The Treasure of Atlantis by J. Allan Dunn (drm ebook reader .txt) 📖
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“Whatever his imagination though, the vase attested that he told at least some measure of truth. I took it. We got to the Xingu in the rains, and to Para—”
“And the vase?”
“Is here. I brought it with me.”
Long after the orchid hunter had gone to bed, Morse held the vase in his hands, turning it over and over while the ruddy firelight played upon the repousse surface, speculating upon its history. Had he known what the cup held for him of perilous adventure upon the very rim of death, it is possible that he would have resisted the spell it gradually wound about him.
It was untarnished and undented, despite the softness of the beaten surface of unalloyed metal, and it was of the most exquisite workmanship. Finally he set it upon the table beneath the glow of his lamp. The vase was an oval container, exquisitely symmetrical, supported by four serpents of solid gold whose heads met with forked tongues touching beneath the center of the bowl.
Its main surface was divided into two panels by the duplicated design of a double ax. On one side a superbly
modeled bull was being baited by a youth and a maid, clad in garments apparently Grecian. The figures were lithe in action, beautiful in pose. Darts clung to the snorting, wounded bull that pawed the ground with lowered head. The other panel was filled with ancient writings above which, in raised letters, was the word minos that Morse easily deciphered, though the characters were ancient Greek.
Here was a riddle: a golden vase brought back from the heart of Brazil, yet eminently Grecian! He turned to his bookshelves, the word “Minos” stirring his recollections. Far into the night he read of the great Minoan dynasty established on the isle of Crete, in the Mediterranean, of its wonderful empire and powerful fleet, houses that possessed ventilating and sanitary systems far ahead of their time, and of the civilization that produced both pictorial and linear writing two thousand years beyond Phoenician culture, for long credited as leader in such matters.
He read of Minos, the Sun God, son of Zeus, and of his wife, Pasiphae, the “all-shining Moon Goddess,” of the cruel sports in the Minoan bull rings, the tragic death of Minos, killed by a king’s daughter, who poured boiling water over him in a bath. Of Minos’ children, Daedalus and Ariadne, noted names of Greek mythology. Of the victims tortured by being enclosed in the belly of a red-hot brazen bull, and of the invasion of the kingdom of Crete two thousand years before Christ, and its final destruction, four hundred years later, in the Dorian Conquest, by the rude tribes of northern Europe.
It was a curious tale, half legend, half history, fancy and fact interwoven in a web of fascination; but what had Crete, the little island empire south of Greece, in common with the tale of Murdock, the orchid hunter, and of Tagua the tribal chieftain over a thousand leagues away, separated by the length of the Mediterranean Sea and the breadth of the Atlantic Ocean?
The puzzle was too great for him to solve. He left it for the time, set back the glowing embers of the fire, placed the vase of Minos in a wall safe, and switched off the lights. On his way to his bedroom, he passed the room set aside for Murdock and smiled at the open door. He knew the sign of the traveler, fresh from months in
the open air, to whom closed doors and windows seem to create a stifling prison. As he tiptoed past, he paused to listen to the orchid hunter’s breathing. That the man would never travel again the Flowing Road he was assured, and he wondered if his guest was resting easily.
There was no sound. As Morse stood in the doorway, listening, the street lights faintly illumined the room and the prone figure on the bed, fully dressed. It held a rigidity of pose that alarmed him. He entered and bent above his guest, shook him lightly by the shoulder, then raised his arm. The pulse was irresponsive, and the hand fell heavily upon the quilt.
Morse turned on the lights. There was no need for a second glance. Murdock had found his last orchid, had departed on his final trek. Morse telephoned for a physician and sympathetically arranged the wasted form, hardly more than an articulated skeleton.
The orchid hunter had been writing. There was a folded paper beneath a book on the desk that was a part of the room’s well-chosen furnishings. This was addressed to his host. It read:
My heart is very weak tonight. No pain, only an absence of power that leaves me barely strength to write these words. I leave the vase and its history, not just in gratitude, but because I believe it was given me that the mystery of the City in the Sky may be solved. So things work out in the history of us all, I think. The riddle of the race leaves a clew that sooner or later falls into the proper hands. Such hands are yours. Here is my diary, kept daily, and there is a in my trunk that will guide to Tagua and the canyon of the vision.
I have neither kith nor kin. I leave no one to be sorrowful about me save the orchid dealers who made their desk-chair profits from my risks. It was a great game while it lasted, and the Flowing Road is the trail of trails. Good night, good friend; goodby, perhaps, and, if so, remember, when you enter the city of Dor, your grateful visitor,
Ronald Murdock.
The physician confirmed Morse’s idea that Murdock’s death was not to have been put off.
“Strychnine could hardly have prolonged it,” he said after an examination. “It does not need an autopsy to tell that the man’s heart was rotten. Valve muscles flabby. He was a strong man once. Urari, you say? Humph! That’s a local name for curare, extract of resinous South American barks. Has several alkaloids in its active principle. We really know very little about it save that it is one of the deadliest of poisons. Defies analysis to a certain extent. It must have been a diluted or weakened extract and the slightest of incisions. A friend of yours, Mr. Morse? I am sorry. It was a peaceful death. I will attend to the certificate.”
“And I to his funeral,” Morse promised himself. A sudden idea struck him, and he registered it as a vow to make a fitting burial of the sturdy Scotchman.
To Stanley Morse, the dead man’s letter, as he read it, seemed to bind him to a quest made sacred by the last testament of the orchid hunter. The more he pondered over the idea, the more it found favor with him. He had no ties nor business to keep him in New York, and the fever of adventure was easily stimulated in his veins. The interior of Brazil offered a trip that he had always promised himself, and the prospects of discovering a hidden city soon dominated both his waking thoughts and his dreams at night.
A week after Murdock’s death, he made a visit to the Metropolitan Museum, where he was made welcome by an assistant curator of archaeology. The museum was already the richer for Morse’s travels, and he was privileged to ready admission to the administrative offices and the time and knowledge of its experts.
Morse set the vase on the green blotter of the scientist’s desk, and, going to the window, raised the blind so that the March sunshine lit the rich metal with a radiance that was dazzling on the high places of the embossed design.
“What do you make of that?” he asked.
The curator took the vase up reverently, examined it with close scrutiny for ten silent minutes, then set it down again.
“Where did you get it?” he parried.
“That is the pith of the story,” laughed Morse. “Don’t look at me as if you thought I’d been raiding some of your precious cases. I came by it honestly. As a preamble I’ll tell you that I’m not going to give it to the Metropolitan or any other museum. It is dedicated to a special purpose.”
The official’s face fell involuntarily.
“Or sell it, I suppose?”
Morse shook his head.
“It’s worth a small fortune,” said the curator. “It’s a perfect example, a glorious example, of a Cretan vase. The tableau is undoubtedly connected with the Minotaur legend. None of the excavations at Cnossus have unearthed anything finer. Crete, you know, was given autonomy in 1889 by the European powers, and the government exercises a jealous eye over all discoveries. Do you know anything of the ancient history of the island?”
“I’ve been reading it up of late. I retained enough of my school days to make out the word ‘Minos.’ What’s the inscription?”
The curator shrugged his shoulders. “You’ll have to take that to Laidlaw,” he said. “I can’t decipher it.”
“Who is Laidlaw?”
“Gordon Laidlaw, F. R. G. S., archaeologist and anthropologist. Haven’t you met him? He’s a master scientist, but from my standpoint pretty much of a crank.”
“He holds an unprovable theory that the lost country of Atlantis, or its remains, is to be found somewhere on the American continent, where it was left after a mighty cataclysm split the earth into the continents of Africa and America and formed the Atlantic Ocean.” The curator spoke almost contemptuously.
“Atlantis? Wasn’t there some theory a few years back which tied Atlantis and Crete together?”
“There was a long article in the London Times about six years ago. A man named Martin also advanced the idea. Why?”
“Because this vase was found by an orchid hunter
in the center of the Amazonian chapadao, or plateau.” “Impossible! I beg your pardon, Mr. Morse, but are you sure of that?”
“Absolutely.”
The curator sprang from his chair and paced his office in his excitement, talking staccato sentences.
“It’s insane—insane! Can there be something in Laidlaw’s theory after all? No, it’s preposterous! Atlantis is a myth. A theoretic foundling! And you’ve never met Laidlaw? It’s insane—insane!”
He picked up the vase and fondled it between his palms.
“May I keep this overnight—in the museum?” he asked. “I want to show it to my colleagues and tell them the story.”
“You haven’t heard it yet,” said Morse dryly, “but I’ll tell it to you if you introduce me to Laidlaw.”
“Surely. He lives up in the Berkshires. I’ll wire him. He’ll be down in the morning—tonight, if he could get here.”
“Will you let me know when he arrives? You have my telephone?”
“Of course. Now tell me about the orchid hunter.”
Morse’s decorous valet awakened him the next’ morning before daylight.
“There’s a—a person who demands to see you, sir,” he said. “Quite an extraordinary party, with a face—you’ll pardon me—like a wild lion. Name of Laidlaw.”
“Laidlaw!” Morse shook off the filmy net of sleep and set up in bed. “Show him up!” he ordered.,
A minute later he heard a bass voice bellowing in the hall:
“Which room? That one? All right.”
His door opened as if a gale had forced the lock, and a man, half giant, half dwarf, waddled into the room. Large amber eyes were set in a weather-burned face, as much of it as was discernible in the frame of tawny, shaggy hair and beard that seemed to make up a
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