepont Edwards, to whom was given the preference and precedence above referred to, and who is made to assume in the chapters of the novel the name of "Sanford," was the son of Rev. Jonathan Edwards, president of Princeton College, New Jersey. His maternal grandmother was Esther, the second daughter of the Rev. Solomon Stoddard, and sister to the paternal grandmother of Elizabeth Whitman, the wife of Rev. Samuel Whitman before mentioned. A Mr. Burt has by some been identified with this "Sanford," the rival of "Boyer," yet without the least pretension in history to authenticity. Nor can we place much reliance upon the letters here introduced as his in point of originality, as there is sufficient reason for believing that these are, for the most part, of the author's invention, founded upon the current reputation of his after years. And we may be happy in so considering them, since they would betray a character, even in earliest manhood, too depraved and debased for honorable mention, although his errors were no doubt altogether beyond the palliation of a woman's pen. Yet we would fain look at him, in youth at least, as undebauched and uncorrupt, however stained may be the record of his manhood.

Between him and Elizabeth Whitman there was, notwithstanding, over all and under all, a close affinity of spirit; and there is no question, aside from the frailties and objections which the writer of the romance has introduced, that there was a marriage of the soul, superseding all after ties which worldliness and depravity might have consummated, that overshadows sin, and may not pass into our reckoning. Not only such a marriage, but one, though secret, actually sanctioned by the laws of the land, she is known to have declared a fact previous to her death.

Question this who may, that deep down under the impulses of surging passion there existed a purer and holier affection for her, is in history sufficiently clear. They had been set in family connection, intimate by kin, intimate in earliest life by every outward tie, and especially intimate by the subtile affinities of their spiritual natures. Yet he who can, under any circumstances, entreat the love of woman, and then take advantage of her weakness or her confidence, is an anomaly in nature, and should have a special, judiciary here and in heaven.

Since so much of the romance here following is truth, veritable truth, it is to be regretted that any error of historical character was suffered to assume importance in the narrative. Yet this is so often the case in works of this kind, that it is not remarkable here. More surprising is it that truth was so carefully and conscientiously guarded and preserved.

In conflicting statements, it is difficult to determine the precise year of the marriage of Mr. Edwards, whether before or after the death of "Eliza Wharton," although it may have been long before, even as one of his biographers has it, and that recklessness and extravagance may have lifted him to a too fearful height from the calm Eden of love and honor, till he at length compromised the influence of both to baser avarice.

That he married Frances Ogden, of Elizabeth-town, New Jersey, for his first wife, is the fact, and the date given is 1769. Yet the ciphers may be questioned, I think, as it would make him but nineteen years of age at the time of the event, besides other considerations which make it appear more doubtful still.

He was, however, as has been already stated, the eleventh and youngest child of Rev. Jonathan Edwards, and was born in Northampton, Massachusetts, Sabbath. His biographer has been particularly faithful in thus recording it, as if the hallowed influences of the Sabbath upon birth have a bearing on subsequent life, and were in his case either strikingly marked or missed. He was born, then, Sabbath, April 8, 1750, and was cousin, in good or evil, to the notorious Aaron Burr. He was also brother to Rev. Jonathan Edwards, president of Union College.

His mother, Sarah Pierrepont, was of aristocratic origin, and the daughter of Rev. James Pierrepont, and granddaughter of John Pierrepont, of Roxbury, from whom descended Rev. John Pierpont, the celebrated poet and divine of our own time. The Pierrepont family was a branch of the family of the Duke of Kingston, (Pierrepont being the family name;) and the mother of Mr. Edwards was thus cousin-german to Mary Pierrepont, (Lady Mary Wortley Montague.)

Through his whole ancestral line we trace the "laying on of hands" in the most conspicuous as in the divinest order; and thus might he be truly called a child of prayer and consecration. What pity that his biographer should have been compelled to record, "The most remarkable feature of his character was his unbridled licentiousness"! But we cannot drop the curtain here. We would relieve the picture by this somewhat lighter shade. "His intellectual energies were gigantic. As a pleader and a determined and artful advocate, he had few equals. Hence, as a lawyer, he scarcely ever lost a case in his whole practice." An amusing anecdote is related of him in his professional career.

"In an insurance case, the evidence of which was strongly against him, he went in disguise to New London, where the witnesses, mostly sailors, resided. In a loafer-like swagger he proposed and secured bets from every material evidence in the case, and thus disqualified them from bearing testimony, on the ground that they were interested witnesses." In his old age he married his housekeeper, and closed an eventful and unblessed life at Bridgeport, April 14, 1826. 'Tis well to memorize him here, and thus register birth and death on the very page that records the most mysterious chapter of his history.

Let us return to unite and conclude our story. In June, 1788, a female of uncommon beauty of person, yet with an oppressed and melancholy bearing, suddenly appeared at the old Bell Tavern in Danvers, Massachusetts, (a drawing of which is here introduced.) She was habited in black, and was seldom seen abroad, never except alone, and at twilight, when she was observed to wander as far as the old burying ground hard by, and there to pause at its entrance, gazing long and earnestly upon its silent, scattered mounds, at length retracing her steps with the same melancholy gait and air.

Here she remained nearly a month, discovering to none her real name or situation. She passed her time in writing, and occasionally playing upon a guitar, which was the only companion of her solitude. After remaining there about two weeks a chaise was seen to pause before the door, upon the lintel of which had secretly been traced in chalk, as it afterwards appeared, the letters "E.W." A gentleman hastily alighted, and was also observed through the darkness of the evening to examine the casing of the door, and then return to the chaise and drive rapidly away.

The opinion was, by those who were cognizant of the fact, that this was a secret, preconcerted sign by which the lover should recognize the place of her retreat; and being too faintly drawn, through the darkness of the night he failed to discover the characters.

From this time, however, the spirits of the stranger evidently sunk; and in two weeks more birth and death had followed each other, and the grave had closed over all.

This stranger had, in her peculiar situation, tenderly won upon the sympathies of a few kind-hearted individuals who had made their way to her, one of whom, a Mrs. Southwick, lived directly opposite the Bell Tavern. These were with her in her last great agony, in which all sense of guilt was lost in pity. Mrs. S. has related that no word of complaint or accusation was heard to fall from her lips, while the spirit seemed brightening with an unearthly hope, till what was charming in life was indescribably lovely in death. Thus they laid the beautiful stranger in the saintly robes of the sepulchre without censure and without accusation, not knowing how painfully she was mourned and missed, as a star shut out of vision by clouds and storm, in the home of her childhood and in the heart of a widowed mother.

She had passed under the assumed name of Walker while at the Bell Tavern of Danvers, and her wardrobe was found marked with the corresponding initials, "E.W.," although applying to her real name as well. These facts, in connection with her death, were immediately published in the Boston and Salem journals, and her friends advertised to appear; and thus were her real name and place of residence elicited.

A short time afterwards, and a stranger came and caused to be erected in the old burying ground in Danvers, on the spot where she was interred, two "gray stones," after the manner of Ossian, with the touching inscription which this volume records; and the feet of strangers, moved by pity and humanity, have worn a path to her grave which he who covets most in the world's memory might even envy.

The tombstones (which the fathers of that ancient town should shame to have recorded) have been battered and broken for relics, till much of the inscription is gone already, and the footstone entirely removed.

But I have noted that Elizabeth Whitman was of superior merit, and had been recognized as a child of genius in its most earnest sense. From her earliest childhood she had been remarkable for a deeply poetic temperament, and it appears she was recognized as a poet of no common order by the most distinguished writers of the day—Barlow, Trumbull, and others. Why her name and writings have not been handed down to us by those who have essayed to make careful compilations of the literature of the past century, I am unable to divine. She was a relative as well of the last-named poet, Trumbull, on the side of his mother, who was Sarah Whitman, a sister of Rev. Elnathan Whitman, the father of Elizabeth.

I find in the journals of that time the following poem, which, though not the best of her productions, certainly gives evidence of much poetic power:—

TO MR. BARLOW.

By his Friend ELIZABETH WHITMAN, on New Year's Day, 1783.

  Should every wish the heart of friendship knows
  Be to your ear conveyed in

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