Robert Elsmere by Mrs. Humphry Ward (dark books to read .TXT) 📖
- Author: Mrs. Humphry Ward
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How we all attitudinize to ourselves! The whole of life often seems one long dramatic performance, in which one-half of us is forever posing to the other half.
But had he really made love to her?--had he meant what she had assumed him to mean? The girl lost herself in a torrent of memory and conjecture, and meanwhile Mr. Flaxman sat opposite, talking away, and looking certainly as little love sick as any man can well look. As the lamps flashed into the carriage her attention was often caught by his profile and finely-balanced head, by the hand lying on his knee, or the little gestures, full of life and freedom, with which he met some raid of Lady Charlotte's on his opinions, or opened a corresponding one on hers. There was certainly power in the man, a bright human sort of power, which inevitably attracted her. And that he was good too she had special grounds for knowing.
But what an aristocrat he was after all! What an over-prosperous, exclusive set he belonged to! She lashed herself into anger as the other two chatted and sparred, with all these names of wealthy cousins and relations, with their parks and their pedigrees and their pictures! The aunt and nephew were debating how they could best bleed the family, in its various branches, of the art treasures belonging to it for the benefit of the East-enders; therefore the names were inevitable. But Rose curled her delicate lip over them. And was it the best breeding, she wondered, to leave a third person so ostentatiously outside the conversation?
'Miss Leyburn, why are you coughing?' said Lady Charlotte suddenly.
'There is a great draught,' said Rose, shivering a little.
'So there is!' cried Lady Charlotte. 'Why, we have got both the windows open. Hugh, draw up Miss Leyburn's.'
He moved over to her and drew it up.
'I thought you liked a tornado,' he said to her, smiling. 'Will you have a shawl--there is one behind me.'
'No, thank you,' she replied rather stiffly, and he was silent--retaining his place opposite to her, however.
'Have we reached Mr. Elsmere's part of the world yet?' asked Lady Charlotte, looking out.
'Yes, we are not far off--the river is to our right. We shall pass St. Wilfrid's soon.'
The coachman turned into a street where an open-air market was going on. The roadway and pavements were swarming; the carriage could barely pick its way through the masses of human beings. Flaming gas-jets threw it all into strong satanic light and shade. At this corner of a dingy alley Rose could see a fight going on; the begrimed, ragged children, regardless of the April rain, swooped backward and forward under the very hoofs of the horses, or flattened their noses against the windows whenever the horses were forced into a walk.
The young girl-figure, with the gray feathered hat, seemed especially to excite their notice. The glare of the street brought out the lines of the face, the gold of the hair. The Arabs outside made loutishly flattering remarks once or twice, and Rose, coloring, drew back as far as she could into the carriage. Mr. Flaxman seemed not to hear; his aunt, with that obtrusive thirst for information which is so fashionable now among all women of position, was cross-questioning him as to the trades and population of the district, and he was dryly responding. In reality his mind was full of a whirl of feeling, of a wild longing to break down a futile barrier and trample on a baffling resistance, to take that beautiful, tameless creature in strong coercing arms, scold her, crush her, love her! Why does she make happiness so difficult? What right has she to hold devotion so cheap? He too grows angry. 'She was _not_ in love with that spectral creature,' the inner self declares with energy--'I will vow she never was. But she is like all the rest--a slave to the merest forms and trappings of sentiment. Because he _ought_ to have loved her, and didn't, because she _fancied_ she loved him, and didn't, my love is to be an offence to her! Monstrous--unjust!'
Suddenly they swept past St. Wilfrid's, resplendent with lights, the jewelled windows of the choir rising above the squalid walls and roofs into the rainy darkness, as the mystical chapel of the Graal, with its 'torches glimmering fair,' flashed out of the mountain storm and solitude on to Galahad's seeking eyes.
Rose bent forward involuntarily. 'What angel singing!' she said, dropping the window again to listen to the retreating sounds, her artist's eye Kindling. 'Did you hear it? It was the last chorus in the St. Matthew Passion music.'
'I did not distinguish it,' he said--'but their music is famous.'
His tone was distant; there was no friendliness in it. It would have been pleasant to her if he would have taken up her little remark and let bygones be bygones. But he showed no readiness to do so. The subject dropped, and presently he moved back to his former seat, and Lady Charlotte and he resumed their talk. Rose could not but see that his manner toward her was much changed. She herself had compelled it, but all the same she saw him leave her with a capricious little pang of regret, and afterward the drive seemed to her more tedious and the dismal streets more dismal than before.
She tried to forget her companions altogether. Oh! what would Robert have to say? She was unhappy, restless. In her trouble lately it had often pleased her to go quite alone to strange churches, where for a moment the burden of the self had seemed lightened. But the old things were not always congenial to her, and there were modern ferments at work in her. No one of her family, unless it were Agnes, suspected what was going on. But in truth the rich crude nature had been touched at last, as Robert's had been long ago in Mr. Grey's lecture-room, by the piercing under-voices of things--the moral message of the world. 'What will he have to say?' she asked herself again feverishly, and as she looked across to Mr. Flaxman she felt a childish wish to be friends again with him, with everybody. Life was too difficult as it was, without quarrels and misunderstandings to make it worse.
CHAPTER XL.
A long street of warehouses--and at the end of it the horses slackened.
'I saw the president of the club yesterday,' said Flaxman, looking out. 'He is an old friend of mine--a most intelligent fanatic--met him on a Madison House Fund committee last winter. He promised we should be looked after. But we shall only get back seats, and you'll have to put up with the smoking. They don't want ladies, and we shall only be there on sufferance.'
The carriage stopped. Mr. Flaxman guided his charges with some difficulty through the crowd about the steps, who inspected them and their vehicle with a frank and not over-friendly curiosity. At the door they found a man who had been sent to look for them, and were immediately taken possession of. He ushered them into the back of a large bare hall, glaringly lit, lined with white brick, and hung at intervals with political portraits and a few cheap engravings of famous men, Jesus of Nazareth taking his turn with Buddha, Socrates, Moses, Shakespeare, and Paul of Tarsus.
'Can't put you any forrarder, I'm afraid,' said their guide, with a shrug of the shoulders. 'The committee don't like strangers coming, and Mr. Collett, he got hauled over the coals for letting you in this evening.'
It, was a new position for Lady Charlotte to be anywhere on sufferance. However, in the presence of three hundred smoking men, who might all of them be political assassins in disguise for anything she knew, she accepted her fate with meekness; and she and Rose settled themselves into their back seat under a rough sort of gallery, glad of their veils, and nearly blinded with the smoke.
The hall was nearly full, and Mr. Flaxman looked curiously round upon its occupants. The majority of them were clearly artisans--a spare, stooping sharp-featured race. Here and there were a knot of stalwart dock-laborers, strongly marked out in physique from the watchmakers and the potters, or an occasional seaman out of work, ship-steward, boatswain, or what not, generally bronzed, quick-eyed, and comely, save where the film of excess had already deadened color and expression. Almost everyone had a pot of beer before him, standing on long wooden flaps attached to the benches. The room was full of noise, coming apparently from the further end, where some political bravo seemed to be provoking his neighbors. In their own vicinity the men scattered about were for the most part tugging silently at their pipes, alternately eyeing the clock and the new-comers.
There was a stir of feet round the door.
'There he is,' said Mr. Flaxman, craning round to see, and Robert entered.
He started as he saw them, flashed a smile to Rose, shook his head at Mr. Flaxman, and passed up the room.
'He looks pale and nervous,' said Lady Charlotte grimly, pouncing at once on the unpromising side of things. 'If he breaks down are you prepared, Hugh to play Elisha?'
Flaxman was far too much interested in the beginnings of the performance to answer.
Robert was standing forward on the platform, the chairman of the meeting at his side, members of the committee sitting behind on either hand. A good many men put down their pipes, and the hubbub of talk ceased. Others smoked on stolidly.
The chairman introduced the lecturer. The subject of the address would be, as they already knew, 'The Claim of Jesus upon Modern Life.' It was not very likely, he imagined, that Mr. Elsmere's opinions would square with those dominant in the club; but whether or no, he claimed for him, as for everybody, a patient hearing, and the Englishman's privilege of fair play.
The speaker, a cabinetmaker dressed in a decent brown suit, spoke with fluency, and at the same time with that accent of moderation and _savoir faire_ which some Englishmen in all classes have obviously inherited from centuries of government by discussion. Lady Charlotte, whose Liberalism was the mere varnish of an essentially aristocratic temper, was conscious of a certain dismay at the culture of the democracy as the man sat down. Mr. Flaxman, glancing to the right, saw a group of men standing, and among them a slight, sharp-featured thread-paper of a man, with a taller companion whom he identified as the pair he had noticed on the night of the story-telling. The little gas-fitter was clearly all nervous fidget and expectation; the other, large and gaunt in figure, with a square impassive face, and close-shut lips that had a perpetual mocking twist in the corners, stood beside him like some clumsy modern version, in a commoner
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