The Certain Hour (Dizain des Poëtes) by James Branch Cabell (read 50 shades of grey TXT) 📖

set against all that we never earned in youth, and so will never earn."

He inadequately answered "Bosh!" and later, "Do you remember——?" he began.

Yes, she remembered that, it developed. And "Do you remember——?" she in turn was asking later. It was to seem to him in retrospection that neither for the next half-hour began a sentence without this formula. It was as if they sought to use it as a master-word wherewith to reanimate the happinesses and sorrows of their common past, and as if they found the charm was potent to awaken the thin, powerless ghosts of emotions that were once despotic. For it was as if frail shadows and half-caught echoes were all they could evoke, it seemed to Charteris; and yet these shadows trooped with a wild grace, and the echoes thrilled him with the sweet and piercing surprise of a bird's call at midnight or of a bugle heard in prison.

Then twelve o'clock was heralded by the College bell, and Pauline arose as though this equable deep-throated interruption of the music's levity had been a signal. John Charteris saw her clearly now; and she was beautiful.

"I must go. You will not ever quite forget me, Jack. Such is my sorry comfort." It seemed to Charteris that she smiled as in mockery, and yet it was a very tender sort of derision. "Yes, you have made your books. You have done what you most desired to do. You have got all from life that you have asked of life. Oh, yes, you have got much from life. One prize, though, Jack, you missed."

He, too, had risen, quiet and perfectly sure of himself. "I haven't missed it. For you love me."

This widened her eyes. "Did I not always love you, Jack? Yes, even when you went away forever, and there were no letters, and the days were long. Yes, even knowing you, I loved you, John Charteris."

"Oh, I was wrong, all wrong," he cried; "and yet there is something to be said upon the other side, as always.…" Now Charteris was still for a while. The little man's chin was uplifted so that it was toward the stars he looked rather than at Pauline Romeyne, and when he spoke he seemed to meditate aloud. "I was born, I think, with the desire to make beautiful books—brave books that would preserve the glories of the Dream untarnished, and would re-create them for battered people, and re-awaken joy and magnanimity." Here he laughed, a little ruefully. "No, I do not think I can explain this obsession to any one who has never suffered from it. But I have never in my life permitted anything to stand in the way of my fulfilling this desire to serve the Dream by re-creating it for others with picked words, and that has cost me something. Yes, the Dream is an exacting master. My books, such as they are, have been made what they are at the dear price of never permitting myself to care seriously for anything else. I might not dare to dissipate my energies by taking any part in the drama I was attempting to re-write, because I must so jealously conserve all the force that was in me for the perfection of my lovelier version. That may not be the best way of making books, but it is the only one that was possible for me. I had so little natural talent, you see," said Charteris, wistfully, "and I was anxious to do so much with it. So I had always to be careful. It has been rather lonely, my dear. Now, looking back, it seems to me that the part I have played in all other people's lives has been the role of a tourist who enters a cafe chantant, a fortress, or a cathedral, with much the same forlorn sense of detachment, and observes what there is to see that may be worth remembering, and takes a note or two, perhaps, and then leaves the place forever. Yes, that is how I served the Dream and that is how I got my books. They are very beautiful books, I think, but they cost me fifteen years of human living and human intimacy, and they are hardly worth so much."

He turned to her, and his voice changed. "Oh, I was wrong, all wrong, and chance is kindlier than I deserve. For I have wandered after unprofitable gods, like a man blundering through a day of mist and fog, and I win home now in its golden sunset. I have laughed very much, my dear, but I was never happy until to-night. The Dream, as I now know, is not best served by making parodies of it, and it does not greatly matter after all whether a book be an epic or a directory. What really matters is that there is so much faith and love and kindliness which we can share with and provoke in others, and that by cleanly, simple, generous living we approach perfection in the highest and most lovely of all arts.… But you, I think, have always comprehended this. My dear, if I were worthy to kneel and kiss the dust you tread in I would do it. As it happens, I am not worthy. Pauline, there was a time when you and I were young together, when we aspired, when life passed as if it were to the measures of a noble music—a heart-wringing, an obdurate, an intolerable music, it might be, but always a lofty music. One strutted, no doubt—it was because one knew oneself to be indomitable. Eh, it is true I have won all I asked of life, very horribly true. All that I asked, poor fool! oh, I am weary of loneliness, and I know now that all the phantoms I have raised are only colorless shadows which belie the Dream, and they are hateful to me. I want just to recapture that old time we know of, and we two alone. I want to know the Dream again, Pauline,—the Dream which I had lost, had half forgotten, and have so pitifully parodied. I want to know the Dream again, Pauline, and you alone can help me."

"Oh, if I could! if even I could now, my dear!" Pauline Romeyne left him upon a sudden, crying this. And "So!" said Mr. Charteris.

He had been deeply shaken and very much in earnest; but he was never the man to give for any lengthy while too slack a rein to emotion; and so he now sat down upon the bench and lighted a cigarette and smiled. Yet he fully recognized himself to be the most enviable of men and an inhabitant of the most glorious world imaginable—a world wherein he very assuredly meant to marry Pauline Romeyne say, in the ensuing September. Yes, that would fit in well enough, although, of course, he would have to cancel the engagement to lecture in Milwaukee.… How lucky, too, it was that he had never actually committed himself with Anne Willoughby! for while money was an excellent thing to have, how infinitely less desirable it was to live perked up in golden sorrow than to feed flocks upon the Grampian Hills, where Freedom from the mountain height cried, "I go on forever, a prince can make a belted knight, and let who will be clever.…"

"—and besides, you'll catch your death of cold," lamented Rudolph Musgrave, who was now shaking Mr. Charteris' shoulder.

"Eh, what? Oh, yes, I daresay I was napping," the other mumbled. He stood and stretched himself luxuriously. "Well, anyhow, don't be such an unmitigated grandmother. You see, I have a bit of rather important business to attend to. Which way is Miss Romeyne?"

"Pauline Romeyne? why, but she married old General Ashmeade, you know. She was the gray-haired woman in purple who carried out her squalling brat when Taylor was introducing you, if you remember. She told me, while the General was getting the horses around, how sorry she was to miss your address, but they live three miles out, and Mrs. Ashmeade is simply a slave to the children.… Why, what in the world have you been dreaming about?"

"Eh, what? Oh, yes, I daresay I was only napping," Mr. Charteris observed. He was aware that within they were still playing a riotous two-step.

BALLAD OF PLAGIARY

"Fr�res et matres, vous qui cultivez"—PAUL VERVILLE.

Hey, my masters, lords and brothers, ye that till the fields of rhyme,
Are ye deaf ye will not hearken to the clamor of your time?

Still ye blot and change and polish—vary, heighten and transpose—
Old sonorous metres marching grandly to their tranquil close.

Ye have toiled and ye have fretted; ye attain perfected speech:
Ye have nothing new to utter and but platitudes to preach.

And your rhymes are all of loving, as within the old days when
Love was lord of the ascendant in the horoscopes of men.

Still ye make of love the utmost end and scope of all your art;
And, more blind than he you write of, note not what a modest part

Loving now may claim in living, when we have scant time to spare,
Who are plundering the sea-depths, taking tribute of the air,—

Whilst the sun makes pictures for us; since to-day, for good or ill,
Earth and sky and sea are harnessed, and the lightnings work our will.

Hey, my masters, all these love-songs by dust-hidden mouths were sung
That ye mimic and re-echo with an artful-artless tongue,—

Sung by poets close to nature, free to touch her garments' hem
Whom to-day ye know not truly; for ye only copy them.

Them ye copy—copy always, with your backs turned to the sun,
Caring not what man is doing, noting that which man has done.

We are talking over telephones, as Shakespeare could not talk;
We are riding out in motor-cars where Homer had to walk;

And pictures Dante labored on of mediaeval Hell
The nearest cinematograph paints quicker, and as well.

But ye copy, copy always;—and ye marvel when ye find
This new beauty, that new meaning,—while a model stands behind,

Waiting, young and fair as ever, till some singer turn and trace
Something of the deathless wonder of life lived in any place.

Hey, my masters, turn from piddling to the turmoil and the strife!
Cease from sonneting, my brothers; let us fashion songs from life.

Thus I wrote ere Percie passed me.… Then did I epitomize
All life's beauty in one poem, and make haste to eulogize
Quite the fairest thing life boasts of, for I wrote of Percie's eyes.

EXPLICIT DECAS POETARUM

End of the Project Gutenberg EBook of The Certain Hour, by James Branch Cabell