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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Possessed by Fyodor Dostoyevsky (best story books to read TXT) 📖

Book online «The Possessed by Fyodor Dostoyevsky (best story books to read TXT) 📖». Author Fyodor Dostoyevsky



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hour or so (Pyotr Stepanovitch still reckoned upon this), seemed to him, as it were, already only half a man, some creature whom he could not allow to be haughty.

"You seem to be boasting to me of your shooting yourself."

"I've always been surprised at every one's going on living," said Kirillov, not hearing his remark.

"H'm! Admitting that's an idea, but..."

"You ape, you assent to get the better of me. Hold your tongue; you won't understand anything. If there is no God, then I am God."

"There, I could never understand that point of yours: why are you God?"

"If God exists, all is His will and from His will I cannot escape. If not, it's all my will and I am bound to show self-will."

"Self-will? But why are you bound?"

"Because all will has become mine. Can it be that no one in the whole planet, after making an end of God and believing in his own will, will dare to express his self-will on the most vital point? It's like a beggar inheriting a fortune and being afraid of it and not daring to approach the bag of gold, thinking himself too weak to own it. I want to manifest my self-will. I may be the only one, but I'll do it."

"Do it by all means."

"I am bound to shoot myself because the highest point of my self-will is to kill myself with my own hands."

"But you won't be the only one to kill yourself; there are lots of suicides."

"With good cause. But to do it without any cause at all, simply for self-will, I am the only one."

"He won't shoot himself," flashed across Pyotr Stepanovitch's ruined again.

"Do you know," he observed irritably, "if I were in your place I should kill some one else to show my self-will, not myself. You might be of use. I'll tell you whom, if you are not afraid. Then you needn't shoot yourself to-day, perhaps. We may come to terms."

"To kill some one would be the lowest point of self-will, and you show your whole soul in that. I am not you: I want the highest point and I'll kill myself."

"He's come to it of himself," Pyotr Stepanovitch muttered malignantly.

"I am bound to show my unbelief," said Kirillov, walking about the room. "I have no higher idea than disbelief in God. I have all the history of mankind on my side. Man has done nothing but invent God so as to go on living, and not kill himself; that's the whole of universal history up till now. I am the first one in the whole history of mankind who would not invent God. Let them know it once for all."

"He won't shoot himself," Pyotr Stepanovitch thought anxiously.

"Let whom know it?" he said, egging him on. "It's only you and me here; you mean Liputin?"

"Let every one know; all will know. There is nothing secret that will not be made known. He said so."

And he pointed with feverish enthusiasm to the image of the Saviour, before which a lamp was burning. Pyotr Stepanovitch lost his temper completely.

"So you still believe in Him, and you've lighted the lamp; 'to be on the safe side,' I suppose?"

The other did not speak.

"Do you know, to my thinking, you believe perhaps more thoroughly than any priest."

"Believe in whom? In Him? Listen." Kirillov stood still, gazing before him with fixed and ecstatic look. "Listen to a great idea: there was a day on earth, and in the midst of the earth there stood three crosses. One on the Cross had such faith that he said to another, 'To-day thou shalt be with me in Paradise.' The day ended; both died and passed away and found neither Paradise nor resurrection. His words did not come true. Listen: that Man was the loftiest of all on earth, He was that which gave meaning to life. The whole planet, with everything on it, is mere madness without that Man. There has never been any like Him before or since, never, up to a miracle. For that is the miracle, that there never was or never will be another like Him. And if that is so, if the laws of nature did not spare even Him, have not spared even their miracle and made even Him live in a lie and die for a lie, then all the planet is a lie and rests on a lie and on mockery. So then, the very laws of the planet are a lie and the vaudeville of devils. What is there to live for? Answer, if you are a man."

"That's a different matter. It seems to me you've mixed up two different causes, and that's a very unsafe thing to do. But excuse me, if you are God I If the lie were ended and if you realised that all the falsity comes from the belief in that former God?"

"So at last you understand!" cried Kirillov rapturously. "So it can be understood if even a fellow like you understands. Do you understand now that the salvation for all consists in proving this idea to every one I Who will prove it? I! I can't understand how an atheist could know that there is no God and not kill himself on the spot. To recognise that there is no God and not to recognise at the same instant that one is God oneself is an absurdity, else one would certainly kill oneself. If you recognise it you are sovereign, and then you won't kill yourself but will live in the greatest glory. But one, the first, must kill himself, for else who will begin and prove it? So I must certainly kill myself, to begin and prove it. Now I am only a god against my will and I am unhappy, because I am bound to assert my will. All are unhappy because all are afraid to express their will. Man has hitherto been so unhappy and so poor because he has been afraid to assert his will in the highest point and has shown his self-will only in little things, like a schoolboy. I am awfully unhappy, for I'm awfully afraid. Terror is the curse of man.... But I will assert my will, I am bound to believe that I don't believe. I will begin and will make an end of it and open the door, and will save. That's the only thing that will save mankind and will re-create the next generation physically; for with his present physical nature man can't get on without his former God, I believe. For three years I've been seeking for the attribute of my godhead and I've found it; the attribute of my godhead is self-will! That's all I can do to prove in the highest point my independence and my new terrible freedom. For it is very terrible. I am killing myself to prove my independence and my new terrible freedom."

His face was unnaturally pale, and there was a terribly heavy look in his eyes. He was like a man in delirium. Pyotr Stepanoviteh thought he would drop on to the floor.

"Give me the pen!" Kirillov cried suddenly, quite unexpectedly, in a positive frenzy. "Dictate; I'll sign anything. I'll sign that I killed Shatov even. Dictate while it amuses me. I am not afraid of what the haughty slaves will think! You will see for yourself that all that is secret shall be made manifest! And you will be crushed.... I believe, I believe!"

Pyotr Stepanoviteh jumped up from his seat and instantly handed him an inkstand and paper, and began dictating, seizing the moment, quivering with anxiety.

"I, Alexey Kirillov, declare..."

"Stay; I won't! To whom am I declaring it?"

Kirillov was shaking as though he were in a fever. This declaration and the sudden strange idea of it seemed to absorb him entirely, as though it were a means of escape by which his tortured spirit strove for a moment's relief.

"To whom am I declaring it? I want to know to whom?"

"To no one, every one, the first person who reads it. Why define it? The whole world!"

"The whole world! Bravo! And I won't have any repentance. I don't want penitence and I don't want it for the police!"

"No, of course, there's rid need of it, damn the police! Write, if you are in earnest!" Pyotr Stepanoviteh cried hysterically.

"Stay! I want to put at the top a face with the tongue out."

"Ech, what nonsense," cried Pyotr Stepanoviteh crossly, "you can express all that without the drawing, by--the tone."

"By the tone? That's true. Yes, by the tone, by the tone of it. Dictate, the tone."

"I, Alexey Kirillov," Pyotr Stepanoviteh dictated firmly and peremptorily, bending over Kirillov's shoulder and following every letter which the latter formed with a hand trembling with excitement, "I, Kirillov, declare that to-day, the --th October, at about eight o'clock in the evening, I killed the student Shatov in the park for turning traitor and giving information of the manifestoes and of Fedka, who has been lodging with us for ten days in Filipov's house. I am shooting myself to-day with my revolver, not because I repent and am afraid of you, but because when I was abroad I made up my mind to put an end to my life."

"Is that all?" cried Kirillov with surprise and indignation. "Not another word," cried Pyotr Stepanovitch, waving his hand, attempting to snatch the document from him.

"Stay." Kirillov put his hand firmly on the paper. "Stay, it's nonsense! I want to say with whom I killed him. Why Fedka? And what about the fire? I want it all and I want to be abusive in tone, too, in tone!"

"Enough, Kirillov, I assure you it's enough," cried Pyotr Stepanovitch almost imploringly, trembling lest he should tear up the paper; "that they may believe you, you must say it as obscurely as possible, just like that, simply in hints. You must only give them a peep of the truth, just enough to tantalise them. They'll tell a story better than ours, and of course they'll believe themselves more than they would us; and you know, it's better than anything--better than anything! Let me have it, it's splendid as it is; give it to me, give it to me!"

And he kept trying to snatch the paper. Kirillov listened open-eyed and appeared to be trying to reflect, but he seemed beyond understanding now.

"Damn it all," Pyotr Stepanovitch cried all at once, ill-humouredly, "he hasn't signed it! Why are you staring like that? Sign!"

"I want to abuse them," muttered Kirillov. He took the pen, however, and signed. "I want to abuse them."

"Write 'Vive la republique,' and that will be enough."

"Bravo!" Kirillov almost bellowed with delight. "'Vive la republique democratique sociale et universelle ou la mart!' No, no, that's not it. 'Liberte, egalite, fraternite ou la mort.' There, that's better, that's better." He wrote it gleefully under his signature.

"Enough, enough," repeated Pyotr Stepanovitch.

"Stay, a little more. I'll sign it again in French, you know. 'De Kirillov, gentilhomme russe et citoyen du monde.' Ha ha!" He went off in a peal of laughter. "No, no, no; stay. I've found something better than all. Eureka! 'Gentilhomme, seminariste russe et citoyen du monde civilise!' That's better than any...." He jumped up from the sofa and suddenly, with a rapid gesture, snatched up the revolver from the window, ran with it into the next room, and closed the door behind
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