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in the royal palace. At a moment when this square was quite deserted, I yielded to my daring impulse, and crossed it on my way to the Kreuz tower at a slow pace, remembering that in such circumstances the young soldier is advised never to hurry, because by so doing he may draw the shot upon himself. On reaching this post of vantage I found several people who had gathered there, some of them driven by a curiosity like my own, others in obedience to an order from the headquarters of the revolutionaries to reconnoitre the enemy's movements. Amongst them I made the acquaintance of a schoolmaster called Berthold, a man of quiet and gentle disposition, but full of conviction and determination. I lost myself in an earnest philosophical discussion with him which extended to the widest spheres of religion. At the same time he showed a homely anxiety to protect us from the cone-shaped bullets of the Prussian sharpshooters by placing us ingeniously behind a barricade consisting of one of the straw mattresses which he had cajoled out of the warder. The Prussian sharpshooters were posted on the distant tower of the Frauenkirche, and had chosen the height occupied by us as their target. At nightfall I found it impossible to make up my mind to go home and leave my interesting place of refuge, so I persuaded the warder to send a subordinate to Friedrichstadt with a few lines to my wife, and with instructions to ask her to let me have some necessary provisions. Thus I spent one of the most extraordinary nights of my life, taking turns with Berthold to keep watch and sleep, close beneath the great bell with its terrible groaning clang, and with the accompaniment of the continuous rattle of the Prussian shot as it beat against the tower walls.
Sunday (the 7th of May) was one of the most beautiful days in the year. I was awakened by the song of a nightingale, which rose to our ears from the Schutze garden close by. A sacred calm and peacefulness lay over the town and the wide suburbs of Dresden, which were visible from my point of vantage. Towards sunrise a mist settled upon the outskirts, and suddenly through its folds we could hear the music of the Marseillaise making its way clearly and distinctly from the district of the Tharanderstrasse. As the sound drew nearer and nearer, the mist dispersed, and the glow of the rising sun spread a glittering light upon the weapons of a long column which was winding its way towards the town. It was impossible not to feel deeply impressed at the sight of this continuous procession. Suddenly a perception of that element which I had so long missed in the German people was borne in upon me in all its essential freshness and vital colour. The fact that until this moment I had been obliged to resign myself to its absence, had contributed not a little to the feelings by which I had been swayed. Here I beheld some thousand men from the Erzgebirge, mostly miners, well armed and organised, who had rallied to the defence of Dresden. Soon we saw them march up the Altmarkt opposite the Town Hall, and after receiving a joyful welcome, bivouac there to recover from their journey. Reinforcements continued to pour in the whole day long, and the heroic achievement of the previous day now received its reward in the shape of a universal elevation of spirits. A change seemed to have been made in the plan of attack by the Prussian troops. This could be gathered from the fact that numerous simultaneous attacks, but of a less concentrated type, were made upon various positions. The troops which had come to reinforce us brought with them four small cannon, the property of a certain Herr Thade von Burgk, whose acquaintance I had made before on the occasion of the anniversary of the founding of the Dresden Choral Society, when he had made a speech which was well intentioned but wearisome to the point of being ludicrous. The recollection of this speech returned to me with peculiar irony, now that his cannon were being fired from the barricade upon the enemy. I felt a still deeper impression, however, when, towards eleven o'clock, I saw the old Opera House, in which a few weeks ago I had conducted the last performance of the Ninth Symphony, burst into flames. As I have had occasion to mention before, the danger from fire to which this building was exposed, full as it was with wood and all kind of textile fabric, and originally built only for a temporary purpose, had always been a subject of terror and apprehension to those who visited it.
I was told that the Opera House had been set alight on strategical grounds, in order to face a dangerous attack on this exposed side, and also to protect the famous 'Semper' barricade from an overpowering surprise. From this I concluded that reasons of this kind act as far more powerful motives in the world than aesthetic considerations. For a long time men of taste had vainly cried aloud for abolition of this ugly building which was such an eyesore by the side of the elegant proportions of the Zwinger Gallery in its neighbourhood. In a few moments the Opera House (which as regards size was, it is true, an imposing edifice), together with its highly inflammable contents, was a vast sea of flames. When this reached the metal roofs of the neighbouring wings of the Zwinger, and enveloped them in wonderful bluish waves of fire, the first expression of regret made itself audible amongst the spectators. What a disaster! Some thought that the Natural History collection was in danger; others maintained that it was the Armoury, upon which a citizen soldier retorted that if such were the case, it would be a very good job if the 'stuffed noblemen' were burnt to cinders. But it appeared that a keen sense of the value of art knew how to curb the fire's lust for further dominion, and, as a matter of fact, it did but little damage in that quarter. Finally our post of observation, which until now had remained comparatively quiet, was filled itself with swarms and swarms of armed men, who had been ordered thither to defend the approach from the church to the Altmarkt, upon which an attack was feared from the side of the ill-secured Kreuzgasse. Unarmed men were now in the way; moreover, I had received a message from my wife summoning me home after the long and terrible anxiety she had suffered.
At last, after meeting with innumerable obstacles and overcoming a host of difficulties, I succeeded, by means of all sorts of circuitous routes, in reaching my remote suburb, from which I was cut off by the fortified portions of the town, and especially by a cannonade directed from the Zwinger. My lodgings were full to overflowing with excited women who had collected round Minna; among them the panic-stricken wife of Rockel, who suspected her husband of being in the very thick of the fight, as she thought that on the receipt of the news that Dresden had risen he would probably have returned. As a matter of fact, I had heard a rumour that Rockel had arrived on this very day, but as yet I had not obtained a glimpse of him. My young nieces helped once more to raise my spirits. The firing had put them into a high state of glee, which to some extent infected my wife, as soon as she was reassured as to my personal safety. All of them were furious with the sculptor Hanel, who had never ceased insisting upon the expedience of bolting the house to prevent an entry of the revolutionaries. All the women without exception were joking about his abject terror at the sight of some men armed with scythes who had appeared in the street In this way Sunday passed like a sort of family jollification.
On the following morning (Monday, 8th May) I tried again to get information as to the state of affairs by forcing my way to the Town Hall from my house, which was cut off from the place of action. As in the course of my journey I was making my way over a barricade near St. Ann's Church, one of the Communal Guard shouted out to me, 'Hullo, conductor, your der Freude schoner Gotterfunken [Footnote: These words refer to the opening of the Ninth Symphony chorus: 'Freude, Freude, Freude, schoner gotterfunken Tochter aus Elysium'--(Praise her, praise oh praise Joy, the god-descended daughter of Elysium.) English version by Natalia Macfarren.--Editor.] has indeed set fire to things. The rotten building is rased to the ground.' Obviously the man was an enthusiastic member of the audience at my last performance of the Ninth Symphony. Coming upon me so unexpectedly, this pathetic greeting filled me with a curious sense of strength and freedom. A little further on, in a lonely alley in the suburb of Plauen, I fell in with the musician Hiebendahl, the first oboist in the royal orchestra, and a man who still enjoyed a very high reputation; he was in the uniform of the Communal Guards, but carried no gun, and was chatting with a citizen in a similar costume. As soon as he saw me, he felt he must immediately make an appeal to me to use my influence against Rockel, who, accompanied by ordnance officers of the revolutionary party, was instituting a search for guns in this quarter. As soon as he realised that I was making sympathetic inquiries about Rockel, he drew back frightened, and said to me in tones of the deepest anxiety: 'But, conductor, have you no thought for your position, and what you may lose by exposing yourself in this fashion?' This remark had the most drastic effect upon me; I burst into a loud laugh, and told him that my position was not worth a thought one way or the other. This indeed was the expression of my real feelings, which had long been suppressed, and now broke out into almost jubilant utterance. At that moment I caught sight of Rockel, with two men of the citizen army who were carrying some guns, making his way towards me. He gave me a most friendly greeting, but turned at once to Hiebendahl and his companion and asked him why he was idling about here in uniform instead of being at his post. When Hiebendahl made the excuse that his gun had been requisitioned, Rockel cried out to him, 'You're a fine lot of fellows!' and went away laughing. He gave me a brief account as we proceeded of what had happened to him since I had lost sight of him, and thus spared me the obligation of giving him a report of his Volksblatt. We were interrupted by an imposing troop of well-armed young students of the gymnasium who had just entered the city and wished to have a safe conduct to their place of muster. The sight of these serried ranks of youthful figures, numbering several hundreds, who were stepping bravely to their duty, did not fail to make the most elevating impression upon me. Rockel undertook to accompany them over the barricade in safety to the mastering place in front of the Town Hall. He took the opportunity of lamenting the utter absence of true spirit which he had hitherto encountered in those in command. He had proposed, in case of extremity, to defend the most seriously threatened barricades by tiring them with pitch brands; at the mere word the provisional government had fallen into a veritable state of panic. I let him go his way in order that I might enjoy the privilege of a solitary person and reach the Town Hall by a short cut, and
Sunday (the 7th of May) was one of the most beautiful days in the year. I was awakened by the song of a nightingale, which rose to our ears from the Schutze garden close by. A sacred calm and peacefulness lay over the town and the wide suburbs of Dresden, which were visible from my point of vantage. Towards sunrise a mist settled upon the outskirts, and suddenly through its folds we could hear the music of the Marseillaise making its way clearly and distinctly from the district of the Tharanderstrasse. As the sound drew nearer and nearer, the mist dispersed, and the glow of the rising sun spread a glittering light upon the weapons of a long column which was winding its way towards the town. It was impossible not to feel deeply impressed at the sight of this continuous procession. Suddenly a perception of that element which I had so long missed in the German people was borne in upon me in all its essential freshness and vital colour. The fact that until this moment I had been obliged to resign myself to its absence, had contributed not a little to the feelings by which I had been swayed. Here I beheld some thousand men from the Erzgebirge, mostly miners, well armed and organised, who had rallied to the defence of Dresden. Soon we saw them march up the Altmarkt opposite the Town Hall, and after receiving a joyful welcome, bivouac there to recover from their journey. Reinforcements continued to pour in the whole day long, and the heroic achievement of the previous day now received its reward in the shape of a universal elevation of spirits. A change seemed to have been made in the plan of attack by the Prussian troops. This could be gathered from the fact that numerous simultaneous attacks, but of a less concentrated type, were made upon various positions. The troops which had come to reinforce us brought with them four small cannon, the property of a certain Herr Thade von Burgk, whose acquaintance I had made before on the occasion of the anniversary of the founding of the Dresden Choral Society, when he had made a speech which was well intentioned but wearisome to the point of being ludicrous. The recollection of this speech returned to me with peculiar irony, now that his cannon were being fired from the barricade upon the enemy. I felt a still deeper impression, however, when, towards eleven o'clock, I saw the old Opera House, in which a few weeks ago I had conducted the last performance of the Ninth Symphony, burst into flames. As I have had occasion to mention before, the danger from fire to which this building was exposed, full as it was with wood and all kind of textile fabric, and originally built only for a temporary purpose, had always been a subject of terror and apprehension to those who visited it.
I was told that the Opera House had been set alight on strategical grounds, in order to face a dangerous attack on this exposed side, and also to protect the famous 'Semper' barricade from an overpowering surprise. From this I concluded that reasons of this kind act as far more powerful motives in the world than aesthetic considerations. For a long time men of taste had vainly cried aloud for abolition of this ugly building which was such an eyesore by the side of the elegant proportions of the Zwinger Gallery in its neighbourhood. In a few moments the Opera House (which as regards size was, it is true, an imposing edifice), together with its highly inflammable contents, was a vast sea of flames. When this reached the metal roofs of the neighbouring wings of the Zwinger, and enveloped them in wonderful bluish waves of fire, the first expression of regret made itself audible amongst the spectators. What a disaster! Some thought that the Natural History collection was in danger; others maintained that it was the Armoury, upon which a citizen soldier retorted that if such were the case, it would be a very good job if the 'stuffed noblemen' were burnt to cinders. But it appeared that a keen sense of the value of art knew how to curb the fire's lust for further dominion, and, as a matter of fact, it did but little damage in that quarter. Finally our post of observation, which until now had remained comparatively quiet, was filled itself with swarms and swarms of armed men, who had been ordered thither to defend the approach from the church to the Altmarkt, upon which an attack was feared from the side of the ill-secured Kreuzgasse. Unarmed men were now in the way; moreover, I had received a message from my wife summoning me home after the long and terrible anxiety she had suffered.
At last, after meeting with innumerable obstacles and overcoming a host of difficulties, I succeeded, by means of all sorts of circuitous routes, in reaching my remote suburb, from which I was cut off by the fortified portions of the town, and especially by a cannonade directed from the Zwinger. My lodgings were full to overflowing with excited women who had collected round Minna; among them the panic-stricken wife of Rockel, who suspected her husband of being in the very thick of the fight, as she thought that on the receipt of the news that Dresden had risen he would probably have returned. As a matter of fact, I had heard a rumour that Rockel had arrived on this very day, but as yet I had not obtained a glimpse of him. My young nieces helped once more to raise my spirits. The firing had put them into a high state of glee, which to some extent infected my wife, as soon as she was reassured as to my personal safety. All of them were furious with the sculptor Hanel, who had never ceased insisting upon the expedience of bolting the house to prevent an entry of the revolutionaries. All the women without exception were joking about his abject terror at the sight of some men armed with scythes who had appeared in the street In this way Sunday passed like a sort of family jollification.
On the following morning (Monday, 8th May) I tried again to get information as to the state of affairs by forcing my way to the Town Hall from my house, which was cut off from the place of action. As in the course of my journey I was making my way over a barricade near St. Ann's Church, one of the Communal Guard shouted out to me, 'Hullo, conductor, your der Freude schoner Gotterfunken [Footnote: These words refer to the opening of the Ninth Symphony chorus: 'Freude, Freude, Freude, schoner gotterfunken Tochter aus Elysium'--(Praise her, praise oh praise Joy, the god-descended daughter of Elysium.) English version by Natalia Macfarren.--Editor.] has indeed set fire to things. The rotten building is rased to the ground.' Obviously the man was an enthusiastic member of the audience at my last performance of the Ninth Symphony. Coming upon me so unexpectedly, this pathetic greeting filled me with a curious sense of strength and freedom. A little further on, in a lonely alley in the suburb of Plauen, I fell in with the musician Hiebendahl, the first oboist in the royal orchestra, and a man who still enjoyed a very high reputation; he was in the uniform of the Communal Guards, but carried no gun, and was chatting with a citizen in a similar costume. As soon as he saw me, he felt he must immediately make an appeal to me to use my influence against Rockel, who, accompanied by ordnance officers of the revolutionary party, was instituting a search for guns in this quarter. As soon as he realised that I was making sympathetic inquiries about Rockel, he drew back frightened, and said to me in tones of the deepest anxiety: 'But, conductor, have you no thought for your position, and what you may lose by exposing yourself in this fashion?' This remark had the most drastic effect upon me; I burst into a loud laugh, and told him that my position was not worth a thought one way or the other. This indeed was the expression of my real feelings, which had long been suppressed, and now broke out into almost jubilant utterance. At that moment I caught sight of Rockel, with two men of the citizen army who were carrying some guns, making his way towards me. He gave me a most friendly greeting, but turned at once to Hiebendahl and his companion and asked him why he was idling about here in uniform instead of being at his post. When Hiebendahl made the excuse that his gun had been requisitioned, Rockel cried out to him, 'You're a fine lot of fellows!' and went away laughing. He gave me a brief account as we proceeded of what had happened to him since I had lost sight of him, and thus spared me the obligation of giving him a report of his Volksblatt. We were interrupted by an imposing troop of well-armed young students of the gymnasium who had just entered the city and wished to have a safe conduct to their place of muster. The sight of these serried ranks of youthful figures, numbering several hundreds, who were stepping bravely to their duty, did not fail to make the most elevating impression upon me. Rockel undertook to accompany them over the barricade in safety to the mastering place in front of the Town Hall. He took the opportunity of lamenting the utter absence of true spirit which he had hitherto encountered in those in command. He had proposed, in case of extremity, to defend the most seriously threatened barricades by tiring them with pitch brands; at the mere word the provisional government had fallen into a veritable state of panic. I let him go his way in order that I might enjoy the privilege of a solitary person and reach the Town Hall by a short cut, and
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