In literature a drama genre deserves your attention. Dramas are usually called plays. Every person is made up of two parts: good and evil. Due to life circumstances, the human reveals one or another side of his nature. In drama we can see the full range of emotions : it can be love, jealousy, hatred, fear, etc. The best drama books are full of dialogue. This type of drama is one of the oldest forms of storytelling and has existed almost since the beginning of humanity. Drama genre - these are events that involve a lot of people. People most often suffer in this genre, because they are selfish. People always think to themselves first, they want have a benefit.The Comedy of Errors by William Shakespeare (diy ebook reader txt) 📖
- Author: William Shakespeare
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Book online «The Comedy of Errors by William Shakespeare (diy ebook reader txt) 📖». Author William Shakespeare
51. his ... in] in ... and Anon. conj.
61. Ay] Ay, ay Hanmer.
66. it] at it Pope.
69. venom] venome F1 F2. venomous F3 F4. venom’d Pope.
woman,] woman Pope.
69, 70. clamours ... Poisons] clamours ... Poison Pope. clamour ... Poisons Capell.
72, 75. thereof] therefore Johnson.
74. make] F1. makes F2 F3 F4.
77. by] with Pope.
79. moody] F1. muddy F2 F3 F4.] moody, moping Hanmer. moody sadness Singer conj.
melancholy] melancholia Anon. conj.
80. Kinsman] kins-woman Capell. ending line 79 at kins-. A’kin Hanmer.
Warburton marks this line as spurious.
81. her] their Malone (Heath conj.).
86. Have] F2 F3 F4. Hath F1.
88. wildly] wild Capell.
89. these] F1 F2. those F3 F4.
112. [Exit.] Theobald.
117. [Exeunt. Enter Merchant and Goldsmith. F2.
121. death] F3 F4. depth F1 F2.
sorry] solemn Collier MS.
124. reverend F3 F4. reverent F1 F2.
128. Enter Adriana and Lucia. F2.
130. Scene iii. Pope.
attended] Theobald.
132. Enter Adriana. F2.
134. reverend] Ff.
137. Whom] F2 F3 F4. Who F1.
138. important] F1. impoteant F2. impotent F3 F4. all-potent Rowe.
letters] F1 F2 F3. letter F4.
148. strong] strange Malone conj.
150. with] here Capell. then Ritson conj.
and himself] mad himself Warburton.
158. hence] F1 F2. thence F3 F4.
168. Scene iv. Pope.
Enter a servant.] Capell. Enter a Messenger. Ff.
174. to him] om. Capell.
and] om. Hanmer. and the om. Steevens.
176. some] F1 some other F2 F3 F4.
179. to] F1 F3 F4. of F2.
183. scorch] scotch Warburton.
205. While] F1 Whilst F2 F3 F4.
208. To-day] om. Hanmer.
So befal] So fall Capell.
212, 213. [To Mer. Capell.
228. of] F1. from F2 F3 F4.
235. By the way] To which he yielded: by the way Capell, making two verses of 235. See note (IX).
235, 236. Pope ends these lines and ... confederates.
236. Along with them] om. Pope.
247. And in] Into Lettsom conj.
248. There] They Collier MS.
249. in sunder] F1. asunder F2 F3 F4.
267, 268. chain, so ... Heaven: And] chain. So ... heaven As Dyce.
281. mad] made F2.
[Exit ...] F1 F2. [Enter ... F3 F4.
291. you both] F1. both F2 F3 F4.
298. deformed] deforming Capell.
304. Ay, sir,] Capell. I sir, Ff. I, sir? Pope. Ay, sir? Malone.
304, 305. Printed as verse by Capell: But ... whatsoever A ... him.
307. crack’d and splitted] crack’d my voice, split Collier MS.
309. of untuned cares] untuned of cares Anon. conj.
cares] ears Anon. conj.
314. lamps] lamp Pope.
316. All] And all Rowe.
old] hold Warburton.
witnesses—I cannot err—] witnesses, I cannot erre. Ff.
319. Syracusa, boy] Capell. Syracusa boy Ff. Syracusa bay Rowe. Syracusa’s bay Hanmer.
329. Scene vii. Pope.
[All ... them.] [All ... him. Warburton.
332. these. Which] these, which Ff.
355-360. Why ... together] Ff insert this speech after 344. The alteration is due to Capell.
355. his] F1 F2. this F3 F4. the Pope.
story right] story’s light Capell.
356. Antipholuses, these] Antipholus, these F1. Antipholis, these F2 F3 F4. Antipholis’s Hanmer. See note (I).
357. these] F1 F4. those F2 F3.
semblance] semblance prove Capell.
358. Besides her urging of her]
Both sides emerging from their Hanmer.
Besides his urging of his Collier MS.
Besides his urging of her Dyce conj.
Malone supposes a line, beginning with These, lost after 358.
wreck at sea,—] wreck,—all say, Jackson conj.
359. These are] These plainly are Pope.
361. Ff prefix ‘Duke.’
372. her sister] F1. om. F2 F3 F4.
373. [To Lucia.] [Aside to Lucia. Staunton conj.
387. are arose] Ff. all arose Rowe. rare arose Staunton. here arose Anon. conj.
394. hear] here Johnson.
398. we shall make] ye shalt have Pope.
399. Thirty-three] Ff. Twenty-five Theobald. Twenty-three Capell. See note (X).
but] F1. been F2 F3 F4. om. Hanmer.
400. and till] nor till Theobald. until Malone (Boaden conj.). and at Collier MS.
401. burthen ne’er] Dyce. burthen are F1. burthens are F2 F3 F4. burden not Capell. burden undelivered Collier. burden here Grant White. burden has Anon. conj. (ap. Halliwell).
404. Go ... and go] Hence ... along Lettsom conj. So ... all go Edd. conj.
and go] F1 F3 F4. and goe F2. and gaud Warburton. and joy Heath conj. and gout Jackson conj. and see Anon. conj.
405. nativity] Ff. felicity Hanmer. festivity Dyce (Johnson conj.).
such nativity!] suits festivity. Anon. conj.
406. [Exeunt ...] [Exeunt omnes. Manet the two Dromio’s and two brothers. Ff.
407. Scene viii. Pope.
fetch] go fetch S. Walker conj.
ship-board] shipboard for you Capell conj.
412. [Exeunt ...] [Exit. Ff.
420. we try it?] we trie it. F1 I try it. F2 F3 F4. we try it, brother? Capell.
421. We’ll] We will Capell, ending lines 419-421 at question ... draw ... first.
senior] Pope. signior F1 F2. signiority F3 F4.
422. [embracing. Rowe.
The general Preface (e-text 23041) discusses the 17th- and 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. The following editions may appear in the Notes. All inset text is quoted from the Preface.
Folios:
F1 1623; F2 (no date given); F3 1663; F4 1685.
“The five plays contained in this volume occur in the first Folio in the same order, and ... were there printed for the first time.”
Early editions:
Rowe 1709
Pope 1715
“Pope was the first to indicate the place of each new scene; as, for instance, Tempest, I. 1. ‘On a ship at sea.’ He also subdivided the scenes as given by the Folios and Rowe, making a fresh scene whenever a new character entered—an arrangement followed by Hanmer, Warburton, and Johnson. For convenience of reference to these editions, we have always recorded the commencement of Pope’s scenes.”
Theobald 1733
Hanmer (“Oxford edition”) 1744
Warburton 1747
Johnson 1765
Capell 1768; also Capell’s annotated copy of F2
Steevens 1773
Malone 1790
Reed 1803
Later editions:
Singer, Knight, Cornwall, Collier, Phelps, Halliwell, Dyce, Staunton
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