The Mysteries of Udolpho by Ann Ward Radcliffe (best novels to read in english txt) 📖

lamp with anxiety, expecting every moment to see it extinguished; but, though the flame wavered, it did not expire, and he still followed the stranger, who often sighed as he went, but did not speak.

“When they reached the borders of the forest, the Knight turned, and raised his head, as if he meant to address the Baron, but then, closing his lips in silence, he walked on.

“As they entered beneath the dark and spreading boughs, the Baron, affected by the solemnity of the scene, hesitated whether to proceed, and demanded how much further they were to go. The Knight replied only by a gesture, and the Baron, with hesitating steps and a suspicious eye, followed through an obscure and intricate path, till, having proceeded a considerable way, he again demanded whither they were going, and refused to proceed unless he was informed.

“As he said this, he looked at his own sword, and at the Knight alternately, who shook his head, and whose dejected countenance disarmed the Baron, for a moment, of suspicion.

“‘A little further is the place, whither I would lead you,’ said the stranger; ‘no evil shall befall you—I have sworn it on the honour of a knight.’

“The Baron, reassured, again followed in silence, and they soon arrived at a deep recess of the forest, where the dark and lofty chesnuts entirely excluded the sky, and which was so overgrown with underwood, that they proceeded with difficulty. The Knight sighed deeply as he passed, and sometimes paused; and having, at length, reached a spot, where the trees crowded into a knot, he turned, and, with a terrific look, pointing to the ground, the Baron saw there the body of a man, stretched at its length, and weltering in blood; a ghastly wound was on the forehead, and death appeared already to have contracted the features.

“The Baron, on perceiving the spectacle, started in horror, looked at the Knight for explanation, and was then going to raise the body and examine if there were yet any remains of life; but the stranger, waving his hand, fixed upon him a look so earnest and mournful, as not only much surprised him, but made him desist.

“But, what were the Baron’s emotions, when, on holding the lamp near the features of the corpse, he discovered the exact resemblance of the stranger his conductor, to whom he now looked up in astonishment and enquiry? As he gazed, he perceived the countenance of the Knight change, and begin to fade, till his whole form gradually vanished from his astonished sense! While the Baron stood, fixed to the spot, a voice was heard to utter these words:—”

[Ludovico started, and laid down the book, for he thought he heard a voice in the chamber, and he looked toward the bed, where, however, he saw only the dark curtains and the pall. He listened, scarcely daring to draw his breath, but heard only the distant roaring of the sea in the storm, and the blast, that rushed by the casements; when, concluding, that he had been deceived by its sighings, he took up his book to finish the story.]

“While the Baron stood, fixed to the spot, a voice was heard to utter these words:—*

(*Note: This repetition seems to be intentional. Ludovico is picking up the thread.)

“The body of Sir Bevys of Lancaster, a noble knight of England, lies before you. He was, this night, waylaid and murdered, as he journeyed from the Holy City towards his native land. Respect the honour of knighthood and the law of humanity; inter the body in christian ground, and cause his murderers to be punished. As ye observe, or neglect this, shall peace and happiness, or war and misery, light upon you and your house for ever!”

“The Baron, when he recovered from the awe and astonishment, into which this adventure had thrown him, returned to his castle, whither he caused the body of Sir Bevys to be removed; and, on the following day, it was interred, with the honours of knighthood, in the chapel of the castle, attended by all the noble knights and ladies, who graced the court of Baron de Brunne.”

Ludovico, having finished this story, laid aside the book, for he felt drowsy, and, after putting more wood on the fire and taking another glass of wine, he reposed himself in the arm-chair on the hearth. In his dream he still beheld the chamber where he really was, and, once or twice, started from imperfect slumbers, imagining he saw a man’s face, looking over the high back of his arm-chair. This idea had so strongly impressed him, that, when he raised his eyes, he almost expected to meet other eyes, fixed upon his own, and he quitted his seat and looked behind the chair, before he felt perfectly convinced, that no person was there.

Thus closed the hour.

CHAPTER VII

Enjoy the honey-heavy dew of slumber;
Thou hast no figures, nor no fantasies,
Which busy care draws in the brains of men;
Therefore thou sleep’st so sound.
                    SHAKESPEARE

The Count, who had slept little during the night, rose early, and, anxious to speak with Ludovico, went to the north apartment; but, the outer door having been fastened, on the preceding night, he was obliged to knock loudly for admittance. Neither the knocking, nor his voice was heard; but, considering the distance of this door from the bedroom, and that Ludovico, wearied with watching, had probably fallen into a deep sleep, the Count was not surprised on receiving no answer, and, leaving the door, he went down to walk in his grounds.

It was a grey autumnal morning. The sun, rising over Provence, gave only a feeble light, as his rays struggled through the vapours that ascended from the sea, and floated heavily over the wood-tops, which were now varied with many a mellow tint of autumn. The storm was passed, but the waves were yet violently agitated, and their course was traced by long lines of foam, while not a breeze fluttered in the sails of the vessels, near the shore, that were weighing anchor to depart. The still gloom of the hour was pleasing to the Count, and he pursued his way through the woods, sunk in deep thought.

Emily also rose at an early hour, and took her customary walk along the brow of the promontory, that overhung the Mediterranean. Her mind was now not occupied with the occurrences of the château, and Valancourt was the subject of her mournful thoughts; whom she had not yet taught herself to consider with indifference, though her judgment constantly reproached her for the affection, that lingered in her heart, after her esteem for him was departed. Remembrance frequently gave her his parting look and the tones of his voice, when he had bade her a last farewell; and, some accidental associations now recalling these circumstances to her fancy, with peculiar energy, she shed bitter tears to the recollection.

Having reached the watch-tower, she seated herself on the broken steps, and, in melancholy dejection, watched the waves, half hid in vapour, as they came rolling towards the shore, and threw up their light spray round the rocks below. Their hollow murmur and the obscuring mists, that came in wreaths up the cliffs, gave a solemnity to the scene, which was in harmony with the temper of her mind, and she sat, given up to the remembrance of past times, till this became too painful, and she abruptly quitted the place. On passing the little gate of the watch-tower, she observed letters, engraved on the stone postern, which she paused to examine, and, though they appeared to have been rudely cut with a pen-knife, the characters were familiar to her; at length, recognising the hand-writing of Valancourt, she read, with trembling anxiety the following lines, entitled

SHIPWRECK

’Til solemn midnight! On this lonely steep,
Beneath this watch-tow’r’s desolated wall,
Where mystic shapes the wonderer appall,
I rest; and view below the desert deep,
As through tempestuous clouds the moon’s cold light
Gleams on the wave. Viewless, the winds of night
With loud mysterious force the billows sweep,
And sullen roar the surges, far below.
In the still pauses of the gust I hear
The voice of spirits, rising sweet and slow,
And oft among the clouds their forms appear.
But hark! what shriek of death comes in the gale,
And in the distant ray what glimmering sail
Bends to the storm?—Now sinks the note of fear!
Ah! wretched mariners!—no more shall day
Unclose his cheering eye to light ye on your way!

From these lines it appeared, that Valancourt had visited the tower; that he had probably been here on the preceding night, for it was such a one as they described, and that he had left the building very lately, since it had not long been light, and without light it was impossible these letters could have been cut. It was thus even probable, that he might be yet in the gardens.

As these reflections passed rapidly over the mind of Emily, they called up a variety of contending emotions, that almost overcame her spirits; but her first impulse was to avoid him, and, immediately leaving the tower, she returned, with hasty steps, towards the château. As she passed along, she remembered the music she had lately heard near the tower, with the figure, which had appeared, and, in this moment of agitation, she was inclined to believe, that she had then heard and seen Valancourt; but other recollections soon convinced her of her error. On turning into a thicker part of the woods, she perceived a person, walking slowly in the gloom at some little distance, and, her mind engaged by the idea of him, she started and paused, imagining this to be Valancourt. The person advanced with quicker steps, and, before she could recover recollection enough to avoid him, he spoke, and she then knew the voice of the Count, who expressed some surprise, on finding her walking at so early an hour, and made a feeble effort to rally her on her love of solitude. But he soon perceived this to be more a subject of concern than of light laughter, and, changing his manner, affectionately expostulated with Emily, on thus indulging unavailing regret; who, though she acknowledged the justness of all he said, could not restrain her tears, while she did so, and he presently quitted the topic. Expressing surprise at not having yet heard from his friend, the Advocate at Avignon, in answer to the questions proposed to him, respecting the estates of the late Madame Montoni, he, with friendly zeal, endeavoured to cheer Emily with hopes of establishing her claim to them; while she felt, that the estates could now contribute little to the happiness of a life, in which Valancourt had no longer an interest.

When they returned to the château, Emily retired to her apartment, and Count De Villefort to the door of the north chambers. This was still fastened, but, being now determined to arouse Ludovico, he renewed his calls more loudly than before, after which a total silence ensued, and the Count, finding all his efforts to be heard ineffectual, at length began to fear, that some accident had befallen Ludovico, whom terror of an imaginary being might have deprived of his senses. He, therefore, left the door with an intention of summoning his servants to force it open, some of whom he now heard moving in the lower part of the château.

To the Count’s enquiries, whether they had seen or heard Ludovico, they replied in affright, that not one of them had ventured on the north side of the château, since the preceding night.

“He sleeps soundly then,” said the Count, “and is at such a distance from the outer door, which is fastened, that to gain admittance to the chambers it will be necessary to force it. Bring an instrument, and follow me.”

The servants stood mute and dejected, and it was not till nearly all the household were assembled, that the Count’s orders were obeyed. In the mean time, Dorothée was telling of a door, that opened from a gallery, leading from the great staircase into the last ante-room of the saloon, and, this being much nearer to the bed-chamber, it appeared probable, that Ludovico might be easily awakened by an attempt to open it. Thither, therefore, the Count went, but his voice was as ineffectual at this door as it had proved at the remoter one; and now, seriously interested for Ludovico, he was himself going to strike upon the door with the instrument, when he observed its singular beauty, and withheld the blow. It appeared, on the first glance, to be of ebony, so dark and close was its grain and so high its polish; but it proved to be only of larch wood, of the growth of Provence, then famous for its forests of larch. The beauty of its polished hue