The Mystery of the Hasty Arrow by Anna Katharine Green (phonics reader TXT) 📖

behind which a man crouched in misery on the copyist's stool might easily remain unnoticed by anyone passing hurriedly by him.

And thus vanished one hindrance to a full belief in young Travis' story.

But a greater one remained. The bow! the bow found behind the tapestry at the edge of which he had stood in timorous hiding! In the hope that a shock might startle him into some admission which would give a different aspect to the case, they now led him back to this place of first concealment. He was showing strain by this time, and no delay was made to press their point. Giving the tapestry a pull, the Coroner bade him tell what he saw behind it.

The answer came with much emotion.

"The bow! The bow which sped the arrow which killed Miss Willetts. I do not want to see it. It hurts me—hurts me physically. Let me go, I entreat."

"Mr. Travis," urged the Coroner as they again emerged upon the open gallery, "you have said that there was no one with you in the section where you stood. If that was so, how came this bow to be where you have just seen it?"

A bewildered look, a slow shake of the head and nothing more.

"Did you know it was there? Did you see it thrown there?"

"No, I saw nothing. I am an honest man. You may believe me."

The Coroner scrutinized him closely but not unkindly.

"We shall know before night who handled that bow, Mr. Travis. It carries its own clue with it."

A gleam of unmistakable joy lighted up the Englishman's features.

"I am glad," he cried. "I am glad."

Coroner Price was a man of experience. He recognized the ring of truth in the Englishman's tones, and saying no more, led the way from the gallery.

A few minutes later he was on the lower floor. He had a short conversation with the two doormen; then he proceeded to the telephone and called up the Universal.

The result was startling.

Asked if the name of Rupert Henry Travis, Hertfordshire, England, was on their register, the answer was yes.

"The date of his arrival?"

"Early this morning."

"Any other arrivals to-day from the other side?"

"Yes, a Madame Duclos and a Miss Willetts."

The Coroner's tone altered. So much of the stranger's story was true, then.

"Will you connect me with Madame Duclos. I have important news to give her. Some woman had better be with her when she receives it."

"I am sorry, but I cannot do this. Madame Duclos has left."

"Left? Gone out, you mean?"

"No, left the hotel. She's been gone about half an hour. The young lady who came with her has gone out too, but we expect her back."

"You do. And what took the older woman away? What excuse did she give, and where has she gone?"

"I cannot tell you where she has gone. She left after receiving a telephone message from some one in town. Came down to the desk looking extremely distressed, said that she had had bad news and must go at once. I made out her bill and, at her request, that of the young lady, whom she said would be called for by a friend on her return to the hotel. These bills she paid; after that she left the hotel on foot, carrying her own bag. The young lady has not returned——"

"Enough. The young lady is dead, killed by chance here at the museum. A plain-clothes man will be with you shortly from Headquarters. Meanwhile keep your eyes and ears open. If a message comes for either Madame Duclos or Miss Willetts, notify me here; and if anyone calls, detain the party at all hazards. That's all; no time to talk."

And now Gryce entered the room. He was accompanied by an inspector. This was a welcome addition to their force. Coroner Price greeted him with cordiality:

"You've come in good time, Inspector. The death of this young girl struck down by an arrow shot by an unknown hand from the opposite side of the building bids fair to make a greater call on your resources than on mine. The woman who appears to have acted as companion to Miss Willetts has fled the hotel where they both took rooms immediately upon leaving the steamer. Either she has heard of the accident which has occurred here—and if so, how?—or she's but carrying out some deep-laid plan which it is highly important for us to know. It looks now like a premeditated crime."

"With this Englishman involved?"

"I doubt that; I seriously doubt that—don't you, Gryce? A more subtle head than his planned this strange crime."

"Yes; there can be little doubt about that. Shall I set the boys to work, Inspector? This Frenchwoman must be found."

"At once—a general alarm. You can get a description of her from the clerk at the Universal. She must not be allowed to leave town."

Mr. Gryce sat down before the telephone. Coroner Price proceeded to acquaint the Inspector with such details of the affair as were now known. The Curator moved restlessly about. Gloom had settled upon the museum. On only one face was there a smile to be seen, but that was a heavenly one, irradiating the countenance of her who had passed from the lesser to the larger world with the joy of earth still warm in her innocent heart.

BOOK II MR. X VIII ON THE SEARCH

It was late in the afternoon. The Inspector's office had hummed for hours with messages and reports, and the lull which had finally come seemed grateful to him. With relaxed brow and a fresh cigar, he sat in quiet contemplation of the facts brought out by the afternoon's inquiries. He was on the point of dismissing even these from his mind, when the door opened and Gryce came in.

Instantly his responsibilities returned upon him in full force. He did not wait for the expected report, but questioned the detective at once.

"You have been to the hotel," he said, pointing out a chair into which the old man dropped with a sigh as eloquent of anxiety as of fatigue. "What more did you learn there?"

"Very little. No message has come; no persons called. For them and for us these two women, Madame Duclos and Miss Willetts, are still an unknown quantity. Their baggage, which arrived while I was there, supplied the only information I was able to obtain."

"Their baggage! But that should tell us everything."

"It may if you think best to go through it. It is not heavy—a trunk for each, besides the one they brought with them from the steamer. From the pasters to be seen on them, they have come from the Continental Hotel, Paris, by way of the Ritz, London. At this latter place their stay was short. This is proved by the fact that only the steamer-trunk is pasted with the Ritz label. And this trunk was the one I found in their room at the Universal. From it Miss Willetts had taken the dress she wore to the museum. Her other clothes—I mean those she wore on arriving—lay in disorder on the bed and chairs. I should say that they had been tossed about by a careless if not hasty hand, while the trunk——"

"Well?"

"Stood open on the floor."

"Stood open?"

"Yes, I went through it, of course."

"And found nothing?"

"Nothing to help us to-day. No letters—no cards. Some clothing—some little trifles (bought in Paris, by the way) and one little book."

"A name in it?"

"Yes—Angeline; and one line of writing from some poem, I judge. I put it back where I found it. When we know more, it may help us to find her friends."

"And is that all?"

"Almost, but not quite. The young girl had a bag too. It stood on a table——"

"Well?"

"Empty. Everything had been tumbled out—turned upside down and the contents scattered. I looked them carefully over. Nothing, positively nothing, but what you would be likely to find in any young girl's traveling-bag. There's but one conclusion to be drawn."

"And what is that?"

"That all these things, such as they were, had been pushed hastily about after being emptied out on the table. That was not the young girl's work."

"Madame Duclos'!"

"You've hit it. She was in search of some one thing she wanted, and she took the quickest way of finding it. And——"

"Yes, Gryce?"

"She was in a desperate hurry, or she wouldn't have left the trunk open or all those dainty things lying about. Frenchwomen are methodical and very careful of their belongings. One other thing I noted. There was a loose nail in the lock of the trunk. Sticking to this nail was a raveling of brown wool. Here it is, sir. The woman—Madame Duclos—wore a dress of brown serge. If my calculations are not wrong and we succeed in getting a glimpse of that dress, we shall find a tear in the skirt—and what is more, one very near the hem."

"Made to-day?"

"Yes—another token of haste. She probably jerked at the skirt when she found herself caught. She could not have been herself to have done this—for which we may be glad."

"You mean that by this thoughtless action she has left a clue in our hands?"

"That and something more. That tear in her decent skirt will bother her. She will either make an immediate attempt to mend it, or else do the other obvious thing—buy a new one. In either case it gives us something by which to trace her. I have put Sweetwater on that job. He never tires, never wearies, never lets go. No report in yet from the terminals?"

"Not a word. But she will not get far. Sooner or later we shall find her if she does not come forward herself after reading the evening papers."

"She will never come forward."

"I am not so sure. Something not a little peculiar happened at the museum after you left. We had Reynolds up, and he made a most careful examination of that bow for finger-prints. He did not find any. But fortune favored us in another way almost as good."

"Now you interest me."

"We had brought the bow into the Curator's office, and it lay on the long table in the middle of the room. I had been looking it over (this was after Reynolds had gone, of course) and had already noted a certain defect in it, when on chancing to look up, my eyes fell on a mirror hanging in a closet the door of which stood wide open. A face was visible in it—a very white face which altered under my scrutiny into a semblance more natural. It was that of Correy—you remember Correy, one of the assistants, and an honest fellow enough, but more troubled at this moment than I had ever seen him. What could have happened?

"Wheeling quickly about, I caught him just as he started to go. He had openly declared that he did not know this bow; but it was evident that he did, and I did not hesitate to say so. Taken unawares, he could not hide his distress, which he proceeded to explain thus: He did remember the bow, now that he had the opportunity of seeing it closer. He pointed to the nick I had myself noticed and said that owing to this defect the bow had been cast aside, and the last time he had handled it——Here he caught his breath and stopped. Another memory had evidently returned to embarrass him."

"Did you succeed in getting him to acknowledge what it was?"

"Yes, after I had worked with him for some time. He didn't want to talk. In a moment you will see why. Going back to the time he had seen it before, he said that he had found it in the cellar in an old box, the contents of which he had been pulling over in a search for something very different. Amazed to find it there, he had taken it out, examined it carefully, noted the nick I mentioned and tossed it back again into the box. This he told, but reluctantly.

"Why reluctantly, I was soon to find out. He was not alone in the cellar. The shadow of some person at his back had fallen across the lid of the box as he was closing it. He did not recognize the shadow and had not given it at the time a second thought, but the remembrance of it came back vividly when he saw the bow lying before him and realized the part it had played in the morning's tragedy. Was it because he knew that only a person actively connected with the museum would have access to that part of the cellar? I asked. I did not expect an answer, and I did not get it. We looked at each other for a moment, then I let him