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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Homo Sum — Complete by Georg Ebers (great novels .TXT) 📖

Book online «Homo Sum — Complete by Georg Ebers (great novels .TXT) 📖». Author Georg Ebers



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of another as much to heart as if they were their own, and yet who look so gloomy, and allow themselves to make such sharp speeches, that only those who are on terms of perfect confidence with them, cease to misunderstand them and fear them. There was something fretting the soul of this man, who nevertheless possessed all that could contribute to human happiness. His was a thankful nature, and yet he was conscious that he might have been destined to something greater than fate had permitted him to achieve or to be. He had remained a stone-cutter, but his sons had both completed their education in good schools in Alexandria. The elder, Antonius, who already had a house of his own and a wife and children, was an architect and artist-mechanic; the younger, Polykarp, was a gifted young sculptor. The noble church of the oasis-city had been built under the direction of the elder; Polykarp, who had only come home a month since, was preparing to establish and carry on works of great extent in his father’s quarries, for he had received a commission to decorate the new court of the Sebasteion or Caesareum, as it was called—a grand pile in Alexandria—with twenty granite lions. More than thirty artists had competed with him for this work, but the prize was unanimously adjudged to his models by qualified judges. The architect whose function it was to construct the colonnades and pavement of the court was his friend, and had agreed to procure the blocks of granite, the flags and the columns which he required from Petrus’ quarries, and not, as had formerly been the custom, from those of Syene by the first Cataract.

Antonius and Polykarp were now standing with their father before a large table, explaining to him a plan which they had worked out together and traced on the thin wax surface of a wooden tablet. The young architect’s proposal was to bridge over a deep but narrow gorge, which the beasts of burden were obliged to avoid by making a wide circuit, and so to make a new way from the quarries to the sea, which should be shorter by a third than the old one. The cost of this structure would soon be recouped by the saving in labor, and with perfect certainty, if only the transport-ships were laden at Clysma with a profitable return freight of Alexandrian manufactures, instead of returning empty as they had hitherto done. Petrus, who could shine as a speaker in the council-meetings, in private life spoke but little. At each of his son’s new projects he raised his eyes to the speaker’s face, as if to see whether the young man had not lost his wits, while his mouth, only half hidden by his grey beard, smiled approvingly.

When Antonius began to unfold his plan for remedying the inconvenience of the ravine that impeded the way, the senator muttered, “Only get feathers to grow on the slaves, and turn the black ones into ravens and the white ones into gulls, and then they might fly across. What do not people learn in the metropolis!”

When he heard the word ‘bridge’ he stared at the young artist. “The only question,” said he, “is whether Heaven will lend us a rainbow.” But when Polykarp proposed to get some cedar trunks from Syria through his friend in Alexandria, and when his elder son explained his drawings of the arch with which he promised to span the gorge and make it strong and safe, he followed their words with attention; at the same time he knit his eyebrows as gloomily and looked as stern as if he were listening to some narrative of crime. Still, he let them speak on to the end, and though at first he only muttered that it was mere “fancy-work” or “Aye, indeed, if I were the emperor;” he afterwards asked clear and precise questions, to which he received positive and well considered answers. Antonius proved by figures that the profit on the delivery of material for the Caesareum only would cover more than three quarters of the outlay. Then Polykarp began to speak and declared that the granite of the Holy Mountain was finer in color and in larger blocks than that from Syene.

“We work cheaper here than at the Cataract,” interrupted Antonius. “And the transport of the blocks will not come too dear when we have the bridge and command the road to the sea, and avail ourselves of the canal of Trajan, which joins the Nile to the Red Sea, and which in a few months will again be navigable.”

“And if my lions are a success,” added Polykarp, “and if Zenodotus is satisfied with our stone and our work, it may easily happen that we outstrip Syene in competition, and that some of the enormous orders that now flow from Constantine’s new residence to the quarries at Syene, may find their way to us.”

“Polykarp is not over sanguine,” continued Antonius, “for the emperor is beautifying and adding to Byzantium with eager haste. Whoever erects a new house has a yearly allowance of corn, and in order to attract folks of our stamp—of whom he cannot get enough—he promises entire exemption from taxation to all sculptors, architects, and even to skilled laborers. If we finish the blocks and pillars here exactly to the designs, they will take up no superfluous room in the ships, and no one will be able to deliver them so cheaply as we.”

“No, nor so good,” cried Polykarp, “for you yourself are an artist, father, and understand stone-work as well as any man. I never saw a finer or more equally colored granite than the block you picked out for my first lion. I am finishing it here on the spot, and I fancy it will make a show. Certainly it will be difficult to take a foremost place among the noble works of the most splendid period of art, which already fill the Caesareum, but I will do my best.”

“The Lions will be admirable,” cried Antonius with a glance of pride at his brother. “Nothing like them has been done by any one these ten years, and I know the Alexandrians. If the master’s work is praised that is made out of granite from the Holy Mountain, all the world will have granite from thence and from no where else. It all depends on whether the transport of the stone to the sea can be made less difficult and costly.”

“Let us try it then,” said Petrus, who during his son’s talk had walked up and down before them in silence. “Let us try the building of the bridge in the name of the Lord. We will work out the road if the municipality will declare themselves ready to bear half the cost; not otherwise, and I tell you frankly, you have both grown most able men.”

The younger son grasped his father’s hand and pressed it with warm affection to his lips. Petrus hastily stroked his brown locks, then he offered his strong right hand to his eldest-born and said: “We must increase the number of our slaves. Call your mother, Polykarp.” The youth obeyed with cheerful alacrity, and when Dame Dorothea—who was sitting at the loom with her daughter Marthana and some of her female slaves—saw him rush into the women’s room with a glowing face, she rose with youthful briskness in spite of her stout and dignified figure, and called out to her son:

“He has approved of your plans?”

“Bridge and all, mother, everything,” cried the young man. “Finer granite for my lions, than my father has picked out for me is nowhere to be found, and how glad I am for Antonius! only we must have patience about the roadway. He wants to speak to you at once.”

Dorothea signed to her son to moderate his ecstasy, for he had seized her hand, and was pulling her away with him, but the tears that

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