The Atlantic Book of Modern Plays by Gordon Bottomley et al. (free ebooks romance novels .txt) 📖

done?

SAM. Why, kissed thee, an' takken thee oop in ma arms whoam to thy bed. It's standin' ready in yonder wi' clean sheets an' all, an' a new quilt from Co-op. A 'opes you'll pardon th' liberty o' mentioning it.

SARAH. A new quilt, Sam? What's color?

SAM. Red, wi' blue stripes down 'er.

SARAH. A'm not a light weight, tha knows.

SAM. A'd carry thee easy—"Strong in th' arm and weak in th' yead." It's an ould sayin', but it's a good un, an' it fits.

SARAH. Wilt tha try, Sam Horrocks? God bless thee, wilt tha try, lad?

SAM. Dost mean it, Mrs. Ormerod? Dost mean tha'll coom? Tha's not coddin' a feller, art tha?

SARAH. No, A'm not coddin'. Kiss me, Sam, my son.

(He kisses her and lifts her in his arms.)

SAM. By gum, but that were good. A'll coom back fur thy box.

SABAH. Carry me careful, tha great luny. A'm not a sack o' flour.

SAM. Eh, but A likes to year thee talk. Yon was real mootherly, it were.

(Exit through door, carrying her.)

[CURTAIN at clink of latch]

RIDERS TO THE SEA[1]

J.M. Synge

[Footnote 1: Included by permission of Messrs. John W. Luce and
Company.]

CHARACTERS

MAURYA, an old woman
BARTLEY, her son
CATHLEEN, her daughter
NORA, a younger daughter
MEN AND WOMEN

SCENE: An island off the West of Ireland. Cottage kitchen, with nets, oilskins, spinning-wheel, some new boards standing by the wall, etc. CATHLEEN, a girl of about twenty, finishes kneading cake, and puts it down in the pot-oven by the fire; then wipes her hands, and begins to spin at the wheel. NORA, a young girl, puts her head in at the door.

NORA (in a low voice). Where is she?

CATHLEEN. She's lying down, God help her, and maybe sleeping, if she's able.

(NORA comes in softly, and takes a bundle from under her shawl.)

CATHLEEN (spinning the wheel rapidly). What is it you have?

NOBA. The young priest is after bringing them. It's a shirt and a plain stocking were got off a drowned man in Donegal.

(CATHLEEN stops her wheel with a sudden movement, and leans out to listen.)

NORA. We're to find out if it's Michael's they are; some time herself will be down looking by the sea.

CATHLEEN. How would they be Michael's, Nora? How would he go the length of that way to the far north?

NORA. The young priest says he's known the like of it. "If it's Michael's they are," says he, "you can tell herself he's got a clean burial by the grace of God, and if they're not his, let no one say a word about them, for she'll be getting her death," says he, "with crying and lamenting."

(The door which NORA half closed is blown open by a gust of wind.)

CATHLEEN (looking out anxiously). Did you ask him would he stop
Bartley going this day with the horses to the Galway fair?

NORA. "I won't stop him," says he, "but let you not be afraid.
Herself does be saying prayers half through the night, and the
Almighty God won't leave her destitute," says he, "with no son
living."

CATHLEEN. Is the sea bad by the white rocks, Nora?

NORA. Middling bad, God help us. There's a great roaring in the west, and it's worse it'll be getting when the tide's turned to the wind.

(She goes over to the table with the bundle.)

Shall I open it now?

CATHLEEN. Maybe she'd wake up on us, and come in before we'd done. (Coming to the table) It's a long time we'll be, and the two of us crying.

NORA (goes to the inner door and listens). She's moving about on the bed. She'll be coming in a minute.

CATHLEEN. Give me the ladder, and I'll put them up in the turf-loft, the way she won't know of them at all, and maybe when the tide turns she'll be going down to see would he be floating from the east.

(They put the ladder against the gable of the chimney; CATHLEEN goes up a few steps and hides the bundle in the turf-loft. MAURYA comes from the inner room.)

MAURYA (looking up at CATHLEEN and speaking querulously). Isn't it turf enough you have for this day and evening?

CATHLEEN. There's a cake baking at the fire for a short space (throwing down the turf) and Bartley will want it when the tide turns if he goes to Connemara.

(NORA picks up the turf and puts it round the pot-oven.)

MAURYA (sitting down on a stool at the fire). He won't go this day with the wind rising from the south and west. He won't go this day, for the young priest will stop him surely.

NORA. He'll not stop him, mother, and I heard Eamon Simon and
Stephen Pheety and Colum Shawn saying he would go.

MAURYA. Where is he itself?

NORA. He went down to see would there be another boat sailing in the week, and I'm thinking it won't be long till he's here now, for the tide's turning at the green head, and the hooker's tacking from the east.

CATHLEEN. I hear someone passing the big stones.

NORA (looking out). He's coming now, and he in a hurry.

BARTLEY (comes in and looks round the room; speaking sadly and quietly). Where is the bit of new rope, Cathleen, was bought in Connemara?

CATHLEEN (coming down). Give it to him, Nora; it's on a nail by the white boards. I hung it up this morning, for the pig with the black feet was eating it.

NORA (giving him a rope). Is that it, Bartley?

MAURYA. You'd do right to leave that rope, Bartley, hanging by the boards. (BARTLEY takes the rope.) It will be wanting in this place, I'm telling you, if Michael is washed up to-morrow morning, or the next morning, or any morning in the week, for it's a deep grave we'll make him by the grace of God.

BARTLEY (beginning to work with the rope). I've no halter the way I can ride down on the mare, and I must go now quickly. This is the one boat going for two weeks or beyond it, and the fair will be a good fair for horses, I heard them saying below.

MAURYA. It's a hard thing they'll be saying below if the body is washed up and there's no man in it to make the coffin, and I after giving a big price for the finest white boards you'd find in Connemara.

(She looks round at the boards.)

BARTLEY. How would it be washed up, and we after looking each day for nine days, and a strong wind blowing a while back from the west and south?

MAURYA. If it wasn't found itself, that wind is raising the sea, and there was a star up against the moon, and it rising in the night. If it was a hundred horses, or a thousand horses you had itself, what is the price of a thousand horses against a son where there is one son only?

BARTLEY (working at the halter, to CATHLEEN). Let you go down each day, and see the sheep aren't jumping in on the rye, and if the jobber comes you can sell the pig with the black feet if there is a good price going.

MAURYA. How would the like of her get a good price for a pig?

BARTLEY (to CATHLEEN). If the west wind holds with the last bit of the moon let you and Nora get up weed enough for another cock for the kelp. It's hard set we'll be from this day with no one in it but one man to work.

MAURYA. It's hard set we'll be surely the day you're drownd'd with the rest. What way will I live and the girls with me, and I an old woman looking for the grave?

(BARTLEY lays down the halter, takes off his old coat, and puts on a newer one of the same flannel.)

BARTLEY (to NORA). Is she coming to the pier?

NORA (looking out). She's passing the green head and letting fall her sails.

BARTLEY (getting his purse and tobacco). I'll have half an hour to go down, and you'll see me coming again in two days, or in three days, or maybe in four days if the wind is bad.

MAURYA (turning round to the fire, and putting her shawl over her head). Isn't it a hard and cruel man won't hear a word from an old woman, and she holding him from the sea?

CATHLEEN. It's the life of a young man to be going on the sea, and who would listen to an old woman with one thing and she saying it over?

BARTLEY (taking the halter). I must go now quickly. I'll ride down on the red mare, and the gray pony'll run behind me. The blessing of God on you.

(He goes out.)

MAURYA (crying out as he is in the door). He's gone now, God spare us, and we'll not see him again. He's gone now, and when the black night is falling I'll have no son left me in the world.

CATHLEEN. Why wouldn't you give him your blessing and he looking round in the door? Isn't it sorrow enough is on everyone in this house without your sending him out with an unlucky word behind him, and a hard word in his ear?

(MAURYA takes up the tongs and begins raking the fire aimlessly without looking round.)

NORA (turning towards her). You're taking away the turf from the cake.

CATHLEEN (crying out). The Son of God forgive us, Nora, we're after forgetting his bit of bread.

(She comes over to the fire.)

NORA. And it's destroyed he'll be going till dark night, and he after eating nothing since the sun went up.

CATHLEEN (turning the cake out of the oven). It's destroyed he'll be, surely. There's no sense left on any person in a house where an old woman will be talking for ever.

(MAURYA sways herself on her stool.)

CATHLEEN (cutting off some of the bread and rolling it in a cloth, to MAURYA). Let you go down now to the spring well and give him this and he passing. You'll see him then and the dark word will be broken, and you can say, "God speed you," the way he'll be easy in his mind.

MAURYA (taking the bread). Will I be in it as soon as himself?

CATHLEEN. If you go now quickly.

MAURYA (standing up unsteadily). It's hard set I am to walk.

CATHLEEN (looking at her anxiously). Give her the stick, Nora, or maybe she'll slip on the big stones.

NORA. What stick?

CATHLEEN. The stick Michael brought from Connemara.

MAURYA (taking a stick NORA gives her). In the big world the old people do be leaving things after them for their sons and children, but in this place it is the young men do be leaving things behind for them that do be old.

(She goes out slowly. NORA goes over to the ladder.)

CATHLEEN. Wait, Nora, maybe she'd turn back quickly. She's that sorry, God help her, you wouldn't know the thing she'd do.

NORA. Is she gone round by the bush?

CATHLEEN (looking out). She's gone now. Throw it down quickly, for the Lord knows when she'll be out of it again.

NORA (getting the bundle from the loft). The young priest said he'd be passing to-morrow, and we might go down and speak to him below if it's Michael's they are surely.

CATHLEEN (taking the bundle). Did he say what way they were found?

NORA (coming down). "There were two men," says he, "and they rowing round with poteen before the cocks crowed, and the oar of one of them caught the body, and they passing the black cliffs of the north."

CATHLEEN (trying to open the bundle). Give me a knife, Nora; the string's perished with the salt water, and there's a black knot on it you wouldn't loosen in a week.

NORA (giving her a knife). I've heard tell it was a long way to
Donegal.

CATHLEEN (cutting the string). It is surely. There was a man in here a while ago—the man sold us that knife—and he said if you set off walking from the rocks beyond, it would be seven days you'd be in Donegal.

NORA. And what time would a man take, and he floating?

(CATHLEEN opens the bundle and takes out a bit of a stocking.
They look at them eagerly.)

CATHLEEN (in a low voice).