Gone to Earth by Mary Webb (primary phonics TXT) 📖
- Author: Mary Webb
Book online «Gone to Earth by Mary Webb (primary phonics TXT) 📖». Author Mary Webb
'God made them,' Edward said simply.
'What for did He, if He didna like 'em when they were done?'
'We can't know all His reasons; He walks in darkness.'
'Well, that's no manner of use to me and Foxy,' said Hazel practically. 'So all as I can see to do is to get married and take Foxy where there's no chicks.'
'So you think of marrying?'
'Ah! And I told father I'd marry the first as come. I swore it by the Mountain.'
'And who came?' Edward had a kind of faintness in his heart.
'Never a one.'
'Nobody at all?'
'Never a one.'
'And if anyone came and asked for you, you'd take him?'
'Well, I'm bound to, seemingly. But it dunna matter. None'll ever come. What for should they?'
She herself answered her own question fully as she stood aureoled in dusky light. His eyes were eloquent, but she was too busy to notice them.
'And should you like to be married?' he asked gently.
He expected a shy affirmative. He received a flat negative.
'My mam didna like it. And she said it'd be the end of going in the woods and all my gamesome days. And she said tears and torment, tears and torment was the married lot. And she said, "Keep yourself to yourself. You wunna made for marrying any more than me. Eat in company, but sleep alone"--that's what she said, Mr. Marston.'
Edward was so startled at this unhesitating frankness that he said nothing. But he silently buried several sweet hopes that had been pushing up like folded hyacinths for a week. The old madness was upon him, but it was a larger, more spiritual madness than Reddin's, as the sky is larger and more ethereal than the clouds that obscure it. He was always accustomed to think more of giving than receiving, so now he concentrated himself on what he could do for Hazel. He felt that her beauty would be an ample return for anything he could do as her husband to make her happy. If she would confide in him, demands on his time, run to him for refuge, he felt that he could ask no more of life. The strength of the ancient laws of earth was as yet hidden from him. He did not know the fierceness of the conflict in which he was engaging for Hazel's sake--the world-old conflict between sex and altruism.
If he had known, he would still not have hesitated.
Suddenly Hazel looked round with an affrighted air.
'It's late to be here,' she said.
'Why?'
'There's harm here if you bide late. The jeath pack's about here in the twilight, so they do say.'
They looked up into the dark steeps, and the future seemed to lower on them.
'Maybe summat bad'll come to us in this spinney,' she whispered.
'Nothing bad can come to you when you are in God's keeping.'
There canna be many folk in His keeping, then.'
'Do you say your prayers, Hazel?' he asked rather sadly.
'Ah! I say:
"Keep me one year, keep me seven, Till the gold turns silver on my head; Bring me up to the hill o' heaven, And leave me die quiet in my bed."
That's what I allus say.'
'Who taught you?'
'My mam.'
'Ah, well, it must be a good prayer if she taught it you, mustn't it?' he said.
Suddenly Hazel clutched his arm affrightedly.
'Hark! Galloping up yonder! Run! run! It's the Black Huntsman!'
It was Reddin, skirting the wood on his way home from a search for Hazel. If he had come into the spinney he would have seen them, but he kept straight on.
'It's bringing harm!' cried Hazel, pulling at Edward's arm; 'see the shivers on me! It's somebody galloping o'er my grave!'
Edward resolved to combat these superstitions and replace them by a sane religion. He had not yet fathomed the ancient, cruel and mighty power of these exhalations of the soil. Nor did he see that Hazel was enchained by earth, prisoner to it only a little less than the beech and the hyacinth--bond-serf of the sod.
When Edward and Hazel burst into the parlour, like sunshine into an old garden, they were met by a powerful smell of burnt merino. Mrs. Marston had been for some hours as near Paradise as we poor mortals can hope to be. Her elastic-sided cloth boots rested on the fender, and her skirt, carefully turned up, revealed a grey stuff petticoat with a hint of white flannel beneath. The pink shawl was top, which meant optimism. With Mrs. Marston, optimism was the direct result of warmth. Her spectacles had crept up and round her head, and had a rakishly benign appearance. On her comfortable lap lay the missionary _Word_ and a large roll of brown knitting which was intended to imitate fur. Edward noted hopefully that the pink shawl was top.
'Here's Hazel come to see you, mother!'
Mrs. Marston straightened her spectacles, surveyed Hazel, and asked if she would like to do her hair. This ceremony over, they sat down to tea.
'And how many brothers and sisters have you, my dear?' asked the old lady.
'Never a one. Nobody but our Foxy.'
'Edward, too, has none. Who is Foxy?'
'My little cub.'
'You speak as if the animals were a relation, dear.'
'So all animals be my brothers and sisters.'
'I know, dear. Quite right. All animals in conversation should be so. But any single animal in reality is only an animal, and can't be. Animals have no souls.'
'Yes, they have, then! If they hanna; _you_ hanna!'
Edward hastened to make peace.
'We don't know, do we, mother?' he said. 'And now suppose we have tea?'
Mrs. Marston looked at Hazel suspiciously over the rim of her glasses.
'My dear, don't have ideas,' she said.
'There, Hazel!' Edward smiled. 'What about your ideas in the spinney?'
'There's queer things doing in Hunter's Spinney, and what for shouldna you believe it?' said Hazel. 'Sometimes more than other times, and midsummer most of all.'
'What sort of queer things?' asked Edward, in order to be able to watch her as she answered.
Hazel shut her eyes and clasped her hands, speaking in a soft monotone as if repeating a lesson.
'In Hunter's Spinney on midsummer night there's things moving as move no other time; things free as was fast; things crying out as have been a long while hurted.' She suddenly opened her eyes and went on dramatically 'First comes the Black Huntsman, crouching low on his horse and the horse going belly to earth. And John Meares o' the public, he seed the red froth from his nostrils on the brakes one morning when he was ketching pheasants. And the jeath's with him, great hound-dogs, real as real, only no eyes, but sockets with a light behind 'em. Ne'er a one knows what they's after. If I seed 'em I'd die,' she finished hastily, taking a large bite of cake.
'Myths are interesting,' said Edward, 'especially nature myths.'
'What's a myth, Mr. Marston?'
'An untruth, my dear,' said Mrs. Marston.
'This inna one, then! I tell you John seed the blood!'
'Tell us more.' Edward would have drunk in nonsense rhymes from her lips.
'And there's never a one to gainsay 'em in all the dark 'oods,' Hazel went on, 'except on Midsummer Eve.'
'Midsummer!'--Mrs. Marston's tone was gently wistful--'is the only time I'm really warm. That is, if the weather's as it should be. But the weather's not what it was!'
'Tell us more, Hazel!' pleaded Edward.
'What for do you want to hear, my soul?'
Edward flushed at the caressing phrase, and Mrs. Marston looked as indignant as was possible to her physiognomy, until she realized that it was a mere form of speech.
'Because I love--old tales.'
'Well, if so be you go there, then'--Hazel leant forward, earnest and mysterious--'after the pack's gone you'll hear soft feet running, and you'll see faces look out and hands waving. And gangs of folks come galloping under the leaves, not seen clear, hastening above a bit. And others come quick after, all with trouble on 'em. And the place is full of whispering and rustling and voices calling a long way off. And my mam said the trees get free that night--or else folk of the trees--creeping and struggling out of the boles like a chicken from an egg--getting free like lads out of school; and they go after the jeath-pack like birds after a cuckoo. And last comes the lady of Undern Coppy, lagging and lonesome, riding in a troop of shadows, and sobbing, "Lost--lost! Oh, my green garden!" And they say the brake flowers on the eve of that night, and no bird sings and no star falls.'
'What a pack of nonsense!' murmured Mrs. Marston drowsily.
'That it inna!' cried Hazel; 'it's the bloody truth!'
Mrs. Marston's drowsiness forsook her. Hazel became conscious for tension.
'Mother!'--Edward's voice shook with suppressed laughter, although he was indignant with Hazel's father for such a mistaken upbringing--'mother, would you give Hazel the receipt for this splendid cake?'
'And welcome, my dear.' The old lady was safely launched on her favourite topic. 'And if you'd like a seed-cake as well, you shall have it. Have you put down any butter yet?'
Hazel never put down or preserved or made anything. Her most ambitious cooking was a rasher and a saucepan of potatoes.
'I dunna know what you mean,' she said awkwardly.
Edward was disappointed. He had thought her such a paragon. 'Well, well, cooking was, after all, a secondary thing. Let it go.'
'You mean to say you don't know what putting down butter is, my poor child? But perhaps you go in for higher branches? Lemon-curd, now, and bottled fruit. I'm sure you can do those?'
Hazel felt blank. She thought it best to have things clear.
'I canna do naught,' she said defiantly.
'Now, mother'--Edward came to the rescue again--'see how right you are in saying that a girl's education is not what it used to be! See how Hazel's has been neglected! Think what a lot you could teach her! Suppose you were to begin quite soon?'
'A batter,' began Mrs. Marston, with the eagerness of a philosopher expounding her theory, 'is a well-beaten mixture of eggs and flour. Repeat after me, my dear.'
'Eh, what's the use? _He_ dunna know what he eats no more than a pig! I shanna cook for 'im.'
'Who's that, dear?' Mrs. Marston inquired.
'My dad.'
Mrs. Marston held up her hands with the mock-fur knitting in them, and looked at Edward with round eyes.
'She says her father's a--a pig, my dear!'
'She doesn't mean it,' said he loyally, 'do you, Hazel?'
'Ah, and more!'
The host and hostess sighed.
Then Edward said: 'Yes, but you won't always be keeping house for your father, you know,' and found himself so confused that he had to go and fetch a pipe.
Afterwards he walked part way home with Hazel, and coming back under the driving sky--that seemed to move all in a piece like a sliding window, and showed the
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