The Vicomte de Bragelonne; Or, Ten Years Later<br />Being the completion of "The Three Musketeers" a by Alexandre Dumas (read the beginning after the end novel .TXT) 📖

"The king!" exclaimed the queen-mother.

"The king has won!" repeated the queen, delightedly.

"Oh! the king! your dream!" said Madame, joyously, in the ear of Anne of Austria.

The king was the only one who did not exhibit any satisfaction. He merely thanked Fortune for what she had done[Pg 36] for him, in addressing a slight salutation to the young girl who had been chosen as her proxy. Then, receiving from the hands of Anne of Austria, amid the eager desire of the whole assembly, the casket inclosing the bracelets, he said, "Are these bracelets really beautiful, then?"

"Look at them," said Anne of Austria, "and judge for yourself."

The king looked at them, and said, "Yes, indeed, an admirable medallion. What perfect finish!"

"What perfect finish!" repeated Madame.

Queen Maria-Theresa easily saw, and that, too, at the very first glance, that the king would not offer the bracelets to her; but, as he did not seem either the least degree in the world disposed to offer them to Madame, she felt almost satisfied, or nearly so. The king sat down. The most intimate among the courtiers approached, one by one, for the purpose of admiring more closely the beautiful piece of workmanship, which soon, with the king's permission, was handed about from person to person. Immediately, every one, connoisseurs or not, uttered various exclamations of surprise, and overwhelmed the king with congratulations. There was, in fact, something for everybody to admire—the brilliants for some, and the cutting for others. The ladies present visibly displayed their impatience to see such a treasure monopolized by the gentlemen.

"Gentlemen, gentlemen," said the king, whom nothing escaped, "one would almost think that you wore bracelets as the Sabines used to do; hand them for a little while for the inspection of the ladies, who seem to me to have, and with far greater right, some excuse for understanding such matters better than you."

These words appeared to Madame the commencement of a decision she expected. She gathered, besides, this happy belief from the glances of the queen-mother. The courtier who held them at the moment the king made this remark, amid the general agitation, hastened to place the bracelets in the hands of the queen, Maria-Theresa, who, knowing too well, poor woman, that they were not designed for her, hardly looked at them, and almost immediately passed them on to Madame. The latter, and—even more minutely than herself—Monsieur, gave the bracelets a long look of anxious and almost covetous desire. She then handed the jewels to those ladies who were near her, pronouncing this single word, but with an accent which was worth a long phrase, "Magnificent!"

The ladies who had received the bracelets from Madame's hands looked at them as long as they chose to examine them, and then made them circulate by passing them on toward the right. During this time the king was tranquilly conversing with De Guiche and Fouquet, rather letting them talk than himself listening. Accustomed to the set form of ordinary phrases, his ear, like that of all men who exercise an incontestable superiority over others, merely selected from the conversations held in various directions the indispensable word which requires reply. His attention, however, was now elsewhere, for it wandered as his eyes did.

Mademoiselle de Tonnay-Charente was the last of the ladies inscribed for tickets; and, as if she had ranked according to her name upon the list, she only had Montalais and La Valliere after her. When the bracelets reached these two latter, no one appeared to take any further notice of them. The humble hands which for a moment touched these jewels, deprived them of all their importance—a circumstance which did not, however, prevent Montalais from starting with joy, envy, and covetous desire, at the sight of the beautiful stones still more than at their magnificent workmanship. It is evident that if she were compelled to decide between the pecuniary value and the artistic beauty, Montalais would unhesitatingly have preferred diamonds to cameos, and her disinclination, therefore, to pass them to her companion, La Valliere, was very great. La Valliere fixed a look almost of indifference upon the jewels.

"Oh, how beautiful, how magnificent these bracelets are!" exclaimed Montalais; "and yet you do not go into ecstasies about them, Louise! You are no true woman, I am sure."

"Yes, I am indeed," replied the young girl, with an accent of the most charming melancholy; "but why desire that which cannot be ours?"

The king, his head bent forward, listened to what the young girl was saying. Hardly had the vibration of her voice reached his ear than he rose radiant with delight, and passing across the whole assembly, from the place where he stood, to La Valliere, "You are mistaken, mademoiselle," he said; "you are a woman, and every woman has a right to wear jewels, which are a woman's property."

"Oh, sire!" said La Valliere, "your majesty will not absolutely believe my modesty?"

"I believe you possess every virtue, mademoiselle; frankness as well as every other; I entreat you, therefore, to say frankly what you think of these bracelets?"

"That they are beautiful, sire, and cannot be offered to any other than a queen."

"I am delighted that such is your opinion, mademoiselle; the bracelets are yours, and the king begs your acceptance of them."

And as, with a movement almost resembling terror, La Valliere eagerly held out the casket to the king, the king gently pushed back La Valliere's trembling hand. A silence of astonishment, more profound than that of death, reigned in the assembly. And yet, from the side where the queens were, no one had heard what he had said, nor understood what he had done. A charitable friend, however, took upon herself to spread the news; it was Tonnay-Charente, to whom Madame had made a sign to approach.

"Good heavens!" exclaimed Tonnay-Charente, "how happy that La Valliere is! the king has just given her the bracelets."

Madame bit her lips to such a degree that the blood appeared upon the surface of the skin. The young queen looked first at La Valliere and then at Madame, and began to laugh. Anne of Austria rested her chin upon her beautiful white hand,[Pg 37] and remained for a long time absorbed by a suspicion which disturbed her mind, and by a terrible pang which stung her heart. De Guiche, observing Madame turn pale, and guessing the cause of her change of color, abruptly quitted the assembly and disappeared. Malicorne was then able to approach Montalais very quietly, and under cover of the general din of conversation said to her:

"Aure, you have our fortune and our future close beside you."

"Yes," was her reply, as she tenderly embraced La Valliere, whom, inwardly, she was tempted to strangle.

During the continuance of the long and violent debates between the opposite ambitions of the court and those of the heart, one of our characters, the least deserving of neglect, perhaps, was, however, very much neglected, very much forgotten, and exceedingly unhappy. In fact, D'Artagnan—D'Artagnan, we say, for we must call him by his name, to remind our readers of his existence—D'Artagnan, we repeat, had absolutely nothing whatever to do, amid this brilliant, light-hearted world of fashion. After having followed the king during two whole days at Fontainebleau, and having critically observed all the pastoral fancies and heroi-comic transformations of his sovereign, the musketeer felt that he needed something more than this to satisfy the cravings of his existence. At every moment assailed by people asking him, "How do you think this costume suits me, Monsieur d'Artagnan?" he would reply to them in quiet, sarcastic tones, "Why, I think you are quite as well dressed as the best-dressed monkey to be found in the fair at Saint Laurent." It was just such a compliment as D'Artagnan would choose to pay, where he did not feel disposed to pay any other; and, whether agreeable or not, the inquirer was obliged to be satis[Pg 38]fied with it. Whenever any one asked him, "How do you intend to dress yourself this evening?" he replied, "I shall undress myself," at which all the ladies laughed. But after a couple of days passed in this manner, the musketeer, perceiving that nothing serious was likely to arise which would concern him, and that the king had completely, or, at least, appeared to have completely, forgotten Paris, Saint-Mandé, and Belle-Isle; that M. Colbert's mind was occupied with illuminations and fireworks; that for the next month, at least, the ladies had plenty of glances to bestow, and also to receive in exchange—D'Artagnan asked the king for leave of absence for a matter of private business. At the moment D'Artagnan made his request, his majesty was on the point of going to bed, quite exhausted from dancing.

"You wish to leave me, Monsieur d'Artagnan?" inquired the king, with an air of astonishment; for Louis XIV. could never understand that any one, who had the distinguished honor of being near him, could wish to leave him.

"Sire," said D'Artagnan, "I leave you simply because I am not of the slightest service to you in anything. Ah! if I could only hold the balancing pole while you were dancing, it would be a very different affair."

"But, my dear Monsieur d'Artagnan," said the king, gravely, "people dance without a balancing-pole."

"Ah! indeed," said the musketeer, continuing his imperceptible tone of irony, "I had no idea at all of that."

"You have not seen me dance, then?" inquired the king.

"Yes; but I always thought it would make you firmer. I was mistaken—a greater reason, therefore, that I should leave for a time. Sire, I repeat, you have no present occasion for my services; besides, if your majesty should have any need of me, you would know where to find me."

"Very well," said the king; and he granted him his leave of absence.

We shall not look for D'Artagnan, therefore, at Fontainebleau, for this would be quite useless; but, with the permission of our readers, we shall follow him to the Rue des Lombards, where he was located at the sign of the "Pilon d'Or," in the house of our old friend Planchet. It was about eight o'clock in the evening, and the weather was exceedingly warm; there was only one window open, and that one belonging to a room on the entresol. A perfume of spices, mingled with another perfume less exotic, but more penetrating, namely, that which arose from the street, ascended to salute the nostrils of the musketeer. D'Artagnan, reclining upon an immense straight-backed chair, with his legs not stretched out, but simply placed upon a stool, formed an angle of the most obtuse form that could possibly be seen. Both his arms were crossed over his head, his head reclining upon his left shoulder, like Alexander the Great. His eyes, usually so quick and intelligent in their expression, were now half-closed, and seemed fastened, as it were, upon a small corner of blue sky, which was visible behind the opening of the chimneys: there was just enough blue, and no more, to put a piece into one of the sacks of lentils, or haricots, which formed the principal furniture of the shop on the ground-floor. Thus extended at his ease, and thus sheltered in his place of observation behind the window, D'Artagnan seemed as if he had ceased to be a soldier, as if he were no longer an officer belonging to the palace, but was, on the contrary, a quiet, easy-going citizen in a state of stagnation between his dinner and supper, or between his supper and his bed; one of those strong, ossified brains, which have no more room for a single idea, so fiercely does animal matter keep watch at the doors of intelligence, narrowly inspecting the contraband trade which might result from the introduction into the brain of a symptom of thought. We have already said night was closing in, the shops were being lighted, while the windows of the upper apartments were being closed, and the irregular steps of a patrol of soldiers forming the night-watch could be heard in the distance. D'Artagnan continued, however, to think of nothing, and to look at nothing, except the blue corner of the sky. A few paces from him, completely in the shade, lying on his stomach, upon a sack of Indian corn, was Planchet, with both his arms under his chin, and his eyes fixed on D'Artagnan, who was either thinking, dreaming, or sleeping, with his eyes open. Planchet had been watching him for a tolerably long time, and, by way of interruption, he began by exclaiming, "Hum! hum!" But D'Artagnan did not stir. Planchet then saw that it was necessary to have recourse to a more effectual means still. After a prolonged reflection on the subject, the most ingenious means which suggested itself to him under present circumstances was to let himself roll off the sack on to the floor, murmuring at the same time, against himself, the word "stupid."