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Read online books Drama in English at worldlibraryebooks.comIn literature a drama genre deserves your attention. Dramas are usually called plays. Every person is made up of two parts: good and evil. Due to life circumstances, the human reveals one or another side of his nature. In drama we can see the full range of emotions : it can be love, jealousy, hatred, fear, etc. The best drama books are full of dialogue. This type of drama is one of the oldest forms of storytelling and has existed almost since the beginning of humanity. Drama genre - these are events that involve a lot of people. People most often suffer in this genre, because they are selfish. People always think to themselves first, they want have a benefit.


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All problems are in our heads. We want to be pitied. Every single person sooner or later experiences their own personal drama, which can leave its mark on him in his later life and forces him to perform sometimes unexpected actions. Sometimes another person can become the subject of drama for a person, whom he loves or fears, then the relationship of these people may be unexpected. Exactly in drama books we are watching their future fate.
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Read books online » Drama » Love Eternal by H. Rider Haggard (latest novels to read txt) 📖

Book online «Love Eternal by H. Rider Haggard (latest novels to read txt) 📖». Author H. Rider Haggard



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world by now, and she did not expect or wish for a hero or a saint built upon the mid- Victorian pattern, as portrayed in the books of the lady novelists of that period. She wanted a man to be a man, by preference with the faults pertaining to the male nature, since she had observed that those who lacked these, possessed others, which to her robust womanhood seemed far worse, such as meanness and avarice and backbiting, and all the other qualities of the Pharisee.

Well, in Godfrey, whether she were right or wrong, with that swift glance of hers, she seemed to recognise a man as she wished a man to be. If that standard of hers meant that very possibly he had admired other women, the lady whom he had pulled up a precipice, for instance, she did not mind particularly, so long as he admired her, Isobel, most of all. That was her one /sine qua non/, that he should admire her most of all, or rather be fondest of her in his innermost self.

What was she thinking about? What was there to show that he cared one brass farthing about her? Nothing at all. And yet, why was he here where she had parted from him so long ago? Surely not to stare at the grave of a dead woman with whom he could have had nothing to do, since she left the world some five centuries before. And another question. What had brought her here, she who hated churches and all the mummery that they signified?

Would he never wake up? Would he never realise her presence? Oh! then he could care nothing about her. Probably he was thinking of the girl he had pulled up a cliff in the Alps. But why did he come to this place to think of /her/?

Isobel stood quite still there and waited in the shadow of a Georgian tomb, till presently Godfrey did seem to grow aware that he was no longer alone. Something or somebody had impinged upon his intelligence. He began to look about him, though always in the wrong direction. Then, convinced that he was the victim of fancy, he spoke aloud as he had a bad habit of doing when by himself.

"It's very curious," he said, "but I could have sworn that Isobel was here, as near me as when we parted. I suppose that is what comes of thinking so much about her. Or do people leave something of themselves behind in places where they have experienced emotion? If so, churches ought to be very full of ghosts. I dare say that they are, only then no one could know it except those who had shared the emotion, and therefore they remain intangible. Still, I could have sworn that Isobel was here. Indeed, I seem to feel her now, and I hope that the dream will go on."

Listening there in the shadow, she heard, and flushed in her flesh and rejoiced in her innermost being. So he had /not/ forgotten her, which is the true and real infidelity that never can be forgiven, at any rate, by a woman. So she was still something in his life, although he had not answered her letter years ago.

Then she grew angry with herself. What did it matter to her what he was, or thought, or did? It was absurd that she could be dependent morally upon anyone, who must rely in life or death upon herself alone and on the strong soul within her. She was wroth with Godfrey for exciting such disturbance in--what was it--her spirit or her body? Nonsense, she had no spirit. That was a phantasy. Therefore it must be in her body which was her own particular property that should remain uninfluenced by any other body.

So it came about that the first words she spoke to him were somewhat rough in their texture. She stepped forward out of the shadow of the Georgian tomb and confronted him with a defiant air, her head thrown back, looking, to tell the truth, rather stately.

"I hoped that by this time you had given up talking to yourself, Godfrey, which, as I always told you, is a bad habit. I did not hear much of what you were mumbling, but I understood you to say that you thought I was here. Well, why shouldn't I be here?"

He stared at her blankly and answered:

"God knows, I don't! But since you ask the question, /why/ are you here, Isobel? It is Isobel, isn't it, or am I still dreaming? Let me touch you and I shall know."

She drew back a little way, quite three inches.

"Of course it is Isobel, don't your senses tell you that without wanting to touch me? Why, I knew it was you from the end of the church. But you ask me why I am here. I wish you would tell me. I was passing, and something drew me into this place. I suppose it was you, and if so, I say at once that I resent it; you have no right----"

"No, no, certainly not, but do let me touch you to make sure that you are Isobel."

"Very well," she said, and stretched out a hand towards him.

He caught it with his left which was nearest, and then with his right hand reached forward and seized her other hand. With a masterful movement he draw her towards him, and though she was a strong woman she seemed to have no power to resist. She thought that he was going to kiss her and did not care greatly if he did.

But he checked himself in time, and instead of pressing his lips upon hers, only kissed her hands, first one and then the other, for quite a long while: nor did she attempt to deny him, perhaps because a wild impulse took possession of her to kiss his in answer. Yes, his hands, or his lips, or even his coat or anything about him. Oh! it made her very angry, but there it was, for something rushed up in her which she had never felt before, something mad and wild and sweet.

She wrenched herself away at last and began to scold him again.

"What have you been doing all these years? Why did you never write to me?"

"Because I was too proud, as you never wrote to me."

"Too proud! Pride will be your ruin; it goes before every sort of fall. Besides, I did write to you. I can show you a copy of the letter, if I haven't torn it up."

"I never got it; did you post it yourself?"

"Yes, that is I took it to the Abbey House and left it to be addressed there."

"Oh! then perhaps it is there still," and he looked at her.

"Nonsense, no one could have been so mean, not even----"

He shrugged his shoulders, a trick he had learned abroad, then said:

"Well, it doesn't matter now, does it, Isobel?"

"Yes, it matters a lot. Years of misunderstanding and doubt and loss, when life is so short. I might have married or all sorts of things."

"What has my not receiving your letter got to do with that?" he asked, astonished.

"Nothing at all. Why do you ask such silly questions? I only meant that if I had married I should not have been here, and we should never have met again."

"Well, you are here and we have met in this church, where we parted."

"Yes, it's odd, isn't it? I wish it had been somewhere else. I don't like this gloomy old place with its atmosphere of death. Come outside."

They went, and when they were through the churchyard gates walked at hazard towards the stream which ran through the grounds of Hawk's Hall. Here they sat down upon a fallen willow, watching the swallows skim over the surface of the placid waters, and for a while were silent. They had so much to say to each other that it seemed as though scarcely they knew where to commence.

"Tell me," she said at length, "were you in the square garden on the night of that dance at which I came out? Oh! I see by your look that you were. Then why did you not speak to me instead of standing behind a bush, watching in that mean fashion?"

"I wasn't properly dressed for parties, and--and--you seemed to be-- very much engaged--with a rose and a knight in armour."

"Engaged! It was only part of a game. I wrote and told you all about it in the letter you did not get. Did you never kiss a flower for a joke and give it to someone, not knowing that you were being watched?"

Godfrey coloured and shifted uneasily on his log.

"Well, as a matter of fact," he said, "it is odd that you should have guessed--for something of the sort did once happen quite by accident. Also I /was/ watched."

"I!--you mean /we/. One doesn't kiss flowers by oneself and give them to the air. It would be more ridiculous even than the other thing."

"I will tell you all about it if you like," he stammered confusedly.

She looked at him with her large, steady grey eyes, and answered in a cold voice:

"No, thank you, I don't like. Nothing bores me so much as other people's silly love affairs."

Baffled in defence, Godfrey resorted to attack.

"What has become of the knight in armour?" he asked.

"He is married and has twins. I saw the announcement of their birth in the paper yesterday. And what has become of the lady with the flower? For since there was a flower, there must have been a lady; I suppose the same whom you pulled up the precipice."

"She is married also, to her cousin, but I don't know that she has any children yet, and I never pulled her up any precipice. It was a man I pulled, a very heavy one. My arm isn't quite right yet."

"Oh!" said Isobel. Then with another sudden change of voice she went on. "Now tell me all about yourself, Godfrey. There must be such lots to say, and I long to hear."

So he told her, and she told him of herself, and they talked and talked till the shadows of advancing night began to close around them. Suddenly Godfrey looked at his watch, of which he could only just see the hands.

"My goodness!" he said, "it is half-past seven."

"Well, what about it? It doesn't matter when I dine, for I have come down alone here for a few days, a week perhaps, to get the house ready for my father and his friends."

"Yes, but my father dines at seven, and if there is one thing he hates it is being kept waiting for dinner."

She looked as though she thought that it did not much matter whether or no Mr. Knight waited for his dinner, then said:

"Well, you can come up to the Hall and dine with me."

"I think I had better not," he answered. "You see, we are getting on so well together--I mean my father and I, and I don't want to begin a row again. He would hate it."

"You mean, Godfrey, that he would hate your dining with me. Well, that is true, for he always loathed me like poison, and I don't think he is a man to change his mind. So perhaps you had better go. Do you think we shall be allowed to see each other again?" she added with sarcasm.

"Of course. Let's meet here to-morrow at eleven. My father is going to a Diocesan meeting and won't be back till the evening. So we might spend the day together if you have nothing better to do."

"Let me see. No, I have no engagement. You see, I only came down half an hour before we met in the church."

Then they rose from their willow log and stood looking at each other, a very proper pair. Something welled up in him and burst from his lips.

"How beautiful you have grown," he said.

She laughed a little, very

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