Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Cloister and the Hearth by Charles Reade (old books to read .TXT) 📖
- Author: Charles Reade
Book online «The Cloister and the Hearth by Charles Reade (old books to read .TXT) 📖». Author Charles Reade
When, therefore, they saw this,
[a picture of two hands clasped together]
which Gerard had drawn with his pencil between the two short paragraphs, of which his letter consisted, they read it, and it went straight to their hearts.
Gerard was bidding them farewell.
As they gazed on that simple sketch, in every turn and line of which they recognized his manner, Gerard seemed present, and bidding them farewell.
The women wept over it till they could see it no longer.
Giles said, “Poor Gerard!” in a lower voice than seemed to belong to him.
Even Cornelis and Sybrandt felt a momentary remorse, and sat silent and gloomy.
But how to get the words read to them. They were loth to show their ignorance and their emotion to a stranger.
“The Dame Van Eyck?” said Kate timidly.
“And so I will, Kate. She has a good heart. She loves Gerard, too. She will be glad to hear of him. I was short with her when she came here; but I will make my submission, and then she will tell me what my poor child says to me.”
She was soon at Margaret Van Eyck's house. Reicht took her into a room, and said, “Bide a minute; she is at her orisons.”
There was a young woman in the room seated pensively by the stove; but she rose and courteously made way for the visitor.
“Thank you, young lady; the winter nights are cold, and your stove is a treat.” Catherine then, while warming her hands, inspected her companion furtively from head to foot, inclusive. The young person wore an ordinary wimple, but her gown was trimmed with fur, which was, in those days, almost a sign of superior rank or wealth. But what most struck Catherine was the candour and modesty of the face. She felt sure of sympathy from so good a countenance, and began to gossip.
“Now, what think you brings me here, young lady? It is a letter! a letter from my poor boy that is far away in some savage part or other. And I take shame to say that none of us can read it. I wonder whether you can read?”
“Yes.”
“Can ye, now? It is much to your credit, my dear. I dare say she won't be long; but every minute is an hour to a poor longing mother.”
“I will read it to you.”
“Bless you, my dear; bless you!”
In her unfeigned eagerness she never noticed the suppressed eagerness with which the hand was slowly put out to take the letter. She did not see the tremor with which the fingers closed on it.
“Come, then, read it to me, prithee. I am wearying for it.”
“The first words are, 'To my honoured parents.'”
“Ay! and he always did honour us, poor soul.”
“'God and the saints have you in His holy keeping, and bless you by night and by day. Your one harsh deed is forgotten; your years of love remembered.'”
Catherine laid her hand on her bosom, and sank back in her chair with one long sob.
“Then comes this, madam. It doth speak for itself; 'a long farewell.'”
“Ay, go on; bless you, girl you give me sorry comfort. Still 'tis comfort.”
“'To my brothers Cornelis and Sybrandt—Be content; you will see me no more!'”
“What does that mean? Ah!”
“'To my sister Kate. Little angel of my father's house. Be kind to her—' Ah!”
“That is Margaret Brandt, my dear—his sweetheart, poor soul. I've not been kind to her, my dear. Forgive me, Gerard!”
“'—for poor Gerard's sake: since grief to her is death to me—Ah!” And nature, resenting the poor girl's struggle for unnatural composure, suddenly gave way, and she sank from her chair and lay insensible, with the letter in her hand and her head on Catherine's knees.
CHAPTER XLIV
Experienced women are not frightened when a woman faints, or do they hastily attribute it to anything but physical causes, which they have often seen produce it. Catherine bustled about; laid the girl down with her head on the floor quite flat, opened the window, and unloosed her dress as she lay. Not till she had done all this did she step to the door and say, rather loudly:
“Come here, if you please.”
Margaret Van Eyck and Reicht came, and found Margaret lying quite flat, and Catherine beating her hands.
“Oh, my poor girl! What have you done to her?”
“Me?” said Catherine angrily.
“What has happened, then?”
“Nothing, madam; nothing more than is natural in her situation.”
Margaret Van Eyck coloured with ire.
“You do well to speak so coolly,” said she, “you that are the cause of her situation.”
“That I am not,” said Catherine bluntly; “nor any woman born.”
“What! was it not you and your husband that kept them apart? and now he has gone to Italy all alone. Situation indeed! You have broken her heart amongst you.”
“Why, madam? Who is it then? in Heaven's name! To hear you, one would think this was my Gerard's lass. But that can't be. This fur never cost less than five crowns the ell; besides, this young gentlewoman is a wife; or ought to be.”
“Of course she ought. And who is the cause she is none? Who came before them at the very altar?”
“God forgive them, whoever it was,” said Catherine gravely; “me it was not, nor my man.”
“Well,” said the other, a little softened, “now you have seen her, perhaps you will not be quite so bitter against her madam. She is coming to, thank Heaven.”
“Me bitter against her?” said Catherine; “no, that is all over. Poor soul! trouble behind her and trouble afore her; and to think of my setting her, of all living women, to read Gerard's letter to me. Ay, and that was what made her go off, I'll be sworn. She is coming to. What, sweetheart! be not afeard, none are here but friends.”
They seated her in an easy chair. As the colour was creeping back to her
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