The Children's Pilgrimage by L. T. Meade (carter reed .TXT) 📖

Mr. Preston I would have no agent pottering about the place. 'Tis a long job, but I will do it myself."

"What's an inkin-dory?" asked Maurice, raising a curious little face to Jane.

"Bless yer heart, honey," said Jane, stooping down and kissing him, "an inventory you means. Why, 'tis just this—Mrs. Purcell and me—we has got to write down the names of every single thing in the house—every stick, and stone, and old box, and even, I believe, the names of the doors and cupboards. That's an inventory, and mighty sick we'll be of it."

"Come, Jane, stop chattering," said Lydia. "Maurice, run out at once. You'll find me in the attics, Jane, when you've done. We'll get well through the attics to-day."

Aunt Lydia turned on her heel, and Maurice and Cecile went slowly out. Very slow, indeed, were Cecile's footsteps.

"How dull you are, Cecile!" said the little boy.

"I'm not very well," said Cecile. "Maurice," she continued suddenly, "you go and play with Toby, darling. Go into the fields, and not too far away; and don't stay out too late. Here's our lunch. No, I don't want any. I'm going to lie down. Yes, maybe I'll come out again."

She ran away before Maurice had even time to expostulate. She was conscious that a crisis had come, that a great dread was over her, that there might yet be time to take the purse from its hiding place.

An inventory meant that every box was looked into, every cupboard opened. What chance then had her purse in its tin box in a forgotten cupboard? That cupboard would be opened at last, and her treasure stolen away. Aunt Lydia was even now in the attics, or was she? Was there any hope that Cecile might be in time to rescue the precious purse?

She flew up the attic stairs, her heart beating, her head giddy. Oh! if she might be in time!

Alas! she was not. Aunt Lydia was already in full possession of Cecile's and Maurice's attic. She was standing on tiptoe, and taking down some musty books from a shelf.

"Go away, Cecile," she said to the little girl, "I'm very busy, and I can't have you here; run out at once."

"Please, Aunt Lydia, I've such a bad headache," answered poor Cecile. This was true, for her agitation was so great she felt almost sick. "May I lie down on my bed?" she pleaded.

"Oh, yes, child! if your head is bad. But you won't get much quiet here, for Jane and I have our work cut out for us, and there'll be plenty of noise."

"I don't mind a noise, if I may lie down," answered Cecile thankfully.

She crept into her bed, and lay as if she was asleep. In reality, with every nerve strung to the highest tension, sleep was as impossible for her as though such a boon had never been granted to the world. Whenever Aunt Lydia's back was turned, her eyes were opened wide. Whenever Aunt Lydia looked in her direction, the poor little creature had to feign the sleep which was so far away. As long as it was only Maurice's and Cecile's attic, there was some rest. There was just a shadowy hope that Aunt Lydia might go downstairs for something, that five minutes might be given her to snatch her treasure away.

Lydia Purcell, however, a thoroughly clever woman, was going through her work with method and expedition. She had no idea of leaving the attics until she had taken a complete and exhaustive list of what they contained.

Cecile began to count the articles of furniture in her little bedroom. Alas! they were not many. By the time Jane appeared, a complete list of them was nearly taken.

"Jane, go into that little inner attic, and poke out the rubbish," said Aunt Lydia, "poke out every stick and stone, and box. Don't overlook a thing. I'll be with you in a minute."

"Nasty, dirty little hole," remarked Jane. "I'll soon find what it contains; not sixpence worth, I'll warrant."

But here the rack of suspense on which poor Cecile was lying became past endurance, the child's fortitude gave way.

Sitting up in bed, she cried aloud in a high-pitched, almost strained voice, her eyes glowing, her cheeks like peonies:

"Oh! not the little cupboard in the wall. Oh! please—oh! please, not the little cupboard in the wall."

"What cupboard? I know of no cupboard," exclaimed Aunt Lydia.

Jane held up her hands.

"Preserve us, ma'am, the poor lamb must be wandering, and look at her eyes and hands."

"What is it, Cecile? Speak! what is it, you queer little creature?" said Aunt Lydia, in both perplexity and alarm, for the child was sobbing hard, dry, tearless sobs.

"Oh, Aunt Lydia! be merciful," she gasped. "Oh! oh! if you find it don't keep it. 'Tisn't mine, 'tis Lovedy's; 'tis to find Lovedy. Oh! don't, don't, don't keep the purse if you find it, Aunt Lydia Purcell."

At the word "purse" Aunt Lydia's face changed. She had been feeling almost kind to poor Cecile; now, at the mention of what might contain gold, came back, sweeping over her heart like a fell and evil wind, the love of gold.

"Jane," she said, turning to her amazed handmaiden; "this wicked, silly child has been hiding something, and she's afraid of my finding it. Believe me, I will look well into the inner attic. She spoke of a cupboard. Search for a cupboard in the wall, Jane."

Jane, full of curiosity, searched now with a will. There was but a short moment of suspense, then the sliding panel fell back, the little tin box was pulled out, and Cecile's Russia-leather purse was held up in triumph between Jane's finger and thumb.

There was a cry of pleasure from Aunt Lydia. Cecile felt the attic growing suddenly dark, and herself as suddenly cold. She murmured something about "Lovedy, Lovedy, lost now," and then she sank down, a poor unconscious little heap, at Aunt Lydia's feet.

CHAPTER XIII. ON THE ROAD TO THE CELESTIAL CITY.

When Cecile awoke from the long swoon into which she had sunk, it was not to gaze into the hard face of Lydia Purcell. Lydia was nowhere to be seen, but bending over her, with eyes full of compassion, was Jane. Jane, curious as she was, felt now more sorrow than curiosity for the little creature struck down by some mysterious grief.

At first the child could remember nothing.

"Where am I?" she gasped, catching hold of Jane's hand and trying to raise herself.

"In yer own little bed, honey. You have had a faint and are just coming round; you'll be all right in a minute or two. There, just one tiny sup more wine and I'll get you a nice hot cup of tea."

Cecile was too weak and bewildered not to obey. She sipped the wine which Jane held to her lips, then lay back with a little sigh of relief and returning consciousness.

"I'm better now; I'm quite well now, Jane," she murmured in a thankful voice.

"Yes, honey, you are a deal better now," answered Jane, stooping down and kissing her. "And now never don't you stir a bit, and don't worry about nothing, for Jane will fetch you a nice cup of tea, and then see how pleasant you'll feel."

The kind-hearted girl hurried away, and Cecile was left alone in the now quiet attic.

What thing had happened to her? What weight was at her heart? She had a desire, not a keen desire, but still a feeling that it would give her pleasure to be lying in the grave by her father's side. She felt that she did not much care for anyone, that anything now might happen without exciting her. Why was not her heart beating with love for Maurice and Toby? Why had all hope, all longing, died within her? Ah! she knew the reason. It came back to her slowly, slowly, but surely. All that dreadful scene, all those moments of suspense too terrible even to be borne, they returned to her memory.

Her Russia-leather purse of gold and notes were gone, the fifteen pounds she was to spend in looking for Lovedy, the forty pounds she was to give as her dead mother's dying gift to the wandering girl, had vanished. Cecile felt that as surely as if she had flung it into the sea, was that purse now lost. She had broken her promise, her solemn, solemn promise to the dead; everything, therefore, was now over for her in life.

When Jane came back with the nice hot tea, Cecile received it with a wan smile. But there was such a look of utter, unchildlike despair in her lovely eyes that, as the handmaiden expressed it, telling the tale afterward, her heart went up into her mouth with pity.

"Cecile," said the young woman, when the tea-drinking had come to an end, "I sees by yer face, poor lamb, as you remembers all about what made you drop down in that faint. And look you here, my lamb, you've got to tell me, Jane Parsons, all about it; and what is more, if I can help you I will. You tell Jane all the whole story, honey, for it 'ud go to a pagan's heart to see you, and so it would; and you needn't be feared, for she ain't anywheres about. She said as she wanted no dinner, and she's safe in her room a-reckoning the money in the purse, I guess."

"Oh, Jane!" said little Cecile, "the purse! the Russia-leather purse! I think I'll die, since Aunt Lydia Purcell has found the Russia-leather purse."

"Well, tell us the whole story, child. It do seem a wonderful thing for a bit of a child like you to have a purse of gold, and then to keep it a-hiding. I don't b'lieve as you loves gold like Miss Purcell do; it don't seem as if you could have come by so much money wrong, Cecile."

"No, Jane, I didn't come by it wrong. Mrs. D'Albert, my stepmother, gave me that Russia-leather purse, with all the gold and notes in it, when she was dying. I know exactly how much was in it, fifteen pounds in gold, and forty pounds in ten-pound Bank of England notes. I can't ever forget what was in that dreadful purse, as my stepmother told me I was never to lose until I found Lovedy."

"And who in the name of fortune is Lovedy, Cecile? You do tell the queerest stories I ever listened to."

"Yes, Jane, it is a very queer tale, and though I understand it perfectly myself, I don't suppose I can get you to understand."

"Oh, yes! my deary, I'm very smart indeed at picking up a tale. You tell me all about Lovedy, Cecile."

Thus admonished, Cecile did tell her tale. All that long sad story which the dying woman had poured into the child's listening ears was now told again to the wondering and excited cook. Jane listened with her mouth open and her eyes staring. If there was anything under the sun she dearly, dearly loved, it was a romance, and here was one quite unknown in her experience. Cecile told her little story in childish and broken words—words which were now and then interrupted by sobs of great pain—but she told it with the power which earnestness always gives.

"I'll never find Lovedy now; I've broken my promise—I've broken my promise," she said in conclusion.

"Well," answered Jane, drawing a long breath when the story was over, "that is interesting, and the queerest bit of a tale I ever set my two ears to listen to. Oh, yes! I believes you, child. You ain't one as'll tell lies—and that I'm gospel sure on. And so yer poor stepmother wanted you not to let Lydia Purcell clap her eyes on that purse. Ah, poor soul! she knew her own sister well."

"Yes, Jane, she said I'd never see it again if Aunt Lydia found it out. Oh, Jane! I did think I had hid the purse so very, very secure."

"And so you had, deary—real beautiful, and if it hadn't been for that horrid inventory, it might ha' lain there till doomsday. But now do tell me, Cecile—for I am curious, and that I won't go for to deny—suppose as you hadn't lost that purse, however 'ud a little mite like you go for to look for Lovedy?"

"Oh, Jane! the purse is lost, and I can never do it now—never until I can earn it all back again my own self. But I'd have gone to France—me and Maurice and Toby had it all arranged quite beautiful—we were going to France this very winter. Lovedy is quite safe to be in France; and you know, Jane, me and Maurice ain't little English children. We are just a little French boy and girl; so we'd be sure to get on well in our own country,