Chopin: The Man and His Music by James Huneker (e book reader free TXT) 📖

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Les Musiciens Polonais, par Albert Sowinski. Paris, Le Clerc.

 

Les Trois Romans de Frederic Chopin, par le Comte Wodinski.

Paris, Calman Levy.

 

Une Contemporaine, par M. Brault.

 

Histoire de ma Vie et Correspondance, par George Sand. Paris, Calman Levy.

 

George Sand, by Henry James in French Poets and Novelists. New York, Macmillan Co.

 

G. Sand, par Stefane-Pol, from Trois Grandes Figures, preface by D’Armand Silvestre. Paris, Ernest Flammarian.

 

George Sand, sa Vie et ses OEuvres, par Wladimir Kardnine.

Paris, Ollendorf.

 

Deux Eleves de Chopin, par Adolphe Brisson.

 

The Beautiful in Music, by Dr. Eduard Hanslick. Translated by Gustave Cohen. Novello, Ewer & Co., London and New York.

 

How Music Developed, by W. J. Henderson. New York, Frederick A. Stokes Co.

 

Wagner and His Works, by Henry T. Finck. New York, Charles Scribner’s Sons.

 

By the Way, by William F. Apthorp. Boston, Copeland & Day.

 

A Study of Wagner, by Ernest Newman. New York, G. P. Putnam’s Sons.

 

Folk-Music Studies, by H. E. Krehbiel. New York Tribune, August, 1899.

 

Analytical Notes to Schlesinger Edition, by Theodor Kullak.

 

The New Spirit, by Havelock Ellis. London, Walter Scott, Ltd.

 

Flaubert, par Emile Faguet. Paris, Hachette et Cie.

 

Reisebilder, by Heinrich Heine.

 

Affirmations, by Havelock Ellis. London, Walter Scott.

 

The Psychology of the Emotions, by Th. Ribot. New York, Charles Scribner’s Sons.

 

The Man of Genius, by Cesare Lombroso. New York, Charles Scribner’s Sons.

 

The Musical Courier, New York. Files from 1889 to 1900.

 

Chopin’s Works, by Rutland Boughton, in London Musical Standard.

 

Chopin, by Stanislas Count Tarnowski. Translated from the Polish by Natalie Janotha. 1899.

 

The School of Giorgione, An Essay by Walter Pater.

 

Chopin and the Sick Men, by John F. Runciman, in London Saturday Review, September 9, 1899.

 

Frederick Chopin, by Edward Dannreuther from Famous Composers and their Works. Boston, J. B. Millet Company.

 

Primitive Music, by Wallaschek.

 

Zur Psychologie des Individuums, Chopin und Nietzsche, by Stanislaw Przybyszewski. Berlin, W. Fontaine & Co., 1892.

 

Musical Interpretation, by Adolph Carpe. Leipzig, London and Paris, Bosworth & Co., Boston, B. F. Wood Music Co.

 

Pianistes Celebres, par Francois Marmontel.

 

Frederyka Chopina, in Echo Musicale, Warsaw, Poland, October 15, 1899.

 

OEuvres Poetiques Completes de Adam Mickiewicz, Traduction du Polonais par Christien Ostrowski. Paris, Firmin Didot Freres, Fils et Cie, 1859.

 

The World as Will and Idea, by Arthur Schopenhauer.

 

The Case of Richard Wagner, by Friedrich Nietzsche. New York, Macmillan Co.

 

With the Immortals, by Marion Crawford. References to Chopin.

 

Preface to Isidor Philipp’s Exercises Quotidiens tires des OEuvres de Chopin, by Georges Mathias. Paris, J. Hamelle.

 

Pianoforte Study, by Alexander McArthur.

 

Chopin Ein Gedenkblatt, by August Spanuth, New York Staats-Zeitung, October 15, 1899.

 

The Pianoforte Sonata, by J. B. Shedlock, London, Methuen &

Co.

 

A History of Pianoforte Playing and Pianoforte Literature, by C. F. Weitzmann, translated by Dr. Th. Baker. New York, G.

Schirmer.

 

Der Letze Virtuoso, by C. F. Weitzmann. Leipzig, Kahnt.

 

Chopin—and Some Others, in London Musical News, October 14, 1899.

 

Chopin, in A History of the Pianoforte and Pianoforte Players, by Oscar Bie. New York, E. P. Dutton & Co.

 

Chopin, in Rubinstein’s Die Meister des Klaviers. New York, Schuberth.

 

Chopin, in Berliner Tageblatt, by Dr. Leopold Schmidt.

 

Chopin Juzgada por Schumann, in Gaceta Musical, City of Mexico.

 

The Chopin Rubato and so-called Chopin Fingering, by John Kautz, in The Musical Record, Boston, 1898.

 

Franz Liszt, by Lina Ramann. Breitkopf & Hartel.

 

Preface to Mikuli Edition by Carl Mikuli.

 

The AEsthetics of Pianoforte Playing, by Adolf Kullak. New York, G. Schirmer.

 

Chopin und die Frauen, by Eugen Isolani. Berliner Courier, October 17, 1899.

 

Chopin, by W. J. Henderson in The New York Times, October 29, 1899.

 

A Note on Chopin, by L. A. Corbeille, and Chopin, An Irresponsibility, by “Israfel,” in The Dome, October, 1899, London, Unicorn Press.

 

Chopin and the Romantics, by John F. Runciman in The Saturday Review (London), February 10,1900.

 

Chopiniana: in the February, 1900, issue of the London Monthly Musical Record, including some new letters of Chopin’s.

 

La maladie de Chopin (d’apres des documents inedits), par Cabanes. Chronique medicale, Paris, 1899, vi., No. 21, 673-685.

 

Also recollections in letters and diaries of Moscheles, Hiller, Mendelssohn, Berlioz, Henselt, Schumann, Rubinstein, Mathias, Legouve, Tarnowski, Grenier and others.

 

The author begs to acknowledge the kind suggestions and assistance of Rafael Joseffy, Vladimir de Pachmann, Moriz Rosenthal, Jaraslow de Zielinski, Edwin W. Morse, Edward E.

Ziegler and Ignace Jan Paderewski.

BOOKS BY JAMES HUNEKER

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CONTENTS: A Master of Cobwebs—The Eighth Deadly Sin—The Puree of Aholibah—Rebels of the Moon—The Spiral Road—A Mock Sun—Antichrist—The Eternal Duel—The Enchanted Yodler—The Third Kingdom—The Haunted Harpsichord—The Tragic Wall—A Sentimental Rebellion—Hall of the Missing Footsteps—The Cursory Light—An Iron Fan—The Woman Who Loved Chopin—The Tune of Time—Nada—Pan.

 

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