Pascal's Pensees by Blaise Pascal (world of reading .TXT) 📖

otherwise. For he that relaxes out of season wearies, and he who wearies us out of season makes us languid, since we turn quite away. So much does our perverse lust like to do the contrary of what those wish to obtain from us without giving us pleasure, the coin for which we will do whatever is wanted. 25

Eloquence.—It requires the pleasant and the real; but the pleasant must itself be drawn from the true.

26

Eloquence is a painting of thought; and thus those who, after having painted it, add something more, make a picture instead of a portrait.

27

Miscellaneous. Language.—Those who make antitheses by forcing words are like those who make false windows for symmetry. Their rule is not to speak accurately, but to make apt figures of speech.

28

Symmetry is what we see at a glance; based on the fact that there is no reason for any difference, and based also on the face of man; whence it happens that symmetry is only wanted in breadth, not in height or depth.

29

When we see a natural style, we are astonished and delighted; for we expected to see an author, and we find a man. Whereas those who have good taste, and who seeing a book expect to find a man, are quite surprised to find an author. Plus poetice quam humane locutus es. Those honour Nature well, who teach that she can speak on everything, even on theology.

30

We only consult the ear because the heart is wanting. The rule is uprightness.

Beauty of omission, of judgment.

31

All the false beauties which we blame in Cicero have their admirers, and in great number.

32

There is a certain standard of grace and beauty which consists in a certain relation between our nature, such as it is, weak or strong, and the thing which pleases us.

Whatever is formed according to this standard pleases us, be it house, song, discourse, verse, prose, woman, birds, rivers, trees, rooms, dress, etc. Whatever is not made according to this standard displeases those who have good taste.

And as there is a perfect relation between a song and a house which are made after a good model, because they are like this good model, though each after its kind; even so there is a perfect relation between things made after a bad model. Not that the bad model is unique, for there are many; but each bad sonnet, for example, on whatever false model it is formed, is just like a woman dressed after that model.

Nothing makes us understand better the ridiculousness of a false sonnet than to consider nature and the standard, and then to imagine a woman or a house made according to that standard.

33

Poetical beauty.—As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and the reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry. We do not know the natural model which we ought to imitate; and through lack of this knowledge, we have coined fantastic terms, "The golden age," "The wonder of our times," "Fatal," etc., and call this jargon poetical beauty.[13]

But whoever imagines a woman after this model, which consists in saying little things in big words, will see a pretty girl adorned with mirrors and chains, at whom he will smile; because we know better wherein consists the charm of woman than the charm of verse. But those who are ignorant would admire her in this dress, and there are many villages in which she would be taken for the queen; hence we call sonnets made after this model "Village Queens."

34

No one passes in the world as skilled in verse unless he has put up the sign of a poet, a mathematician, etc. But educated people do not want a sign, and draw little distinction between the trade of a poet and that of an embroiderer.

People of education are not called poets or mathematicians, etc.; but they are all these, and judges of all these. No one guesses what they are. When they come into society, they talk on matters about which the rest are talking. We do not observe in them one quality rather than another, save when they have to make use of it. But then we remember it, for it is characteristic of such persons that we do not say of them that they are fine speakers, when it is not a question of oratory, and that we say of them that they are fine speakers, when it is such a question.

It is therefore false praise to give a man when we say of him, on his entry, that he is a very clever poet; and it is a bad sign when a man is not asked to give his judgment on some verses.

35

We should not be able to say of a man, "He is a mathematician," or "a preacher," or "eloquent"; but that he is "a gentleman." That universal quality alone pleases me. It is a bad sign when, on seeing a person, you remember his book. I would prefer you to see no quality till you meet it and have occasion to use it (Ne quid nimis[14]), for fear some one quality prevail and designate the man. Let none think him a fine speaker, unless oratory be in question, and then let them think it.

36

Man is full of wants: he loves only those who can satisfy them all. "This one is a good mathematician," one will say. But I have nothing to do with mathematics; he would take me for a proposition. "That one is a good soldier." He would take me for a besieged town. I need, then, an upright man who can accommodate himself generally to all my wants.

37

[Since we cannot be universal and know all that is to be known of everything, we ought to know a little about everything. For it is far better to know something about everything than to know all about one thing. This universality is the best. If we can have both, still better; but if we must choose, we ought to choose the former. And the world feels this and does so; for the world is often a good judge.]

38

A poet and not an honest man.

39

If lightning fell on low places, etc., poets, and those who can only reason about things of that kind, would lack proofs.

40

If we wished to prove the examples which we take to prove other things, we should have to take those other things to be examples; for, as we always believe the difficulty is in what we wish to prove, we find the examples clearer and a help to demonstration.

Thus when we wish to demonstrate a general theorem, we must give the rule as applied to a particular case; but if we wish to demonstrate a particular case, we must begin with the general rule. For we always find the thing obscure which we wish to prove, and that clear which we use for the proof; for, when a thing is put forward to be proved, we first fill ourselves with the imagination that it is therefore obscure, and on the contrary that what is to prove it is clear, and so we understand it easily.

41

Epigrams of Martial.—Man loves malice, but not against one-eyed men nor the unfortunate, but against the fortunate and proud. People are mistaken in thinking otherwise.

For lust is the source of all our actions, and humanity, etc. We must please those who have humane and tender feelings. That epigram about two one-eyed people is worthless,[15] for it does not console them, and only gives a point to the author's glory. All that is only for the sake of the author is worthless. Ambitiosa recident ornamenta.[16]

42

To call a king "Prince" is pleasing, because it diminishes his rank.

43

Certain authors, speaking of their works, say, "My book," "My commentary," "My history," etc. They resemble middle-class people who have a house of their own, and always have "My house" on their tongue. They would do better to say, "Our book," "Our commentary," "Our history," etc., because there is in them usually more of other people's than their own.

44

Do you wish people to believe good of you? Don't speak.

45

Languages are ciphers, wherein letters are not changed into letters, but words into words, so that an unknown language is decipherable.

46

A maker of witticisms, a bad character.

47

There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.

48

When we find words repeated in a discourse, and, in trying to correct them, discover that they are so appropriate that we would spoil the discourse, we must leave them alone. This is the test; and our attempt is the work of envy, which is blind, and does not see that repetition is not in this place a fault; for there is no general rule.

49

To mask nature and disguise her. No more king, pope, bishop—but august monarch, etc.; not Paris—the capital of the kingdom. There are places in which we ought to call Paris, Paris, and others in which we ought to call it the capital of the kingdom.

50

The same meaning changes with the words which express it. Meanings receive their dignity from words instead of giving it to them. Examples should be sought....

51

Sceptic, for obstinate.

52

No one calls another a Cartesian[17] but he who is one himself, a pedant but a pedant, a provincial but a provincial; and I would wager it was the printer who put it on the title of Letters to a Provincial.

53

A carriage upset or overturned, according to the meaning To spread abroad or upset, according to the meaning. (The argument by force of M. le Maître[18] over the friar.)

54

Miscellaneous.—A form of speech, "I should have liked to apply myself to that."

55

The aperitive virtue of a key, the attractive virtue of a hook.

56

To guess: "The part that I take in your trouble." The Cardinal[19] did not want to be guessed.

"My mind is disquieted." I am disquieted is better.

57

I always feel uncomfortable under such compliments as these: "I have given you a great deal of trouble," "I am afraid I am boring you," "I fear this is too long." We either carry our audience with us, or irritate them.

58

You are ungraceful: "Excuse me, pray." Without that excuse I would not have known there was anything amiss. "With reverence be it spoken...." The only thing bad is their excuse.

59

"To extinguish the torch of sedition"; too luxuriant. "The restlessness of his genius"; two superfluous grand words.

SECTION II THE MISERY OF MAN WITHOUT GOD 60

First part: Misery of man without God.

Second part: Happiness of man with God.

Or, First part: That nature is corrupt. Proved by nature itself.

Second part: That there is a Redeemer. Proved by Scripture.

61

Order.—I might well have taken this discourse in an order like this: to show the vanity of all conditions of men, to show the vanity of ordinary lives, and then the vanity of philosophic lives, sceptics, stoics;