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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖

Book online «The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖». Author Baron Edward Bulwer Lytton Lytton



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when offered by a Parisian, he very soon took his leave. The other visitors followed his example, except Rameau, who was left alone with the Venosta and Isaura. The former had no liking for Rameau, who showed her none of the attentions her innocent vanity demanded, and she soon took herself off to her own room to calculate the amount of her savings, and dream of the Rue de Louvier and “golden joys.”

Rameau approaching his chair to Isaura’s then commenced conversation, drily enough, upon pecuniary matters; acquitting himself of the mission with which De Mauleon had charged him, the request for a new work from her pen for the Sens Commun, and the terms that ought to be asked for compliance. The young lady-author shrank from this talk. Her private income, though modest, sufficed for her wants, and she felt a sensitive shame in the sale of her thoughts and fancies.

Putting hurriedly aside the mercantile aspect of the question, she said that she had no other work in her mind at present—that, whatever her vein of invention might be, it flowed at its own will, and could not be commanded.

“Nay,” said Rameau, “this is not true. We fancy, in our hours of indolence, that we must wait for inspiration; but once force ourselves to work, and ideas spring forth at the wave of the pen. You may believe me here, I speak from experience: I, compelled to work, and in modes not to my taste—I do my task I know not how. I rub the lamp, ‘the genius comes.’”

“I have read in some English author that motive power is necessary to continued labour: you have motive power, I have none.”

“I do not quite understand you.”

“I mean that a strong ruling motive is required to persist in any regular course of action that needs effort: the motive with the majority of men is the need of subsistence; with a large number (as in trades or professions), not actually want, but a desire of gain, and perhaps of distinction, in their calling: the desire of professional distinction expands into the longings for more comprehensive fame, more exalted honours, with the few who become great writers, soldiers, statesmen, orators.”

“And do you mean to say you have no such motive?”

“None in the sting of want, none in the desire of gain.”

“But fame?”

“Alas! I thought so once. I know not now—I begin to doubt if fame should be sought by women.” This was said very dejectedly.

“Tut, dearest Signorina! what gadfly has stung you? Your doubt is a weakness unworthy of your intellect; and even were it not, genius is destiny and will be obeyed: you must write, despite yourself—and your writing must bring fame, whether you wish it or not.”

Isaura was silent, her head drooped on her breast—there were tears in her downcast eyes.

Rameau took her hand, which she yielded to him passively, and clasping it in both his own, he rushed on impulsively—

“Oh, I know what these misgivings are when we feel ourselves solitary, unloved: how often have they been mine! But how different would labour be if shared and sympathised with by a congenial mind, by a heart that beats in unison with one’s own!”

Isaura’s breast heaved beneath her robe, she sighed softly.

“And then how sweet the fame of which the one we love is proud! how trifling becomes the pang of some malignant depreciation, which a word from the beloved one can soothe! O Signorina! O Isaura! are we not made for each other? Kindred pursuits, hopes, and fears in common; the same race to run, the same goal to win! I need a motive stronger than I have yet known for the persevering energy that insures success: supply to me that motive. Let me think that whatever I win in the strife of the world is a tribute to Isaura. No, do not seek to withdraw this hand, let me claim it as mine for life. I love you as man never loved before—do not reject my love.”

They say the woman who hesitates is lost. Isaura hesitated, but was not yet lost. The words she listened to moved her deeply. Offers of marriage she had already received: one from a rich middle-aged noble, a devoted musical virtuoso; one from a young avocat fresh from the provinces, and somewhat calculating on her dot; one from a timid but enthusiastic admirer of her genius and her beauty, himself rich, handsome, of good birth, but with shy manners and faltering tongue.

But these had made their proposals with the formal respect habitual to French decorum in matrimonial proposals. Words so eloquently impassioned as Gustave Rameau’s had never before thrilled her ears; Yes, she was deeply moved; and yet, by that very emotion she knew that it was not to the love of this wooer that her heart responded.

There is a circumstance in the history of courtship familiar to the experience of many women, that while the suitor is pleading his cause, his language may touch every fibre in the heart of his listener, yet substitute, as it were, another presence for his own. She may be saying to herself, “Oh that another had said those words!” and be dreaming of the other, while she hears the one. Thus it was with Isaura, and not till Rameau’s voice had ceased did that dream pass away, and with a slight shiver she turned her face towards the wooer sadly and pityingly. “It cannot be,” she said, in a low whisper; “I were not worthy of your love could I accept it. Forget that you have so spoken; let me still be a friend admiring your genius, interested in your career. I cannot be more. Forgive me if I unconsciously led you to think I could, I am so grieved to pain you.”

“Am I to understand,” said Rameau, coldly, for his amour propre was resentful, “that the proposals of another have been more fortunate than mine?” And he named the youngest and comeliest of those whom she had rejected. “Certainly not,” said Isaura.

Rameau rose and went to the window, turning his face from her. In reality he was striving to collect his thoughts and decide on the course it were most prudent for him now to pursue. The fumes of the absinthe which had, despite his previous forebodings, emboldened him to hazard his avowal, had now subsided into the languid reaction which is generally consequent on that treacherous stimulus, a reaction not unfavourable to passionless reflection. He knew that if he said he could not conquer his love, he would still cling to hope, and trust to perseverance and time, he should compel Isaura to forbid his visits and break off their familiar intercourse. This would be fatal to the chance of yet winning her, and would also be of serious disadvantage to his more worldly interests. Her literary aid might become essential to the journal on which his fortunes depended; and at all events, in her conversation, in her encouragement, in her sympathy with the pains and joys of his career, he felt a support, a comfort, nay, an inspiration. For the spontaneous gush of her fresh thoughts and fancies served to recruit his own jaded ideas, and enlarge his own stinted range of invention. No, he could not commit himself to the risk of banishment from Isaura.

And mingled with meaner motives for discretion, there was one of which he was but vaguely conscious, purer and

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