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Read online books Drama in English at worldlibraryebooks.comIn literature a drama genre deserves your attention. Dramas are usually called plays. Every person is made up of two parts: good and evil. Due to life circumstances, the human reveals one or another side of his nature. In drama we can see the full range of emotions : it can be love, jealousy, hatred, fear, etc. The best drama books are full of dialogue. This type of drama is one of the oldest forms of storytelling and has existed almost since the beginning of humanity. Drama genre - these are events that involve a lot of people. People most often suffer in this genre, because they are selfish. People always think to themselves first, they want have a benefit.


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Read books online » Drama » Three Comedies by Bjørnstjerne Bjørnson (best short novels of all time .TXT) 📖

Book online «Three Comedies by Bjørnstjerne Bjørnson (best short novels of all time .TXT) 📖». Author Bjørnstjerne Bjørnson



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walk about without help.

Grandmother. I heard Hagbart's voice. He was talking so loud, that I thought something had happened.

Hagbart. So it has--something good! Uncle consents! He is splendid! He has made everything all right again, and better than ever! Oh, grandmother, I wish you were not so old! I feel as if I should like to take you up in my arms and dance you round the room.

Grandmother. You mustn't do that, my dear. (They put her into her chair.) Now! What is your last bit of news?

Hagbart. My last bit of news? I have no fresh news! There is nothing more to tell!

Bishop. Yes, Hagbart, there is.

Hagbart. Why do you say that so seriously?--You look so serious--and seem agitated! Uncle! (The noise of wheels is heard outside.)

Bishop. Wait a little, my dear boy. Wait a little! (Goes out by the door at the back.)

Hagbart. Grandmother, what can it be?

Grandmother. I don't know.--But happiness is often so brief.

Hagbart. Happiness so brief? What do you mean?--Good God, grandmother, don't torture me!

Grandmother. I assure you, I know nothing about it--only--

Hagbart. Only--what?

Grandmother. While your uncle was with me, Mrs. Falk was announced.

Hagbart. Mrs. Falk? Has she been here? Just now?

Grandmother. Yes, just now.

Hagbart. Then something must have happened! Perhaps it was she that uncle--. (Rushes to the door, which opens, and the BISHOP comes in with AAGOT on his arm, followed by CORNELIA.) Aagot!

Aagot. Hagbart!--(Anxiously.) Is aunt not here!

Cornelia. What, grandmother here! (Goes to her.)

Bishop. My dear Aagot, your aunt entrusted this letter to me to give to you.

Hagbart. A letter--?

Grandmother. What is the matter? Let me see! (CORNELIA moves her chair nearer to the others.)

Hagbart. Read it aloud, Aagot!

Aagot (reads). "My darling. When you receive this letter I shall have--gone away. I love the man you--." (With a cry, she falls swooning. The BISHOP catches her in his arms.)

Grandmother. She has gone away?

Cornelia. She loves the man you--? Good God, look at Hagbart!

Bishop. Cornelia! (She goes to him, and they lay AAGOT on the couch. CORNELIA stays beside her. The BISHOP turns to HAGBART.) Hagbart! (HAGBART throws himself into his arms.) Courage! Courage, my boy!

Grandmother (getting up). It is like going back to the days of great emotions!

[The Curtain falls slowly.]



A GAUNTLET



A PLAY IN THREE ACTS


DRAMATIS PERSONAE

RIIS.
MRS. RIIS.
SVAVA, their daughter.
MARGIT, their maid.
CHRISTENSEN.
MRS. CHRISTENSEN.
ALFRED, their son, betrothed to Svava.
DR. NORDAN.
THOMAS, his servant.
HOFF.


The action of the play passes in Christiania.


ACT I


(SCENE.--A room in RIIS' house. An open door at the back leads into a park and gives a glimpse of the sea beyond. Windows on each side of the door. Doors also in the right and left walls. Beyond the door on the right is a piano; opposite to the piano a cupboard. In the foreground, to the right and left, two couches with small tables in front of them. Easy-chairs and smaller hairs scattered about. MRS. RIIS is sitting on the couch to the left, and DR. NORDAN in a chair in the centre of the room. He is wearing a straw hat pushed on to the back of his head, and has a large handkerchief spread over his knees. He is sitting with his arms folded, leaning upon his stick.)

Mrs. Riis. A penny for your thoughts!

Nordan. What was it you were asking me about?

Mrs. Riis. About that matter of Mrs. North, of course.

Nordan. That matter of Mrs. North? Well, I was talking to Christensen about it just now. He has advanced the money and is going to try and get the bank to suspend proceedings. I have told you that already. What else do you want to know?

Mrs. Riis. I want to know how much gossip there is about it, my dear friend.

Nordan. Oh, men don't gossip about each other's affairs.--By the way, isn't our friend in there (nodding towards the door on the right) going to be told about it? This seem, a good opportunity.

Mrs. Riis. Let us wait.

Nordan. Because Christensen will have to be repaid, you know. I told him he would be.

Mrs. Riis. Naturally. What else would you suppose?

Nordan (getting up). Well, I am going away for my holidays, so Christensen must look after it now.--Was it a very grand party yesterday?

Mrs. Riis. There was not much display.

Nordan. No, the Christensens' parties are never very luxurious. But I suppose there were a lot of people?

Mrs. Riis. I have never seen so many at a private entertainment.

Nordan. Is Svava up?

Mrs. Riis. She is out bathing.

Nordan. Already? Did you come home early, then?

Mrs. Riis. At about twelve, I think. Svava wanted to come home. My husband was late, I think.

Nordan. The card tables. She looked radiant, I suppose, eh?

Mrs. Riis. Why didn't you come?

Nordan. I never go to betrothal parties, and I never go to Weddings--never! I can't bear the sight of the poor victims in their veils and wreaths.

Mrs. Riis. But, my dear doctor, you surely think--as we all do--that this will be a happy marriage?

Nordan. He is a fine lad. But, all the same--I have been taken in so often.--Oh, well!

Mrs. Riis. She was so happy, and is just as happy to-day.

Nordan. It is a pity I shall not see her. Good-bye, Mrs. Riis.

Mrs. Riis. Good-bye, doctor. Then you are off to-day?

Nordan. Yes, I need a change of air.

Mrs. Riis. Quite so. Well, I hope you will enjoy yourself--and, many thanks for what you have done!

Nordan. It is I ought to thank you, my dear lady! I aim vexed not to be able to say good-bye to Svava. (Goes out. MRS. RIIS takes up a magazine from the table on the left and settles herself comfortably on a couch from which she can see into the park. During what follows she reads whenever opportunity allows. RIIS comes in through the door to the right, in his shirt sleeves and struggling with his collar.)

Riis. Good morning! Was that Nordan that went out just now?

Mrs. Riis. Yes. (RIIS crosses the room, then turns back and disappears through the door on the right. He comes back again immediately and goes through the same proceeding, all the tine busy with his collar.) Can I help you at all?

Riis. No--thanks all the same! These new-fangled shirts are troublesome things. I bought some in Paris.

Mrs. Riis. Yes, I believe you have bought a whole dozen.

Riis. A dozen and a half. (Goes into his room, comes out again in apparently the same difficulties, and walks about as before.) As a matter of fact I am wondering about something.

Mrs. Riis. It must be something complicated.

Riis. It is--it is. No doubt of it!--This collar is the very--Ah, at last! (Goes into his room and comes out again, this time with his necktie in his hand.) I have been wondering--wondering--what our dear girl's character is made up of?

Mrs. Riis. What it is made up of?

Riis. Yes--what characteristics she gets from you and what from me, and so forth. In what respects, that is to say, she takes after your family, and in what respect after mine, and so forth. Svava is a remarkable girl.

Mrs. Riis. She is that.

Riis. She is neither altogether you nor altogether me nor is she exactly a compound of us both.

Mrs. Riis. Svava is something more than that.

Riis. A considerable deal more than that, too. (Disappears again; then comes out with his coat on, brushing himself.) What did you say?

Mrs. Riis. I did not speak.--I rather think it is my mother that Svava is most like.

Riis. I should think so! Svava, with her quiet pleasant ways! What a thing to say!

Mrs. Riis. Svava can be passionate enough.

Riis. Svava never forgets her manners as your mother did.

Mrs. Riis. You never understood mother. Still, no doubt they are unlike in a great many things.

Riis. Absolutely!--Can you see now how right I was in chattering to her in various languages from the beginning, even when she was quite tiny? Can you see that now? You were opposed to my doing it.

Mrs. Riis. I was opposed to your perpetually plaguing the child, and also to the endless jumping from one thing to another.

Riis. But look at the result, my dear! Look at the result! (Begins to hum a tune.)

Mrs. Riis. You are surely never going to pretend that it is the languages that have made her what she is?

Riis (as he disappears). No, not the languages; but--(His voice is heard from within his room)--the language have done a wonderful lot! She has savoir vivre--what? (Comes out again.)

Mrs. Riis. I am sure that is not what Svava is most admired for.

Riis. No, no. On the boat, a man asked me if I were related to the Miss Riis who had founded the Kindergartens in the town. I said I had the honour to be her father. You should have seen his face! I nearly had a fit.

Mrs. Riis. Yes, the Kindergartens have been a great success from the very first.

Riis. And they are responsible for her getting engaged, too--aren't they? What?

Mrs. Riis. You must ask her.

Riis. You have never even noticed my new suit.

Mrs. Riis. Indeed I have.

Riis. I didn't hear as much as the tiniest cry of admiration from you. Look at the harmony of it all!--the scheme of colour, even down to the shoes!--what? And the handkerchief, too!

Mrs. Riis. How old are you, dear?

Riis. Hold your tongue!--Anyway, how old do you think people take me to be?

Mrs. Riis. Forty, of course.

Riis. "Of course"? I don't see that it is so obvious. This suit is a kind of Bridal Symphony, composed at Cologne when I got the telegram telling me of Svava's engagement. Just think of it! At Cologne--not ten hours' journey from Paris! But I could not wait ten hours; I had risen too much in my own estimation in view of my approaching relationship with the richest family in the country.

Mrs. Riis. Is that suit all you have to show for it, then?

Riis. What a question! Just you wait till I have got my luggage through the custom-house!

Mrs. Riis. We shall be quite out of it, I suppose?

Riis. You out of it! When a very lucky daddy finds himself in Paris at a most tremendous moment--

Mrs. Riis. And what did you think of the party yesterday?

Riis. I was quite delighted with the boat for being late so that I was landed in the middle of a fete champetre as by magic. And Naturally one had a tremendous welcome as the party was in honour of one's own only daughter!

Mrs. Riis. What time did you come in last night?

Riis. Don't you understand that we had to play cards yesterday, too? I could not get out of it; I had to make a fourth with Abraham, Isaac, and Jacob--that is to

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