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Read online books Drama in English at worldlibraryebooks.comIn literature a drama genre deserves your attention. Dramas are usually called plays. Every person is made up of two parts: good and evil. Due to life circumstances, the human reveals one or another side of his nature. In drama we can see the full range of emotions : it can be love, jealousy, hatred, fear, etc. The best drama books are full of dialogue. This type of drama is one of the oldest forms of storytelling and has existed almost since the beginning of humanity. Drama genre - these are events that involve a lot of people. People most often suffer in this genre, because they are selfish. People always think to themselves first, they want have a benefit.


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All problems are in our heads. We want to be pitied. Every single person sooner or later experiences their own personal drama, which can leave its mark on him in his later life and forces him to perform sometimes unexpected actions. Sometimes another person can become the subject of drama for a person, whom he loves or fears, then the relationship of these people may be unexpected. Exactly in drama books we are watching their future fate.
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Read books online » Drama » Fiesco by Friedrich Schiller (most recommended books .txt) 📖

Book online «Fiesco by Friedrich Schiller (most recommended books .txt) 📖». Author Friedrich Schiller



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think so, too. The heart waits not the guidance of the senses
- real sentiment needs no breastwork of outward ornament.

LEONORA. Heavens! Where did you learn such a truth?

JULIA. 'Twas in mere compassion that I spoke it; for observe, madam, the reverse is no less certain. Such is Fiesco's love for you. (Gives her the picture, laughing maliciously.)

LEONORA (with extreme indignation). My picture! Given to you! (Throws herself into a chair, much affected.) Cruel, Fiesco!

JULIA. Have I retaliated? Have I? Now, madam, have you any other sting to wound me with? (Goes to side scene.) My carriage! My object is gained. (To LEONORA, patting her cheek.) Be comforted, my dear; he gave me the picture in a fit of madness.

[Exeunt JULIA and ARABELLA.


SCENE III.

LEONORA, CALCAGNO entering.

CALCAGNO. Did not the Countess Imperiali depart in anger? You, too, so excited, madam?

LEONORA (violently agitated.) No! This is unheard-of cruelty.

CALCAGNO. Heaven and earth! Do I behold you in tears?

LEONORA. Thou art a friend of my inhuman - Away, leave my sight!

CALCAGNO. Whom do you call inhuman? You affright me - -

LEONORA. My husband. Is he not so?

CALCAGNO. What do I hear!

LEONORA. 'Tis but a piece of villany common enough among your sex!

CALCAGNO (grasping her hand with vehemence). Lady, I have a heart for weeping virtue.

LEONORA. You are a man - your heart is not for me.

CALCAGNO. For you alone - yours only. Would that you knew how much, how truly yours - -

LEONORA. Man, thou art untrue. Thy words would be refuted by thy actions - -

CALCAGNO. I swear to you - -

LEONORA. A false oath. Cease! The perjuries of men are so innumerable 'twould tire the pen of the recording angel to write them down. If their violated oaths were turned into as many devils they might storm heaven itself, and lead away the angels of light as captives.

CALCAGNO. Nay, madam, your anger makes you unjust. Is the whole sex to answer for the crime of one?

LEONORA. I tell thee in that one was centred all my affection for the sex. In him I will detest them all.

CALCAGNO. Countess, - you once bestowed your hand amiss. Would you again make trial, I know one who would deserve it better.

LEONORA. The limits of creation cannot bound your falsehoods. I'll hear no more.

CALCAGNO. Oh, that you would retract this cruel sentence in my arms!

LEONORA (with astonishment). Speak out. In thy arms!

CALCAGNO. In my arms, which open themselves to receive a forsaken woman, and to console her for the love she has lost.

LEONORA (fixing her eyes on him). Love?

CALCAGNO (kneeling before her with ardor). Yes, I have said it. Love, madam! Life and death hang on your tongue. If my passion be criminal then let the extremes of virtue and vice unite, and heaven and hell be joined together in one perdition.

LEONORA (steps back indignantly, with a look of noble disdain). Ha! Hypocrite! Was that the object of thy false compassion? This attitude at once proclaims thee a traitor to friendship and to love. Begone forever from my eyes! Detested sex! Till now I thought the only victim of your snares was woman; nor ever suspected that to each other you were so false and faithless.

CALCAGNO (rising, confounded). Countess!

LEONORA. Was it not enough to break the sacred seal of confidence? but even on the unsullied mirror of virtue does this hypocrite breathe pestilence, and would seduce my innocence to perjury.

CALCAGNO (hastily). Perjury, madam, you cannot be guilty of.

LEONORA. I understand thee - thou thoughtest my wounded pride would plead in thy behalf. (With dignity). Thou didst not know that she who loves Fiesco feels even the pang that rends her heart ennobling. Begone! Fiesco's perfidy will not make Calcagno rise in my esteem - but - will lower humanity. [Exit hastily.

CALCAGNO (stands as if thunderstruck, looks after her, then striking his forehead). Fool that I am. [Exit.


SCENE IV.

The MOOR and FIESCO.

FIESCO. Who was it that just now departed?

MOOR. The Marquis Calcagno.

FIESCO. This handkerchief was left upon the sofa. My wife has been here.

MOOR. I met her this moment in great agitation.

FIESCO. This handkerchief is moist (puts it in his pocket). Calcagno here? And Leonora agitated? This evening thou must learn what has happened.

MOOR. Miss Bella likes to hear that she is fair. She will inform me.

FIESCO. Well - thirty hours are past. Hast thou executed my commission?

MOOR. To the letter, my lord.

FIESCO (seating himself). Then tell me how they talk of Doria, and of the government.

MOOR. Oh, most vilely. The very name of Doria shakes them like an ague-fit. Gianettino is as hateful to them as death itself - there's naught but murmuring. They say the French have been the rats of Genoa, the cat Doria has devoured them, and now is going to feast upon the mice.

FIESCO. That may perhaps be true. But do they not know of any dog against that cat?

MOOR (with an affected carelessness). The town was murmuring much of a certain - poh - why, I have actually forgotten the name.

FIESCO (rising). Blockhead! That name is as easy to be remembered as 'twas difficult to achieve. Has Genoa more such names than one?

MOOR. No - it cannot have two Counts of Lavagna.

FIESCO (seating himself). That is something. And what do they whisper about my gayeties?

MOOR (fixing his eyes upon him). Hear me, Count of Lavagna! Genoa must think highly of you. They can not imagine why a descendant of the first family - with such talents and genius - full of spirit and popularity - master of four millions - his veins enriched with princely blood - a nobleman like Fiesco, whom, at the first call, all hearts would fly to meet - -

FIESCO (turns away contemptuously). To hear such things from such a scoundrel!

MOOR. Many lamented that the chief of Genoa should slumber over the ruin of his country. And many sneered. Most men condemned you. All bewailed the state which thus had lost you. A Jesuit pretended to have smelt out the fox that lay disguised in sheep's clothing.

FIESCO. One fox smells out another. What say they to my passion for the Countess Imperiali?

MOOR. What I would rather be excused from repeating.

FIESCO. Out with it - the bolder the more welcome. What are their murmurings?

MOOR. 'Tis not a murmur. At all the coffee-houses, billiard-tables, hotels, and public walks - in the market-place, at the Exchange, they proclaim aloud - -

FIESCO. What? I command thee!

MOOR (retreating). That you are a fool!

FIESCO. Well, take this sequin for these tidings. Now have I put on a fool's cap that these Genoese may have wherewith to rack their wits. Next I will shave my head, that they may play Merry Andrew to my Clown. How did the manufacturers receive my presents?

MOOR (humorously). Why, Mr. Fool, they looked like poor knaves - -

FIESCO. Fool? Fellow, art thou mad?

MOOR. Pardon! I had a mind for a few more sequins.

FIESCO (laughing, gives him another sequin). Well. "Like poor knaves."

MOOR. Who receive pardon at the very block. They are yours both soul and body.

FIESCO. I'm glad of it. They turn the scale among the populace of Genoa.

MOOR. What a scene it was! Zounds! I almost acquired a relish for benevolence. They caught me round the neck like madmen. The very girls seemed in love with my black visage, that's as ill-omened as the moon in an eclipse. Gold, thought I, is omnipotent: it makes even a Moor look fair.

FIESCO. That thought was better than the soil which gave it birth. These words are favorable; but do they bespeak actions of equal import?

MOOR. Yes - as the murmuring of the distant thunder foretells the approaching storm. The people lay their heads together - they collect in parties - break off their talk whenever a stranger passes by. Throughout Genoa reigns a gloomy silence. This discontent hangs like a threatening tempest over the republic. Come, wind, then hail and lightning will burst forth.

FIESCO. Hush! - hark! What is that confused noise?

MOOR (going to the window). It is the tumult of the crowd returning from the senate-house.

FIESCO. To-day is the election of a procurator. Order my carriage! It is impossible that the sitting should be over. I'll go thither. It is impossible it should be over if things went right. Bring me my sword and cloak - where is my golden chain?

MOOR. Sir, I have stolen and pawned it.

FIESCO. That I am glad to hear.

MOOR. But, how! Are there no more sequins for me?

FIESCO. No. You forgot the cloak.

MOOR. Ah! I was wrong in pointing out the thief.

FIESCO. The tumult comes nearer. Hark! 'Tis not the sound of approbation. Quick! Unlock the gates; I guess the matter. Doria has been rash. The state balances upon a needle's point. There has assuredly been some disturbance at the senate-house.

MOOR (at the window). What's here! They're coming down the street of Balbi - a crowd of many thousands - the halberds glitter - ah, swords too! Halloo! Senators! They come this way.

FIESCO. Sedition is on foot. Hasten amongst them; mention my name; persuade them to come hither. (Exit Moon hastily.) What reason, laboring like a careful ant, with difficulty scrapes together, the wind of accident collects in one short moment.


SCENE V.

FIESCO, ZENTURIONE, ZIBO, and ASSERATO, rushing in.

ZIBO. Count, impute it to our anger that we enter thus unannounced.

ZENTURIONE. I have been mortally affronted by the duke's nephew in the face of the whole senate.

ASSERATO. Doria has trampled on the golden book of which each noble Genoese is a leaf.

ZENTURIONE. Therefore come we hither. The whole nobility are insulted in me; the whole nobility must share my vengeance. To avenge my own honor I should not need assistance.

ZIBO. The whole nobility are outraged in his person; the whole nobility must rise and vent their rage in fire and flames.

ASSERATO. The rights of the nation are trodden under foot; the liberty of the republic has received a deadly blow.

FIESCO. You raise my expectation to the utmost.

ZIBO. He was the twenty-ninth among the electing senators, and had drawn forth a golden ball to vote for the procurator. Of the eight-and-twenty votes collected, fourteen were for me, and as many for Lomellino. His and Doria's were still wanting - -

ZENTURIONE. Wanting! I gave my vote for Zibo. Doria - think of the wound inflicted on my honor - Doria - -

ASSERATO (interrupting him). Such a thing was never heard of since the sea washed the walls of Genoa.

ZENTURIONE (continues, with great heat). Doria drew
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