The Wolf's Long Howl by Stanley Waterloo (best selling autobiographies .TXT) 📖

the directory and much inquiry in offices where he was acquainted.

As they walked along the busy street they met a lady of unmistakably distinguished appearance. Instantly she recognized the mother and son, and stopped to greet them.

She was an old playmate of Jack's and a protege of his mother's, now the wife of a man of brains, influence, money, and a leader in the social life of the City of the Straits.

There came an inspiration to the man. "Mrs. Sheldon," said he, "I want you to help us. We are this moment about to engage in a business transaction of great importance; in fact, if you must know the worst, we are going to buy a bonnet!"

Mrs. Sheldon entered into the shopping expedition with a zest which reminded Jack of the Scriptural battle-steed which sayeth "Ha-ha" to the trumpets. When the brief but brisk and determined engagement was over, Jack's mother appeared in a bonnet of delicate gray, just a shade darker than her silver hair. There was a pink rose in that bonnet, half hidden by lace, and in the cheeks of its wearer faintly bloomed two other pink roses. It was just a dream in bonnets as suited to the woman. The mother had protested prettily, had said the bonnet was "too young" and all that, but had been browbeaten and overcome and made submissive. Mrs. Sheldon was in her element, and happy. Well she knew the man of the world who had demanded her aid, and much she wanted to please him; but deeper than all, her woman's instinct told her of his suddenly realized love for his old mother, and she was no longer a woman of fashion alone, but a helpful human being. Even her own eyes were suspiciously moist as she dragged the couple off to dine with her.

They were to go to the theater that evening, the man and his sweetheart, and by chance stumbled upon a well-staged comic opera, with good music and brilliant and picturesque although occasionally scanty costumes. On the way down the son told the mother of how in Detroit, way back in the sixties, he had seen for the first time a theatrical performance. He told her what she had forgotten, how she had induced his father to take him to the city, and how, in what was "Young Men's Hall," or something with a similar name, he had seen Laura Keene in "A School for Scandal." Then she remembered, and was glad. They had seats in a box at the theater, and from the rising of the curtain till its final drop the man was in much doubt. The manner in which women were dressed upon the stage had changed since the last time when his mother had visited the theater. She was shocked when she saw the forms of women, which, if at least well covered, were none the less outlined.

There was talking in that box. The son explained. The blessed woman almost "bolted" once or twice, but finally accepted all that was told her with the precious though sometimes mistaken confidence a woman has in the matured judgment of the man-child she has borne. Then, having a streak of the Viking recklessness in her which she had given to her son, she enjoyed herself amazingly. It was a glorious outing.

Well, in the way which has been described, the man made love to the woman for a day or two. Then he took her home, and bade her good-by for a time, and told her, in an exaggeratedly formal way, which she understood and smiled at, that he and she must meet each other much oftener in the future. Then he hugged her and went away. And she, being a mother whose heart had hungered, watched his figure as it disappeared, and laughed and cried and was very happy.

"Louisa," said a dignified old lady, "I was mistaken in saying that all happiness from children comes in their youth. It may come in a greater way later--if!"


A TRAGEDY OF THE FOREST

It is Christmas eve. A man lies stretched on his blanket in a copse in the depths of a black pine forest of the Saginaw Valley. He has been hunting all day, fruitlessly, and is exhausted. So wearied is he with long hours of walking, that he will not even seek to reach the lumbermen's camp, half a mile distant, without a few moment's rest. He has thrown his blanket down on the snow in the bushes, and has thrown himself upon the blanket, where he lies, half dreaming. No thought of danger comes to him. There is slight risk, he knows, even were he to fall asleep, though the deep forests of the Saginaw region are not untenanted. He is in that unexplainable mental condition which sometimes comes with extreme exhaustion. His bodily senses are dulled and wearied, but a phenomenal acuteness has come to those perceptions so hard of definition--partly mental, partly psychological. The man lying in the copse is puzzled at his own condition, but he does not seek to analyze it. He is not a student of such phenomena. He is but a vigorous young backwoodsman, the hunter attached to the camp of lumbermen cutting trees in the vicinity. The man has lain for some time listlessly, but the feeling which he cannot understand increases now almost to an oppression. He sees nothing, but there is an unusual sensation which alarms him. He recognizes near him a presence--fierce, intense, unnatural. A rustle in the twigs a few feet distant falls upon his ears. He raises his head. What he sees startles and at the same time robs him of all volition. It is not fear. He is armed and is courageous enough. It is something else; some indefinable connection with the object upon which he looks which holds him. There, where it has drawn itself closely and stealthily from its covert in the underbrush, is a huge gray wolf.

The man can see the gaunt figure distinctly, though the somber light is deepening quickly into darkness. He can see the grisly coat, the yellow fangs, the flaming eyes. He can almost feel the hot breath of the beast. But something far more disturbing than that which meets his eye affects him. His own individuality has become obscured and another is taking its place. He struggles against the transformation, but in vain. He can read the wolf's thoughts, or rather its fierce instincts and desires. He is the wolf.

Undoubtedly there exists at times a relation between the souls of human beings. One comprehends the other. There is a transfer of wishes, emotions, impulses. Now something of the same kind has happened to the man with this dreadful beast. He knows the wolf's heart. The man trembles like one in fear. The perspiration comes in great drops upon his forehead, and his features are distorted. It is a horrible thing. Now a change comes. The wolf moves. He glides off in the darkness. The spell upon the man is weakened, but it is not gone. He staggers to his feet, and half an hour later is in the lumbermen's camp again. But he comes in like one insane--pallid of face and muttering. His comrades, startled by his appearance, ply him with questions, receiving only incoherent answers. They place him in his rude bunk, where he lies writhing and twisting about as under strong excitement. His eyes are staring, as if they must see what those about him cannot see, and his breath comes quickly. He pants like a wild beast. There is reason for it. His thoughts are with the wolf. He is the wolf. The personalities of the ravening brute and of the man are blended now in one, or rather the personality of the man has been eliminated. The man's body is in the lumbermen's camp, but his mind is in the depths of the forest. He is seeking prey!

* * * * *

"I am hungry! I must have warm blood and flesh! The darkness is here, and my time has come. There are no deer to-night in the pine forest on the hill, where I have run them down and torn them. The deep snow has driven them into the lower forest, where men have been at work. The deer will be feeding to-night on the buds of the trees the men have felled. How I hate men and fear them! They are different from the other animals in the wood. I shun them. They are stronger than I in some way. There is death about them. As I crept by the farm beside the river this morning I saw a young one, a child with yellow hair. Ah, how I would like to feed upon her! Her throat was white and soft. But I dare not rush through the field and seize her. The man was there, and he would have killed me. They are not hungry. The odor of flesh came to me in the wind across the clearing. It was the same way at this time when the snow was deep last year. It is some day on which they feast. But I will feed better. I will have hot blood. The deer are in the tops of the fallen trees now!"

Across frozen streams, gliding like a shadow through the underbrush, swift, silent, with only its gleaming eyes to betray it, the gaunt figure goes. Miles are past. The figure threads its way between the trunks of massive trees. It passes over fallen logs with long, noiseless leaps; it creeps serpent-like beneath the wreck left by a summer "cyclone"; it crosses the barren reaches of oak openings, where the shadows cast by huge pines adjacent mingle in fantastic figures; it casts a shifting shadow itself as it sweeps across some lighter spot, where faint moonbeams find their way to the ground through overhanging branches. The figure approaches the spot where the lumbermen have been at work. Among the tops of the fallen trees are other figures--light, graceful, flitting about. The deer are feeding on the buds.

The eyes of the long gray figure stealing on grow more flaming still. The yellow fangs are disclosed cruelly. Slowly it creeps forward. It is close upon the flitting figures now. There is a rush, a fierce, hungry yelp, a great leap. There is a crash of twigs and limbs. The flitting figures assume another character; the beautiful deer, wild with fright, bounding away with gigantic springs. The steady stroke of their hoofs echoes away through the forest. In the tree-tops there is a great struggle, and then the sound comes of another series of great leaps dying off in the distance. The prey has escaped. But not altogether! The grisly figure is following. The pace had changed to one of fierce pursuit. It is steady and relentless.

* * * * *

The man in the bunk in the lumbermen's camp half leaps to his feet. His eyes are staring more wildly, his breathing is more rapid. He appears a man in a spasm. His comrades force him to his bed again, but find it necessary to restrain him by sheer strength. They think he has gone mad. But only his body is with them. He is in the forest. His prey has escaped him. He is pursuing it.