Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you donât realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Diary of a Goose Girl by Kate Douglas Smith Wiggin (phonics reader TXT) đ
- Author: Kate Douglas Smith Wiggin
- Performer: -
Book online «The Diary of a Goose Girl by Kate Douglas Smith Wiggin (phonics reader TXT) đ». Author Kate Douglas Smith Wiggin
Bailiffâs Daughter.ââIs it? Then it ought always to be labelled âdangerous,â oughtnât it? But who thought of suggesting matches? Iâm sure I didnât!â
True Love.ââNo such luck; I wish you would.â
Bailiffâs Daughter.ââAccording to your theory, if you apply a match to Love it is likely to âgo off.ââ
True Love.ââI wish you would try it on mine and await the result. Come now, youâll have to marry somebody, sometime.â
Bailiffâs Daughter.ââI confess I donât see the necessity.â
True Love (morosely).ââYouâre the sort of woman men wonât leave in undisturbed spinsterhood; theyâll keep on badgering you.â
Bailiffâs Daughter.ââOh, I donât mind the badgering of a number of men; itâs rather nice. Itâs the one badger I find obnoxious.â
True Love (impatiently).ââThatâs just the perversity of things. I could put a stop to the protestations of the many; I should like nothing betterâbut the pertinacity of the one! Ah, well! I canât drop that without putting an end to my existence.â
Bailiffâs Daughter (politely).ââI shouldnât think of suggesting anything so extreme.â
True Love (quoting).âââMrs. Hauksbee proceeded to take the conceit out of Pluffles as you remove the ribs of an umbrella before re-covering.â However, you couldnât ask me anything seriously that I wouldnât do, dear Mistress Perversity.â
Bailiffâs Daughter (yielding a point).ââIâll put that boldly to the proof. Say you donât love me!â
True Love (seizing his advantage).ââI donât! Itâs imbecile and besotted devotion! Tell me, when may I come to take you away?â
Bailiffâs Daughter (sighing).ââItâs like asking me to leave Heaven.â
PhĆbe and Gladwish
True Love.ââI know it; she told me where to find you,âThornycroft is the seventh poultry-farm Iâve visited,âbut you could never leave Heaven, you canât be happy without poultry, why that is a wish easily gratified. Iâll get you a farm to-morrow; no, itâs Saturday, and the real estate offices close at noon, but on Monday, without fail. Your ducks and geese, always carrying it along with you. All you would have to do is to admit me; Heaven is full of twos. If you shall swim on a crystal lakeâPhĆbe told me what a genius you have for getting them out of the muddy pond; she was sitting beside it when I called, her hand in that of a straw-coloured person named Gladwish, and the ground in her vicinity completely strewn with votive offerings. You shall splash your silver sea with an ivory wand; your hens shall have suburban cottages, each with its garden; their perches shall be of satin-wood and their water dishes of mother-of-pearl. You shall be the Goose Girl and I will be the Swan Herdâsimply to be near youâfor I hate live poultry. Dost like the picture? Itâs a little like Claude Melnotteâs, I confess. The fact is I am not quite sane; talking with you after a fortnight of the tabbies at the Hydro is like quaffing inebriating vodka after Miffinâs Food! May I come to-morrow?â
Bailiffs Daughter (hedging).ââI shall be rather busy; the Crossed Minorca hen comes off to-morrow.â
True Love.ââOh, never mind! Iâll take her off to-night when I escort you to the farm; then sheâll get a dayâs advantage.â
Bailiffâs Daughter.ââAnd rob fourteen prospective chicks of a mother; nay, lose the chicks themselves? Never!â
True Love.ââSo long as you are a Goose Girl, does it make any difference whose you are? Is it any more agreeable to be Mrs. Heavenâs Goose Girl than mine?â
Bailiffâs Daughter.ââAh! but in one case the term of service is limited; in the other, permanent.â
True Love.ââBut in the one case you are the slave of the employer, in the other the employer of the slave. Why did you run away?â
Bailiffâs Daughter.ââA manâs mind is too dull an instrument to measure a womanâs reason; even my own fails sometimes to deal with all its delicate shades; but I think I must have run away chiefly to taste the pleasure of being pursued and brought back. If it is necessary to your happiness that you should explore all the Bluebeard chambers of my being, I will confess further that it has taken you nearly three weeks to accomplish what I supposed you would do in three days!â
True Love (after a well-spent interval).ââTo-morrow, then; shall we say before breakfast? All, do! Why not? Well, then, immediately after breakfast, and I breakfast at seven nowadays, and sometimes earlier. Do take off those ugly cotton gloves, dear; they are five sizes too large for you, and so rough and baggy to the touch!â
***END OF THE PROJECT GUTENBERG EBOOK THE DIARY OF A GOOSE GIRL***
***** This file should be named 1867-h.htm or 1867-h.zip******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/8/6/1867
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns.
Comments (0)