Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Dombey and Son by Charles Dickens (ebook reader 7 inch .txt) 📖
- Author: Charles Dickens
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‘I fear,’ returned Mr Dombey, with much philosophy, ‘that Mrs Skewton is shaken.’
‘Shaken, Dombey!’ said the Major. ‘Smashed!’
‘Change, however,’ pursued Mr Dombey, ‘and attention, may do much yet.’
‘Don’t believe it, Sir,’ returned the Major. ‘Damme, Sir, she never wrapped up enough. If a man don’t wrap up,’ said the Major, taking in another button of his buff waistcoat, ‘he has nothing to fall back upon. But some people will die. They will do it. Damme, they will. They’re obstinate. I tell you what, Dombey, it may not be ornamental; it may not be refined; it may be rough and tough; but a little of the genuine old English Bagstock stamina, Sir, would do all the good in the world to the human breed.’
After imparting this precious piece of information, the Major, who was certainly true-blue, whatever other endowments he may have had or wanted, coming within the ‘genuine old English’ classification, which has never been exactly ascertained, took his lobster-eyes and his apoplexy to the club, and choked there all day.
Cleopatra, at one time fretful, at another self-complacent, sometimes awake, sometimes asleep, and at all times juvenile, reached Brighton the same night, fell to pieces as usual, and was put away in bed; where a gloomy fancy might have pictured a more potent skeleton than the maid, who should have been one, watching at the rose-coloured curtains, which were carried down to shed their bloom upon her.
It was settled in high council of medical authority that she should take a carriage airing every day, and that it was important she should get out every day, and walk if she could. Edith was ready to attend her—always ready to attend her, with the same mechanical attention and immovable beauty—and they drove out alone; for Edith had an uneasiness in the presence of Florence, now that her mother was worse, and told Florence, with a kiss, that she would rather they two went alone.
Mrs Skewton, on one particular day, was in the irresolute, exacting, jealous temper that had developed itself on her recovery from her first attack. After sitting silent in the carriage watching Edith for some time, she took her hand and kissed it passionately. The hand was neither given nor withdrawn, but simply yielded to her raising of it, and being released, dropped down again, almost as if it were insensible. At this she began to whimper and moan, and say what a mother she had been, and how she was forgotten! This she continued to do at capricious intervals, even when they had alighted: when she herself was halting along with the joint support of Withers and a stick, and Edith was walking by her side, and the carriage slowly following at a little distance.
It was a bleak, lowering, windy day, and they were out upon the Downs with nothing but a bare sweep of land between them and the sky. The mother, with a querulous satisfaction in the monotony of her complaint, was still repeating it in a low voice from time to time, and the proud form of her daughter moved beside her slowly, when there came advancing over a dark ridge before them, two other figures, which in the distance, were so like an exaggerated imitation of their own, that Edith stopped.
Almost as she stopped, the two figures stopped; and that one which to Edith’s thinking was like a distorted shadow of her mother, spoke to the other, earnestly, and with a pointing hand towards them. That one seemed inclined to turn back, but the other, in which Edith recognised enough that was like herself to strike her with an unusual feeling, not quite free from fear, came on; and then they came on together.
Original
The greater part of this observation, she made while walking towards them, for her stoppage had been momentary. Nearer observation showed her that they were poorly dressed, as wanderers about the country; that the younger woman carried knitted work or some such goods for sale; and that the old one toiled on empty-handed.
And yet, however far removed she was in dress, in dignity, in beauty, Edith could not but compare the younger woman with herself, still. It may have been that she saw upon her face some traces which she knew were lingering in her own soul, if not yet written on that index; but, as the woman came on, returning her gaze, fixing her shining eyes upon her, undoubtedly presenting something of her own air and stature, and appearing to reciprocate her own thoughts, she felt a chill creep over her, as if the day were darkening, and the wind were colder.
They had now come up. The old woman, holding out her hand importunately, stopped to beg of Mrs Skewton. The younger one stopped too, and she and Edith looked in one another’s eyes.
‘What is it that you have to sell?’ said Edith.
‘Only this,’ returned the woman, holding out her wares, without looking at them. ‘I sold myself long ago.’
‘My Lady, don’t believe her,’ croaked the old woman to Mrs Skewton; ‘don’t believe what she says. She loves to talk like that. She’s my handsome and undutiful daughter. She gives me nothing but reproaches, my Lady, for all I have done for her. Look at her now, my Lady, how she turns upon her poor old mother with her looks.’
As Mrs Skewton drew her purse out with a trembling hand, and eagerly fumbled for some money, which the other old woman greedily watched for—their heads all but touching, in their hurry and decrepitude—Edith interposed:
‘I have seen you,’ addressing the old woman, ‘before.’
‘Yes, my Lady,’ with a curtsey. ‘Down in Warwickshire. The morning among the trees. When you wouldn’t give me nothing. But the gentleman, he give me something! Oh, bless him, bless him!’ mumbled the old woman, holding up her skinny hand, and grinning frightfully at her daughter.
‘It’s of no use attempting to stay me, Edith!’ said Mrs Skewton, angrily anticipating an objection from her. ‘You know nothing about it. I won’t be dissuaded. I am sure this is an excellent woman, and a good mother.’
‘Yes, my Lady, yes,’ chattered the old woman, holding out her avaricious hand. ‘Thankee, my Lady. Lord bless you, my Lady. Sixpence more, my pretty Lady, as a good mother yourself.’
‘And treated undutifully enough, too, my good old creature, sometimes, I assure you,’ said Mrs Skewton, whimpering. ‘There! Shake hands with me. You’re a very good old creature—full of what’s-his-name—and all that. You’re all affection and et cetera, ain’t you?’
‘Oh, yes, my Lady!’
‘Yes, I’m sure you are; and so’s that gentlemanly creature Grangeby. I must really shake hands with you again. And now you can go, you know; and I hope,’ addressing the daughter, ‘that you’ll show more gratitude, and natural what’s-its-name, and all the rest of it—but I never remember names—for there never was a better mother than the good old creature’s been to you. Come, Edith!’
As the ruin of Cleopatra tottered off whimpering, and wiping its eyes with a gingerly remembrance of rouge in their neighbourhood, the old woman hobbled another way, mumbling and counting her money. Not one word more, nor one other gesture, had been exchanged between Edith and the younger woman, but neither had removed her eyes from the other for a moment. They had remained confronted until now, when Edith, as awakening from a dream, passed slowly on.
‘You’re a handsome woman,’ muttered her shadow, looking after her; ‘but good looks won’t save us. And you’re a proud woman; but pride won’t save us. We had need to know each other when we meet again!’
CHAPTER 41. New Voices in the Waves
All is going on as it was wont. The waves are hoarse with repetition of their mystery; the dust lies piled upon the shore; the sea-birds soar and hover; the winds and clouds go forth upon their trackless flight; the white arms beckon, in the moonlight, to the invisible country far away.
With a tender melancholy pleasure, Florence finds herself again on the old ground so sadly trodden, yet so happily, and thinks of him in the quiet place, where he and she have many and many a time conversed together, with the water welling up about his couch. And now, as she sits pensive there, she hears in the wild low murmur of the sea, his little story told again, his very words repeated; and finds that all her life and hopes, and griefs, since—in the solitary house, and in the pageant it has changed to—have a portion in the burden of the marvellous song.
And gentle Mr Toots, who wanders at a distance, looking wistfully towards the figure that he dotes upon, and has followed there, but cannot in his delicacy disturb at such a time, likewise hears the requiem of little Dombey on the waters, rising and falling in the lulls of their eternal madrigal in praise of Florence. Yes! and he faintly understands, poor Mr Toots, that they are saying something of a time when he was sensible of being brighter and not addle-brained; and the tears rising in his eyes when he fears that he is dull and stupid now, and good for little but to be laughed at, diminish his satisfaction in their soothing reminder that he is relieved from present responsibility to the Chicken, by the absence of that game head of poultry in the country, training (at Toots’s cost) for his great mill with the Larkey Boy.
But Mr Toots takes courage, when they whisper a kind thought to him; and by slow degrees and with many indecisive stoppages on the way, approaches Florence. Stammering and blushing, Mr Toots affects amazement when he comes near her, and says (having followed close on the carriage in which she travelled, every inch of the way from London, loving even to be choked by the dust of its wheels) that he never was so surprised in all his life.
‘And you’ve brought Diogenes, too, Miss Dombey!’ says Mr Toots, thrilled through and through by the touch of the small hand so pleasantly and frankly given him.
No doubt Diogenes is there, and no doubt Mr Toots has reason to observe him, for he comes straightway at Mr Toots’s legs, and tumbles over himself in the desperation with which he makes at him, like a very dog of Montargis. But he is checked by his sweet mistress.
‘Down, Di, down. Don’t you remember who first made us friends, Di? For shame!’
Oh! Well may Di lay his loving cheek against her hand, and run off, and run back, and run round her, barking, and run headlong at anybody coming by, to show his devotion. Mr Toots would run headlong at anybody, too. A military gentleman goes past, and Mr Toots would like nothing better than to run at him, full tilt.
‘Diogenes is quite in his native air, isn’t he, Miss Dombey?’ says Mr Toots.
Florence assents, with a grateful smile.
‘Miss Dombey,’ says Mr Toots, ‘beg your pardon, but if you would like to walk to Blimber’s, I—I’m going there.’
Florence puts her arm in that of Mr Toots without a word, and they walk away together, with Diogenes going on before. Mr Toots’s legs shake under him; and though he is splendidly dressed, he feels misfits, and sees wrinkles, in the masterpieces of Burgess and Co., and wishes he had put on that brightest pair of boots.
Doctor Blimber’s house, outside, has as scholastic and studious an air as ever; and up there is the window where she used to look for the pale face, and where the pale face brightened when it saw her, and the wasted little hand
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