SG Scribbling Vol 2 by Sabari Ganesh (latest books to read TXT) 📖

Punished by the cabinet of King Ravana, the tail of Hanuman was set on fire. Hanuman once again with his monkey pranks, triggered by the raging fire on his tail, eventually set fire to the entire island forgetting that his mother Seetha is still in Srilanka. It was actually Devi Seetha's merits and prayers that saved her as well as Hanuman from the fire!

            Even during warfare, when Lakshmana fainted, hit by the Nagastra of Indrajeet, Hanuman was summoned to bring life saving Sanjeevani herbs from Himalayas. Hanuman, who had the physical strength, that too obtained as boon from the Devas earlier, reached Himalayas but was unable to identify the herbs properly. Hence, he brought with him the entire mountain down south - to Srilanka. This resulted in double work, as he had to go all the way again to Himalayas, to replace the mountain in its original location and return back to Srilanka before dawn for the next day's warfare!

            Post war and victory; Hanuman became so very self centered that the victory of SriRam would not have been possible if it were not for his service and assistance. Lord SriRam, who is ever untouched and forever free from evil; chanting whose name one would be cleansed off every sin; understood the culmination of ego in Hanuman's mind. He informed Hanuman his intention to supplicate Lord Shiva to cleanse off the sins that got accumulated by killing Ravana - a Valorous one, a King and a Brahmin all in one - 'Veera Haththi Dosha', 'Raja Haththi Dosha' and 'Brahma Haththi Dosha' respectively. SriRam also summoned Hanuman to request a Siva lingam from Lord Shiva himself and bring it to Rameshwaram within a stipulated time.

            Reaching Himalayas once again, Hanuman in all his efforts, was unable to find Lord Shiva within the time stipulated by Lord SriRam. However, Lord Shiva in order to fulfill the command of SriRam appeared before Hanuman and gave him the Siva lingam. In the mean time; in Rameshwaram, Devi Seetha made a Siva lingam out of sand and prayers were offered by SriRam; even before Hanuman arrived. Hence, Hanuman was deprived of the opportunity to attend and witness the rare event - one form of the same divinity worshipping its other form.

            The ego of Hanuman filled him with rage on the futility of his efforts, and supplicated to SriRam his mental agony. Lord SriRam, in a composed manner informed Hanuman to remove the Siva lingam made of sand by Devi Seetha and replace it with the one that he had brought! Hanuman, filled with self-esteem, applied all his might to remove and destroy the Siva lingam made by Devi Seetha. The result, he lost large portion of his vital organ of being a monkey - his tail!

            Hanuman though revered to be a celibate - a Brahmachari; during his journey to Srilanka in search of Devi Seetha, while crossing the ocean impregnated a lady with his sweat; even without his knowledge! Such being his qualities; anyone - everyone would be astonished at the respect and honour that is showered upon Hanuman.

            A careful analysis of Hanuman's life events would throw light on a very thought illuminating aspect - Hanuman's blind love to his Guru - Lord SriRam. After returning to Ayodhya, Hanuman witnessed Devi Seetha adorning her forehead with the holy saffron powder. When enquired the reason, he was informed that it indicates prayer for the long life of SriRam. Immediately Hanuman, as if a remarkable manifestation of his foolishness, smeared himself all over the holy saffron powder without realising that it is meant for married women. Such is the blind faith and love of Hanuman towards his Guru SriRam; hence appreciated for all those qualities that he actually never possessed!

            Similarly, though we all stand today, as the broken tailed Hanuman of Rameshwaram, due to positive multiples of negative qualities; let us surrender completely at the lotus feet of our Guru that we may be cleansed off all sin and karma; to remain in eternal peace and bliss. Sadgurudeva Saranam.

Gandharva Veda

Gandharva Veda

© Sabari Ganesh; “All Rights Reserved” 
authorsabariganesh@gmail.com
https://sabariganesh23.sarahah.com

 

            This entire world was once the land of the Veda. The essence of Veda are the Upanishads. Upanishads focus on intellectual reasoning of the ultimate truth - the goal of human birth - Adwaitham. However, Dwaitham is more explicit in the materialistic plane of activity. The practical application of the Veda is the focus of the Dharmasastra. Every activity of man is streamlined and guided by the Dharmasastra.

            According to the focus and discipline, many branches of Dharmasastra exist. For instance; Arthasastra focus on one's positioning and conduct in a society; Krishisastra focus on agriculture; Bhaagasastra focus on preparation of food; Dhanurveda focus on methods of defence and military warfare; Ayurveda focus on healing the human body afflicted with disease, and healthy living. A close scrutiny would deduce that each one of the above has a specific materialistic utility.

            Nevertheless, there also happens to be one specific focus of Dharmasastra that fulfils no such utility. It neither fills our coffers, nor provide us food to satiate hunger; does not heal our body when afflicted with disease; and neither does it guide to protect ourselves from enemies. Such a seemingly trivial concept and its related application, however forms a vital part of Dharmasastra; revered as Upaveda of Samaveda, called 'Gandharvaveda'.

            A refined analysis on the focus of Gandharvaveda would establish substantial reasons for its reverence. In this materialistic world, human activities aim at attaining happiness through the sensory routes of perception. The prominent focus of Gandharvaveda is to qualify and rationalise the attainment of pleasure and satisfaction through the various senses.

            Traditionally, the tangible and perceptible manifestation of Gandharvaveda is called Sangeetham. Bharathasastra is a prominent authority in Gandharvaveda. It includes Geetham and Naatyam. The rules of dance forms - Naatyam followed as laid down in Bharathasastra is popularly called as Bharathanaatyam. Sangeetham predominantly perceived as mere vocal recitation of songs and keerthanas based on Raaga is incorrect and limiting. Sangeetham is defined as -

"Geetham Vaathyam Narthanam Cha Thrayam Sangeetham Uchyathey."

            According to this definition, rendition of songs and keerthanas; dance and drama form an integral part of Gandharvaveda. In the Veda, description of various worlds and life forms are evident; of which, Gandharvas are those who are more closely associated with these art forms. They are also depicted to be singing and dancing in ancient mural paintings. Gandharvas are the presiding deities of the senses, and sensual pleasures. Hence the name Gandharvaveda.

            Gandharvaveda encompasses all kinds of art forms that focus on amusing the human mind through sensual delight. As per this narrative, many activities of the present era would come under the auspices of Gandharvaveda. Some worth mentioning would be drawing, poetry, puppetry, folk songs & dance, magical tricks, verbal games, puzzles, movies and even journalism.

            Of the four Purushaarthaas - Dharma, Artha, Kaama, Moksha; the pointer of Gandharvaveda is Kaama. Kaama indicates pleasure experienced through the senses and Artha indicates earnings necessary. In the ancient model of society, both Artha and Kaama are encapsulated by Dharma and Moksha. Hence, the manifestations of Gandharvaveda are rationalised by Dharma to aspire Moksha.

            Kaama to be disciplined by Gandharvaveda derives importance from two notable facts. The instinctive nature of the human mind to get fascinated by any activity that amuses it; making the person lose proportion of the resources spent. Also, as they are sensual; inherently impermanent; though dignified to an extent; eventually dethrones the mind from spiritual progress. However they are admissible to the scope of effectively relaxing and rejuvenating the mind to perform the traditional activities - individual and moral duties with enhanced vigour and vitality.

            The traditional activities of a person are demanding and intrinsically repetitive in nature. Psychologically, though any repetitive task grants perfection, and since ordained by Dharma escalates the person to higher realms of spirituality; taxes the human mind. Hence the indispensability of Sangeetham, as decreed by Gandharvaveda. This vividly indicates that the prime focus and main itinerary of every person is necessarily one's traditional and moral duties; with Gandharvaveda assisting to unwind and revivify the mind.

            The Purushaarthaas - Artha and Kaama though essential, possess the innate ability to sacrilege the moral and vital requisites of a peaceful materialistic life that bestows spiritual progress. Hence justly encapsulated and pruned by Dharma and Moksha. The cascading effect of which is better sense of esteem, respect and moral dignity of the artists involved. A substantial evidence is the reverence of India as the land of seers; also as a source of multiple tradition and culture.

            The present scenario however is antagonistic. The binding limits - Dharma and Moksha which so long streamlined the activities appealing to sensual pleasures, are disregarded. Monetary wealth has become the pointer to intelligence and a substratum to demand respect. Happiness is identified with sensual pleasures to an extent that the sole purpose of life is to delve and dwell in it. When the value system migrates from morality to wealth, sense of proportion loses ground. Degradation in every aspect is the result.

            The professionals involved in performing the forms of Gandharvaveda shoulder the prime responsibility of limiting the art forms as stipulated by Dharma. In ancient India, the customary way of life evolved to be called Sanathana Dharma that we have termed now as a religion - Hinduism. In any other religion, one would be able to identify a person to have created or formulated it, but Sanathana Dharma. When Sanathana Dharma was identified as a religion, comparisons commenced; faux intellectual reasoning destroyed humility resulting in the downfall of man. Nevertheless; followers of every religion prescribing the lordship of a singular entity must introspect and ensure their activities adhere to the moral code of social ethics; bearing in mind their liability to their unique lord.

            The manifestations of Gandharvaveda is called Fine Art - 'Lalithakala'. It indicates professional finesse and moral elegance. As it has a direct impact on the mind of the audience; its misuse is more devastating than any other. The terminology per se becomes inappropriate if it eventually recidivates the audience to the wildest of sensual pleasures. Consequently preserving the aesthetic sense of the art form is a vital responsibility of the professionals involved.

            The neglect of one's traditional duties, as stipulated by the Dharmasastra is a prime rationale behind inappropriate content demand, and loss of proportion in resources spent on the various forms of Gandharvaveda. The manifestation of Gandharvaveda possesses remarkable ability to entice the human mind. This effectively makes it a double edged sword - when applied on concepts of moral values in an ethical manner escalates the recipient's mind to higher realms of spirituality else ensures the downfall of moral values in a society; exponentially.

            Understanding and realisation should dawn in the minds of everyone associated on the supply and demand side of these art forms that they actually deal with a vital aspect of the Veda. This should awaken the moral conscience enabling them adhere to the highest level of ethical sense and moral conduct. Adhering to one's traditional routine as stipulated by the Dharmasastra is a vital prerequisite - the only way to prevent the