The Story of Mary MacLane by Mary MacLane (free reads txt) đź“–
- Author: Mary MacLane
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Possibly I may grow old and decrepit; my hair may turn gray; my bones may become rheumatic; I may grow weak in the knees; my ankle-joints which have withstood many a peripatetic journey may develop dropsical tendencies; my heart may miss a beat now and then; my lungs may begin to fight shy of wintry blasts; my eyes may fail me; my figure that is now in its slim gracefulness may swathe itself in layers of flesh, or worse, it may wither and decay and stoop at the shoulders; my red blood may flow sluggishly; but if I still have teeth left to eat with, why need I lament, while I still have my steak—and my onions?
I am obscure; I am morbid; I am unhappy; my life is made up of Nothingness; I want everything and have nothing; I have been made to feel the “lure of green things growing,” and I have been made to feel also that something of them is withheld from me; I have felt the deadly tiredness that is among the birthrights of a human being; but with it all the Devil has given me a philosophy of my own—the Devil has enabled me to count, if need be, the world well lost for a fine rare porterhouse steak—and some green young onions.
Who says the Devil is not your friend? Who says that the Devil does not believe in the all-merciful Law of Compensation?
And so it is, do you see, that all things look different after a satisfying dinner, that the color of the world changes, that life in fact resolves itself into two things: a fine rare-broiled porterhouse steak from Omaha, and some fresh green young onions from California.
*
January 24
I am charmingly original. I am delightfully refreshing. I am startlingly Bohemian. I am quaintly interesting—the while in my sleeve I may be smiling and smiling—and a villain. I can talk to a roomful of dull people and compel their interest, admiration, and astonishment. I do this sometimes for my own amusement. As I have said, I am a rather plain-featured, insignificant-looking genius, but I have a graceful personality. I have a pretty figure. I am well set up.
And when I choose to talk in my charmingly original fashion, embellishing my conversation with many quaint lies, I have a certain very noticeable way with me, an “air.”
- It is well, if one has nothing, to acquire an air. -
And an air taken in conjunction with my charming originality, my delightfully refreshing candor, is something powerful and striking in its way.
I do not, however, exert myself often in this way; partly because I can sometimes foresee, from the character of the assembled company, that my performance will not have the desired effect—for I am a genius, and genius at close range at times carries itself unconsciously to the point where it becomes so interesting that it is atrocious, and can not be carried farther without having somewhat mildly disastrous results; and then again, the facial antics of some ten or a dozen persons possessed more or less of the qualities of the genus fool—even they become tiresome after a while.
Always I talk about myself on an occasion of this kind. Indeed, my conversation is on all occasions devoted directly or indirectly to myself.
When I talk on the subject of ethics, I talk of it as it is related to Mary MacLane.
When I give out broad-minded opinions about Ninon de Lenclos, I demonstrate her relative position to Mary MacLane!
When I discourse liberally on the subject of the married relation, I talk of it only as it will affect Mary MacLane.
An interesting creature, Mary MacLane.
- As a matter of fact, it is so with every one, only every one is far from realizing and acknowledging it. -
And I have not lacked listeners, though these people do not appreciate me. They do not realize that I am a genius.
I am of womankind and of nineteen years. I am able to stand off and gaze critically and dispassionately at myself and my relation to my environment, to the world, to everything the world contains. I am able to judge whether I am good and whether I am bad. I am able indeed to tell what I am and where I stand. I can see far, far inward. I am a genius.
Charlotte Bronte did this in some degree, and she was a genius; and also Marie Bashkirtseff, and Olive Schreiner, and George Eliot. They are all geniuses.
And so then I am a genius—a genius in my own right.
I am fundamentally, organically egotistic. My vanity and self-conceit have attained truly remarkable development as I’ve walked and walked in the loneliness of the sand and barrenness.
Not the least remarkable part of it is that I know my egotism and vanity thoroughly—thoroughly, and plume myself thereon.
These are the ear-marks of a genius—and of a fool. There is a finely drawn line between a genius and a fool. Often this line is overstepped and your fool becomes a genius, or your genius becomes a fool.
It is but a tiny step.
There’s but a tiny step between the great and the little, the tender and the contemptuous, the sublime and the ridiculous, the aggressive and the humble, the Paradise and the perdition.
And so it is between the genius and the fool.
I am a genius.
- I am not prepared to say how many times I may overstep the finely drawn line, or how many times I have already overstepped it. `Tis a matter of small moment. -
I have entered into certain things marvelously deep. I know things, I know that I know them, and I know that I know that I know them. Which is a fine psychological point.
It is magnificent of me to have gotten so far, at the age of nineteen, with no training other than that of the sand and barrenness. Magnificent—do you hear?
Very often I take this fact in my hand and squeeze it hard like an orange, to get the sweet, sweet juice from it. I squeeze a great deal of juice from it every day, and every day the juice is renewed, like the vitals of Prometheus. And so I squeeze and squeeze, and drink the juice, and try to be satisfied.
Yes, you may gaze long and curiously at the portrait in the front of this book. It is of one who is a genius of egotism and analysis, a genius who is awaiting the Devil’s coming,—a genius, with a wondrous liver within.
I shall tell you more about this liver, I think, before I have done.
*
January 25
I can remember a time long, oh, very long ago.
That is the time when I was a child. It is ten or a dozen years ago.
Or is it a thousand years ago?
It is when you have but just parted from your friend that he seems farthest from you. When I have lived several more years the time when I was a child will not seem so far behind me.
Just now it is frightfully far away. It is so far away that I can see it plainly outlined on the horizon.
It is there always for me to look at. And when I look I can feel the tears deep within me—a salt ocean of tears that roll and surge and swell bitterly in a dull, mad anguish, and never come to the surface.
I do not know which is the more weirdly and damnably pathetic: I when I was a child, or I when I am grown to a woman, young and all alone. I weigh the question coldly and logically, but my logic trembles with rage and grief and unhappiness.
When I was a child I lived in Canada and in Minnesota. I was a little wild savage. In Minnesota there were swamps where I used to wet my feet in the spring, and there were fields of tall grass where I would lie flat on my stomach in company with lizards and little garter snakes. And there were poplar-leaves that turned their pale green backs upward on a hot afternoon, and soon there would be terrific thunder and lightning and rain. And there were robins that sang at dawn.—These things stay with one always.—And there were children with whom I used to play and fight.
I was tanned and sunburned and I had an unkempt appearance. My face was very dirty. The original pattern of my frock was invariably lost in layers and vistas of the native soil. My hair was braided or else it flew about, a tangled maze, according as I could be caught by some one and rubbed and straightened before I ran away for the day. My hands were little and strong and brown, and wrought much mischief. I came and went at my own pleasure. I ate what I pleased; I went to bed all in my own good time; I tramped wherever my stubborn little feet chose. I was impudent; I was contrary; I had an extremely bad temper; I was hard-hearted; I was full of infantile malice.
Truly I was a vicious little beast.
I was a little piece of untrained Nature.
And I am unable to judge which is the more savagely forlorn: the starved-hearted child, or the woman, young and all alone.
The little wild stubborn child felt things and wanted things. She did not know that she felt things and wanted things.
Now I feel and I want things and I know it with burning vividness.
The little vicious Mary MacLane suffered, but she did not know that she suffered. Yet that did not make the suffering less.
And she reached out with a little sunburned hand to touch and take something.
But the sunburned little hand remained empty. There was nothing for it. No one had anything to put into it.
The little wild creature wanted to be loved; she wanted something to put in her hungry little heart.
But no one had anything to put into a hungry little heart.
No one said “dear.”
The little vicious child was the only MacLane, and she felt somewhat alone. But there, after all, were the lizards and the little garter snakes.
The wretched, hardened little piece of untrained Nature has grown and developed into a woman, young and alone. For the child there was a Nothingness, and for the woman there is a great Nothingness.
Perhaps the Devil will bring me something in my lonely womanhood to put in my wooden heart.
But the time when I was a child will never come again. It is gone—gone. I may live through some long, long years, but nothing like it will ever come. For there is nothing like it.
It is a life by itself. It has naught to do with philosophy, or with genius, or with heights and depths, or with the red sunset sky, or with the Devil.
These come later.
The time of the child is a thing apart. It is the Planting and Seed-time. It is the Beginning of things. It decides whether there shall be brightness or bitterness in the long after-years.
I have left that time far enough behind me. It will never come back. And it had a Nothingness—do you hear, a Nothingness! Oh, the pity of it! The pity of it -
Do you know why it is that I look back to the horizon at the figure of an unkempt, rough child, and why I feel a surging torrent of tears and anguish and despair?
I feel more than that indeed, but I have no words to tell it.
I shall have to miss forever some beautiful, wonderful things because of that wretched lonely
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