Bureaucracy by Honoré de Balzac (best novels of all time TXT) 📖

bound together by the force of religious ties, by the inflexibility of its customs, by one solitary emotion, that of avarice, a passion which was now as it were its compass, Elisabeth was forced to commune with herself, instead of imparting her ideas to those around her, for she felt herself without equals in mind who could comprehend her. Though facts compelled her to judge her husband, her religious duty led her to keep up as best she could a favorable opinion of him; she showed him marked respect; honored him as the father of her child, her husband, the temporal power, as the vicar of Saint-Paul's told her. She would have thought it a mortal sin to make a single gesture, or give a single glance, or say a single word which would reveal to others her real opinion of the imbecile Baudoyer. She even professed to obey passively all his wishes. But her ears were receptive of many things; she thought them over, weighed and compared them in the solitude of her mind, and judged so soberly of men and events that at the time when our history begins she was the hidden oracle of the two functionaries, her husband and father, who had, unconsciously, come to do nothing whatever without consulting her. Old Saillard would say, innocently, "Isn't she clever, that Elisabeth of mine?" But Baudoyer, too great a fool not to be puffed up by the false reputation the quartier Saint-Antoine bestowed upon him, denied his wife's cleverness all the while that he was making use of it.

Elisabeth had long felt sure that her uncle Bidault, otherwise called Gigonnet, was rich and handled vast sums of money. Enlightened by self-interest, she had come to understand Monsieur des Lupeaulx far better than the minister understood him. Finding herself married to a fool, she never allowed herself to think that life might have gone better with her, she only imagined the possibility of better things without expecting or wishing to attain them. All her best affections found their vocation in her love for her daughter, to whom she spared the pains and privations she had borne in her own childhood; she believed that in this affection she had her full share in the world of feeling. Solely for her daughter's sake she had persuaded her father to take the important step of going into partnership with Falleix. Falleix had been brought to the Saillard's house by old Bidault, who lent him money on his merchandise. Falleix thought his old countryman extortionate, and complained to the Saillards that Gigonnet demanded eighteen per cent from an Auvergnat. Madame Saillard ventured to remonstrate with her uncle.

"It is just because he is an Auvergnat that I take only eighteen per cent," said Gigonnet, when she spoke of him.

Falleix, who had made a discovery at the age of twenty-eight, and communicated it to Saillard, seemed to carry his heart in his hand (an expression of old Saillard's), and also seemed likely to make a great fortune. Elisabeth determined to husband him for her daughter and train him herself, having, as she calculated, seven years to do it in. Martin Falleix felt and showed the deepest respect for Madame Baudoyer, whose superior qualities he was able to recognize. If he were fated to make millions he would always belong to her family, where he had found a home. The little Baudoyer girl was already trained to bring him his tea and to take his hat.

On the evening of which we write, Monsieur Saillard, returning from the ministry, found a game of boston in full blast; Elisabeth was advising Falleix how to play; Madame Saillard was knitting in the chimney-corner and overlooking the cards of the vicar; Monsieur Baudoyer, motionless as a mile-stone, was employing his mental capacity in calculating how the cards were placed, and sat opposite to Mitral, who had come up from Ile-d'Adam for the Christmas holidays. No one moved as the cashier entered, and for some minutes he walked up and down the room, his fat face contracted with unaccustomed thought.

"He is always so when he dines at the ministry," remarked Madame Saillard; "happily, it is only twice a year, or he'd die of it. Saillard was never made to be in the government--Well, now, I do hope, Saillard," she continued in a loud tone, "that you are not going to keep on those silk breeches and that handsome coat. Go and take them off; don't wear them at home, my man."

"Your father has something on his mind," said Baudoyer to his wife, when the cashier was in his bedroom, undressing without any fire.

"Perhaps Monsieur de la Billardiere is dead," said Elisabeth, simply; "and as he is anxious you should have the place, it worries him."

"Can I be useful in any way?" said the vicar of Saint-Paul's; "if so, pray use my services. I have the honor to be known to Madame la Dauphine. These are days when public offices should be given only to faithful men, whose religious principles are not to be shaken."

"Dear me!" said Falleix, "do men of merit need protectors and influence to get places in the government service? I am glad I am an iron-master; my customers know where to find a good article--"

"Monsieur," interrupted Baudoyer, "the government is the government; never attack it in this house."

"You speak like the 'Constitutionel,'" said the vicar.

"The 'Constitutionel' never says anything different from that," replied Baudoyer, who never read it.

The cashier believed his son-in-law to be as superior in talent to Rabourdin as God was greater than Saint-Crepin, to use his own expression; but the good man coveted this appointment in a straightforward, honest way. Influenced by the feeling which leads all officials to seek promotion,--a violent, unreflecting, almost brutal passion,--he desired success, just as he desired the cross of the Legion of honor, without doing anything against his conscience to obtain it, and solely, as he believed, on the strength of his son-in-law's merits. To his thinking, a man who had patiently spent twenty-five years in a government office behind an iron railing had sacrificed himself to his country and deserved the cross. But all that he dreamed of doing to promote his son-in-law's appointment in La Billardiere's place was to say a word to his Excellency's wife when he took her the month's salary.

"Well, Saillard, you look as if you had lost all your friends! Do speak; do, pray, tell us something," cried his wife when he came back into the room.

Saillard, after making a little sign to his daughter, turned on his heel to keep himself from talking politics before strangers. When Monsieur Mitral and the vicar had departed, Saillard rolled back the card-table and sat down in an armchair in the attitude he always assumed when about to tell some office-gossip,--a series of movements which answered the purpose of the three knocks given at the Theatre-Francais. After binding his wife, daughter, and son-in-law to the deepest secrecy,--for, however petty the gossip, their places, as he thought, depended on their discretion,--he related the incomprehensible enigma of the resignation of a deputy, the very legitimate desire of the general-secretary to get elected to the place, and the secret opposition of the minister to this wish of a man who was one of his firmest supporters and most zealous workers. This, of course, brought down an avalanche of suppositions, flooded with the sapient arguments of the two officials, who sent back and forth to each other a wearisome flood of nonsense. Elisabeth quietly asked three questions:--

"If Monsieur des Lupeaulx is on our side, will Monsieur Baudoyer be appointed in Monsieur de la Billardiere's place?"

"Heavens! I should think so," cried the cashier.

"My uncle Bidault and Monsieur Gobseck helped in him 1814," thought she. "Is he in debt?" she asked, aloud.

"Yes," cried the cashier with a hissing and prolonged sound on the last letter; "his salary was attached, but some of the higher powers released it by a bill at sight."

"Where is the des Lupeaulx estate?"

"Why, don't you know? in the part of the country where your grandfather and your great-uncle Bidault belong, in the arrondissement of the deputy who wants to resign."

When her colossus of a husband had gone to bed, Elisabeth leaned over him, and though he always treated her remarks as women's nonsense, she said, "Perhaps you will really get Monsieur de la Billardiere's place."

"There you go with your imaginations!" said Baudoyer; "leave Monsieur Gaudron to speak to the Dauphine and don't meddle with politics."

At eleven o'clock, when all were asleep in the place Royale, Monsieur des Lupeaulx was leaving the Opera for the rue Duphot. This particular Wednesday was one of Madame Rabourdin's most brilliant evenings. Many of her customary guests came in from the theatres and swelled the company already assembled, among whom were several celebrities, such as: Canalis the poet, Schinner the painter, Dr. Bianchon, Lucien de Rubempre, Octave de Camps, the Comte de Granville, the Vicomte de Fontaine, du Bruel the vaudevillist, Andoche Finot the journalist, Derville, one of the best heads in the law courts, the Comte du Chatelet, deputy, du Tillet, banker, and several elegant young men, such as Paul de Manerville and the Vicomte de Portenduere. Celestine was pouring out tea when the general-secretary entered. Her dress that evening was very becoming; she wore a black velvet robe without ornament of any kind, a black gauze scarf, her hair smoothly bound about her head and raised in a heavy braided mass, with long curls a l'Anglaise falling on either side of her face. The charms which particularly distinguished this woman were the Italian ease of her artistic nature, her ready comprehension, and the grace with which she welcomed and promoted the least appearance of a wish on the part of others. Nature had given her an elegant, slender figure, which could sway lightly at a word, black eyes of oriental shape, able, like those of the Chinese women, to see out of their corners. She well knew how to manage a soft, insinuating voice, which threw a tender charm into every word, even such as she merely chanced to utter; her feet were like those we see in portraits where the painter boldly lies and flatters his sitter in the only way which does not compromise anatomy. Her complexion, a little yellow by day, like that of most brunettes, was dazzling at night under the wax candles, which brought out the brilliancy of her black hair and eyes. Her slender and well-defined outlines reminded an artist of the Venus of the Middle Ages rendered by Jean Goujon, the illustrious sculptor of Diane de Poitiers.

Des Lupeaulx stopped in the doorway, and leaned against the woodwork. This ferret of ideas did not deny himself the pleasure of spying upon sentiment, and this woman interested him more than any of the others to whom he had attached himself. Des Lupeaulx had reached an age when men assert pretensions in regard to women. The first white hairs lead to the latest passions, all the more violent because they are astride of vanishing powers and dawning weakness. The age of forty is the age of folly,--an age when man wants to be loved for himself; whereas at twenty-five life is so full that he has no wants. At twenty-five he overflows with vigor and wastes it with impunity, but at forty he learns that to use it in that way is to abuse it. The thoughts that came into des Lupeaulx's mind at this moment were melancholy ones. The nerves of the old beau relaxed; the agreeable smile, which served as a mask and made the character of his countenance, faded; the real man appeared,