The Enchanted Castle by E. Nesbit (best novels of all time .txt) 📖

bettered and therefore did not need to be changed, said to Gerald, sweltering under the weighty magnificence of his beast-skin:

“I say, you might let us have the ring back.”

“I’m going to,” said Gerald, who had quite forgotten it. “I’ll give it you in the next scene. Only don’t lose it, or go putting it on. You might go out all together and never be seen again, or you might get seven times as visible as anyone else, so that all the rest of us would look like shadows beside you, you’d be so thick, or ,”

“Ready!” said Kathleen, bustling in, once more a wicked sister.

Gerald managed to get his hand into his pocket under his hearthrug, and when he rolled his eyes in agonies of sentiment, and said, “Farewell, dear Beauty! Return quickly, for if you remain long absent from your faithful beast he will assuredly perish,” he pressed a ring into her hand and added: “This is a magic ring that will give you anything you wish. When you desire to return to your own disinterested beast, put on the ring and utter your wish. Instantly you will be by my side.”

Beauty-Mabel took the ring, and it was the ring.

The curtains closed to warm applause from two pairs of hands.

The next scene went splendidly. The sisters were almost too natural in their disagreeableness, and Beauty’s annoyance when they splashed her Princess’s dress with real soap and water was considered a miracle of good acting. Even the merchant rose to something more than mere pillows, and the curtain fell on his pathetic assurance that in the absence of his dear Beauty he was wasting away to a shadow. And again two pairs of hands applauded.

“Here, Mabel, catch hold,” Gerald appealed from under the weight of a towel-horse, the tea-urn, the tea-tray, and the green baize apron of the boot boy, which together with four red geraniums from the landing, the pampas-grass from the drawing-room fireplace, and the india-rubber plants from the drawing-room window were to represent the fountains and garden of the last act. The applause had died away.

“I wish,” said Mabel, taking on herself the weight of the tea-urn, “I wish those creatures we made were alive. We should get something like applause then.”

“I’m jolly glad they aren’t, said Gerald, arranging the baize and the towel-horse. “Brutes! It makes me feel quite silly when I catch their paper eyes.”

The curtains were drawn back. There lay the hearthrug-coated beast, in flat abandonment among the tropic beauties of the garden, the pampas-grass shrubbery, the india-rubber plant bushes, the geranium-trees and the urn fountain. Beauty was ready to make her great entry in all the thrilling splendour of despair. And then suddenly it all happened.

Mademoiselle began it: she applauded the garden scene with hurried little clappings of her quick French hands. Eliza’s fat red palms followed heavily, and then someone else was clapping, six or seven people, and their clapping made a dull padded sound. Nine faces instead of two were turned towards the stage, and seven out of the nine were painted, pointed paper faces. And every hand and every face was alive. The applause grew louder as Mabel glided forward, and as she paused and looked at the audience her unstudied pose of horror and amazement drew forth applause louder still; but it was not loud enough to drown the shrieks of Mademoiselle and Eliza as they rushed from the room, knocking chairs over and crushing each other in the doorway. Two distant doors banged, Mademoiselle’s door and Eliza’s door.

“Curtain! curtain! quick!” cried Beauty-Mabel, in a voice that wasn’t Mabel’s or the Beauty’s. “Jerry those things have come alive. Oh, whatever shall we do?”

Gerald in his hearthrugs leaped to his feet. Again that flat padded applause marked the swish of cloths on clothes-line as Jimmy and Kathleen drew the curtains.

“What’s up?” they asked as they drew.

“You’ve done it this time!” said Gerald to the pink, perspiring Mabel. “Oh, bother these strings!”

“Can’t you burst them? I’ve done it?” retorted Mabel. “I like that!”

“More than I do,” said Gerald.

“Oh, it’s all right,” said Mabel. “Come on. We must go and pull the things to pieces then they can’t go on being alive.”

“It’s your fault, anyhow,” said Gerald with every possible absence of gallantry. “Don’t you see? It’s turned into a wishing ring. I knew something different was going to happen. Get my knife out of my pocket this string’s in a knot. Jimmy, Cathy, those Ugly-Wuglies have come alive because Mabel wished it. Cut out and pull them to pieces.”

Jimmy and Cathy peeped through the curtain and recoiled with white faces and staring eyes. “Not me!” was the brief rejoinder of Jimmy. Cathy said, “Not much!” And she meant it, anyone could see that.

And now, as Gerald, almost free of the hearthrugs, broke his thumb-nail on the stiffest blade of his knife, a thick rustling and a sharp, heavy stumping sounded beyond the curtain.

“They’re going out!” screamed Kathleen “walking out on their umbrella and broomstick legs. You can’t stop them, Jerry, they re too awful!”

“Everybody in the town’ll be insane by tomorrow night if we don’t stop them,” cried Gerald. “Here, give me the ring I’ll unwish them.”

He caught the ring from the unresisting Mabel, cried, “I wish the Uglies weren’t alive,” and tore through the door. He saw, in fancy, Mabel’s wish undone, and the empty hall strewed with limp bolsters, hats, umbrellas, coats and gloves, prone abject properties from which the brief life had gone out for ever. But the hall was crowded with live things, strange things all horribly short as broom sticks and umbrellas are short. A limp hand gesticulated. A pointed white face with red cheeks looked up at him, and wide red lips said something, he could not tell what. The voice reminded him of the old beggar down by the bridge who had no roof to his mouth. These creatures had no roofs to their mouths, of course they had no “Aa 00 re o me me oo a oo ho el?” said the voice again. And it had said it four times before Gerald could collect himself sufficiently to understand that this horror alive, and most likely quite uncontrollable was saying, with a dreadful calm, polite persistence: “Can you recommend me to a good hotel?”

“Can you recommend me to a good hotel?” The speaker had no inside to his head. Gerald had the best of reasons for knowing it. The speaker’s coat had no shoulders inside it only the cross-bar that a jacket is slung on by careful ladies. The hand raised in interrogation was not a hand at all; it was a glove lumpily stuffed with pocket-handkerchiefs; and the arm attached to it was only Kathleen’s school umbrella. Yet the whole thing was alive, and was asking a definite, and for anybody else, anybody who really was a body, a reasonable question.

With a sensation of inward sinking, Gerald realized that now or never was the time for him to rise to the occasion. And at the thought he inwardly sank more deeply than before. It seemed impossible to rise in the very smallest degree.

“I beg your pardon” was absolutely the best he could do; and the painted, pointed paper face turned to him once more, and once more said: “Aa 00 re o me me oo a oo ho el?”

“You want a hotel?” Gerald repeated stupidly, “a good hotel?”

“A oo ho el,” reiterated the painted lips.

“I’m awfully sorry,” Gerald went on one can always be polite, of course, whatever happens, and politeness came natural to him “but all our hotels shut so early about eight, I think.”

“Och em er,” said the Ugly-Wugly. Gerald even now does not understand how that practical joke hastily wrought of hat, overcoat, paper face and limp hands could have managed, by just being alive, to become perfectly respectable, apparently about fifty years old, and obviously well known and respected in his own suburb the kind of man who travels first class and smokes expensive cigars. Gerald knew this time, without need of repetition, that the Ugly-Wugly had said: “Knock ‘em up.”

“You can’t,” Gerald explained; “they re all stone deaf every single person who keeps a hotel in this town. It’s,” he wildly plunged “it’s a County Council law. Only deaf people are allowed to keep hotels. It’s because of the hops in the beer,” he found himself adding; “you know, hops are so good for ear-ache.”

“I 0 wy ollo oo,” said the respectable Ugly-Wugly; and Gerald was not surprised to find that the thing did “not quite follow him.”

“It is a little difficult at first,” he said. The other Ugly-Wuglies were crowding round. The lady in the poke bonnet said Gerald found he was getting quite clever at understanding the conversation of those who had no roofs to their mouths:

“If not a hotel, a lodging.”

“My lodging is on the cold ground,” sang itself unbidden and unavailing in Gerald’s ear. Yet stay was it unavailing?

“I do know a lodging,” he said slowly, “but ,” The tallest of the Ugly-Wuglies pushed forward. He was dressed in the old brown overcoat and top-hat which always hung on the school hat-stand to discourage possible burglars by deluding them into the idea that there was a gentleman-of-the-house, and that he was at home. He had an air at once more sporting and less reserved than that of the first speaker, and anyone could see that he was not quite a gentleman.

“Wa I wo oo oh,” he began, but the lady Ugly-Wugly in the flower-wreathed hat interrupted him. She spoke more distinctly than the others, owing, as Gerald found afterwards, to the fact that her mouth had been drawn open, and the flap cut from the aperture had been folded back so that she really had something like a roof to her mouth, though it was only a paper one.

“What I want to know,” Gerald understood her to say, “is where are the carriages we ordered?”

“I don’t know,” said Gerald, “but I’ll find out. But we ought to be moving,” he added; “you see, the performance is over, and they want to shut up the house and put the lights out. Let’s be moving.”

“Eh ech e oo-ig,” repeated the respectable Ugly-Wugly, and stepped towards the front door.

“Oo urn oo,” said the flower-wreathed one; and Gerald assures me that her vermilion lips stretched in a smile.

“I shall be delighted,” said Gerald with earnest courtesy, “to do anything, of course. Things do happen so awkwardly when you least expect it. I could go with you, and get you a lodging, if you’d only wait a few moments in the in the yard. It’s quite a superior sort of yard, he went on, as a wave of surprised disdain passed over their white paper faces not a common yard, you know; the pump,” he added madly, “has just been painted green all over, and the dustbin is enamelled iron.”

The Ugly-Wuglies turned to each other in consultation, and Gerald gathered that the greenness of the pump and the enamelled character of the dustbin made, in their opinion, all the difference.

“I’m awfully sorry,” he urged eagerly, “to have to ask you to wait, but you see I’ve got an uncle who’s quite mad, and I have to give him his gruel at half-past nine. He won’t feed out of any hand but mine.” Gerald did not mind what he said. The only people one is allowed to tell lies to are the Ugly-Wuglies; they are all clothes and have no insides, because they are not human beings, but only a sort of very real visions, and therefore cannot be really deceived, though they may seem to be.

Through the back door that has