Alice Sit-By-The-Fire by Sir James Matthew Barrie (top 10 motivational books txt) 📖

can exit from her pram.'

'I am in a mother's place for the time being, Ginevra.'

'Even mothers go to thinking theatres.'

'Whether mine does, Ginevra, I don't even know. This is a very strange position I am in, awaiting the return from India of parents I have not seen since I was twelve years old. I don't even know if they will like the house. The rent is what they told me to give, but perhaps my scheme of decoration won't appeal to them; they may think my housekeeping has been defective, and may not make allowance for my being so new to it.'

Ginevra takes Amy in her arms. 'My ownest Amy, if they are not both on their knees to you for the noble way in which you have striven to prepare this house for them--'

'Darling Ginevra, all I ask is to be allowed to do my duty.'

'Listen, then, Amy: your duty is to be able to help your parents in every way when they return. Your mother having been so long in India can know little about Life; how sweet, then, for you to be able to place your knowledge at her feet.'

'I had thought of that, dearest.'

'Then Amy, it would be simply wrong of us not to go to another theatre to-night. I have three and ninepence, so that if you can scrape together one and threepence--'

'Generous girl, it can't be.'

'Why not, Amy?'

The return of Cosmo handling the telegram more pugnaciously than ever provides the answer.

'Cosmo, show Miss Dunbar the telegram.'

Miss Dunbar reads: 'Boat arrived Southampton this morning.'

'A day earlier than they expected,' Amy explains.

'It's the other bit I am worrying about,' Cosmo says darkly. The other bit proves to be 'Hope to reach our pets this afternoon. Kisses from both to all. Deliriously excited. Mummy and Dad.'

Now we see why Cosmo has been in distress.

'Pets, kisses,' he cries. 'What can the telegraph people think.'

'Surely,' Amy says, 'you want to kiss your mother.'

'I'm going to kiss her,' he replies stoutly. 'I mean to do it. It's father I am worrying about; with his "kisses to _both_ from _all_." All I can say is that, if father comes slobbering over me, I'll surprise him.'

Here the outer door slams, and the three start to their feet as if Philippi had dawned. To Cosmo the slam sounds uncommonly like a father's kiss. He immediately begins to rehearse the greeting which is meant to ward off the fatal blow. 'How are you, father? I'm glad to see you, father; it's a long journey from India; won't you sit down?'

Amy is the first to recover. 'How silly of us,' she says; 'it is only nurse with baby.'

Presumably what we hear is a perambulator backing into its stall in the passage. Then nurse is distinctly heard in the adjoining room, and we may gather that this is for the nonce the nursery of the house, though to most occupants it would be the back dining-room. There is a door between the two rooms, and Cosmo, peeping through a chink in it, sounds to his fellow-conspirators the All's Well.

'Poor nurse,' Amy says with a kind sigh, 'I suppose I had better show her the telegram. She is sure to cry. She looks upon mother as a thief who has come to steal baby from her.'

Ginevra wags her head to indicate that this is another slice of Life; and nurse being called in is confronted with the telegram. She runs a gamut of emotion without words, implies that she is nobody and must submit, nods humbly, sets her teeth, is both indignant and servile, and finally bursts into tears. Amy tries to comfort her, but gets this terrible answer: 'They'll be bringing a black woman to nurse her--a yah-yah they call them.'

Amy signs to Ginevra, and Ginevra signs to Amy. These two souls perfectly understand each other, and the telegraphy means that it will be better for dear Ginevra to retire for a time to dear Amy's sweet little bedroom. Amy slips the diary into the hand of Ginevra, who pops upstairs with it to read the latest instalment. Nurse rambles on. 'I have had her for seventeen months. She was just two months old, the angel, when they sent her to England, and she has been mine ever since. The most of them has one look for their mammas and one look for their nurse, but she knew no better than to have both looks for me.' She returns to the nursery, wailing 'My reign is over.'

'Do you think Molly _will_ chuck nurse for mother?' asks Cosmo, to whom this is a new thought.

'It is the way of children,' the more experienced Amy tells him.

'Shabby little beasts,' the man says.

'You mustn't say that, Cosmo; but still it is hard on nurse. Of course,' with swimming eyes, 'in a sense it's hard on all of us--I mean to be expecting parents in these circumstances. There must be almost the same feeling of strangeness in the house as when it is a baby that is expected.'

'I suppose it is a bit like that,' Cosmo says gloomily. He goes to her as the awfulness of this sinks into him: 'Great Scott, Amy, it can't be quite so bad as that.'

Amy, who is of a very affectionate nature, is glad to have the comfort of his hand.

'What do we really know about mother, Cosmo?' she says darkly.

They are perhaps a touching pair.

'There are her letters, Amy.'

'Can one know a person by letters? Does she know you, Cosmo, by your letters to her, saying that your motto is "Something attempted, something done to earn a night's repose," and so on.'

'Well, I thought that would please her.'

'Perhaps in her letters she says things just to please us.'

Cosmo wriggles.

'This is pretty low of you, damping a fellow when he was trying to make the best of it.'

'All I want you to feel,' Amy says, getting closer to him, 'is that as brother and sister, we are allies, you know--against the unknown.'

'Yes, Amy,' Cosmo says, and gets closer to her.

This so encourages her that she hastens to call him 'dear.'

'I want to say, dear, that I'm very sorry I used to shirk bowling to you.'

'That's nothing. I know what girls are. Amy, it's all right, I really am fond of you.'

'I have tried to be a sort of mother to you, Cosmo.'

'My socks and things--I know.' Returning anxiously to the greater question, 'Amy, do we know anything of them at all?'

'We know some cold facts, of course. We know that father is much older than mother.'

'I can't understand why such an old chap should be so keen to kiss me.'

'Mother is forty,' Amy says in a low voice.

'I thought she was almost more than forty,' Cosmo says in a still lower voice.

Amy shudders. 'Don't be so ungenerous, Cosmo.' But she has to add. 'Of course we must be prepared to see her look older.'

'Why?'

'She will be rather yellow, coming from India, you know. They will both be a little yellow.'

They exchange forlorn glances, but Cosmo says manfully, 'We shan't be any the less fond of them for that, Amy.'

'No, indeed.'

They clasp hands on it, and Cosmo has an inspiration.

'Do you think we should have these yellow flowers in the room? They might feel--eh?'

'How thoughtful of you, dear. I shall remove them at once. After all, Cosmo, we seem to know a good deal about them; and then we know some other things by heredity.'

'Heredity? That's drink, isn't it?'

She who has been to so many theatres smiles at him. 'No, you boy! It's something in a play. It means that if we know ourselves well, we know our parents also. From thinking of myself, Cosmo, I know mother. In her youth she was one who did not love easily; but when she loved once it was for aye. A nature very difficult to understand, but profoundly interesting. I can feel her _within me_, as she was when she walked down the aisle on that strong arm, to honour and obey him henceforth for aye. What cared they that they had to leave their native land, they were together for aye. And so--' Her face is flushed. Cosmo interrupts selfishly.

'What about father?'

'Very nice, unless you mention rupees to him. You see the pensions of all Indian officers are paid in rupees, which means that for every 2s. due to them they get only 1s. 4d. If you mention rupees to any one of them he flares up like a burning paper.'

'I know. I shall take care. But what would you say he was like by heredity?'

'Quiet, unassuming, yet of an intensely proud nature. One who if he was deceived would never face his fellow-creatures, but would bow his head before the wind and die. A strong man.'

'Do you mean, Amy, that he takes all that from me?'

'I mean that is the sort of man _my_ mother would love.'

Cosmo nods. 'Yes, but he is just as likely to kiss me as ever.'

The return of Ginevra makes him feel that this room is no place for him.

'I think,' he says, 'I'll go and walk up and down outside, and have a look at them as they're getting out of the cab. My plan, you see, is first to kiss mother. Then I've made up four things to say to father, and it's after I've said them that the awkward time will come. So then I say, "I wonder what is in the evening papers"; and out I slip, and when I come back you will all have settled down to ordinary life, same as other people. That's my plan.' He goes off, not without hope, and Ginevra shrugs her shoulders forgivingly.

'How strange boys are,' she reflects. 'Have you any "plan," Amy?'

'Only this, dear Ginevra, to leap into my mother's arms.'

Ginevra lifts what can only be called a trouser leg, because that is what it is, though they are very seldom seen alone. 'What is this my busy bee is making?'

'It's a gentleman's leg,' Amy explains, not without a sweet blush. 'You hand-sew them and stretch them over a tin cylinder, and they are then used as umbrella stands. _Art in the Home_ says they are all the rage.'

'Oh, Amy, _Boudoir Gossip_ says they have quite gone out.'

'Again! Every art decoration I try goes out before I have time to finish it.'

She remembers the diary.

'Did my Ginevra like my new page?'

'Dearest, that is what I came down to speak about. You forgot to give me the key.'

'Ginevra, can you ever forgive me? Let us go up and read it together.'

With arms locked they seek the seclusion of Amy's bedroom. Cosmo rushes in to tell them that there is a suspicious-looking cab coming down the street, but finding the room empty he departs again to reconnoitre. A cab draws up, a bell rings, and soon we hear the voice of Colonel Grey. He can talk coherently to Fanny, he can lend a hand in dumping down his luggage in the passage, he can select from a handful of silver wherewith