The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖
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“In the chorus of acclamation amidst which the Emperor entered the hall, it seemed as if one heard the voice of the France he had just appealed to. If the Fates are really weaving woe and shame in his woof, it is in hues which, to mortal eyes, seem brilliant with glory and joy.
“You will read the address of the President of the Corps Legislatif; I wonder how it will strike you! I own fairly that me it wholly carried away. At each sentiment I murmured to myself, ‘Is not this true? and, if true, are France and human nature ungrateful?’
“‘It is now,’ said the President, ‘eighteen years since France, wearied with confusion, and anxious for security, confiding in your genuis and the Napoleonic dynasty, placed in your hands, together with the Imperial Crown, the authority which the public necessity demanded.’ Then the address proceeded to enumerate the blessings that ensued—social order speedily restored—the welfare of all classes of society promoted—advances in commerce and manufactures to an extent hitherto unknown. Is not this true? and, if so, are you, noble daughter of France, ungrateful?
“Then came words which touched me deeply—me, who, knowing nothing of politics, still feel the link that unites Art to Freedom: ‘But from the first your Majesty has looked forward to the time when this concentration of power would no longer correspond to the aspirations of a tranquil and reassured country, and, foreseeing the progress of modern society, you proclaimed that ‘Liberty must be the crowning of the edifice.‘’ Passing then over the previous gradual advances in popular government, the President came to the ‘present self-abnegation, unprecedented in history,’ and to the vindication of that plebiscite which I have heard so assailed—viz., Fidelity to the great principle upon which the throne was founded, required that so important a modification of a power bestowed by the people should not be made without the participation of the people themselves. Then, enumerating the millions who had welcomed the new form of government—the President paused a second or two, as if with suppressed emotion—and every one present held his breath, till, in a deeper voice, through which there ran a quiver that thrilled through the hall, he concluded with—‘France is with you; France places the cause of liberty under the protection of your dynasty and the great bodies of the State.’ Is France with him? I know not; but if the malcontents of France had been in the hall at that moment, I believe they would have felt the power of that wonderful sympathy which compels all the hearts in great audiences to beat in accord, and would have answered, ‘It is true.’
“All eyes now fixed on the Emperor, and I noticed few eyes which were not moist with tears. You know that calm unrevealing face of his—a face which sometimes disappoints expectation. But there is that in it which I have seen in no other, but which I can imagine to have been common to the Romans of old, the dignity that arises from self-control—an expression which seems removed from the elation of joy, the depression of sorrow—not unbecoming to one who has known great vicissitudes of Fortune, and is prepared alike for her frowns or her smiles.
“I had looked at that face while M. Schneider was reading the address—it moved not a muscle, it might have been a face of marble. Even when at moments the words were drowned in applause and the Empress, striving at equal composure, still allowed us to see a movement of her eye lids, a tremble on her lips. The boy at his right, heir to his dynasty, had his looks fixed on the President, as if eagerly swallowing each word in the address, save once or twice, when he looked around the hall curiously, and with a smile as a mere child might look. He struck me as a mere child. Next to the Prince was one of those countenances which once seen are never to be forgotten—the true Napoleonic type, brooding, thoughtful, ominous, beautiful. But not with the serene energy that characterises the head of the first Napoleon when Emperor, and wholly without the restless eagerness for action which is stamped in the lean outline of Napoleon when First Consul: no—in Prince Napoleon there is a beauty to which, as woman, I could never give my heart—were I a man, the intellect that would not command my trust. But, nevertheless, in beauty, it is signal, and in that beauty the expression of intellect is predominant.
“Oh, dear Eulalie, how I am digressing! The Emperor spoke—and believe me, Eulalie, whatever the journals or your compatriots may insinuate, there is in that man no sign of declining intellect or failing health. I care not what may be his years, but that man is in mind and in health as young as Caesar when he crossed the Rubicon.
“The old cling to the past—they do not go forward to the future. There was no going back in that speech of the Emperor. There was something grand and something young in the modesty with which he put aside all references to that which his Empire had done in the past, and said with a simple earnestness of manner which I cannot adequately describe—
“‘We must more than ever look fearlessly forward to the future. Who can be opposed to the progressive march of a regime founded by a great people in the midst of political disturbance, and which now is fortified by liberty?’
“As he closed, the walls of that vast hall seemed to rock with an applause that must have been heard on the other side of the Seine.
“‘Vive l’Empereur!’” “‘Vive l’Imperatrice!’” “‘Vive le Prince Imperial!’”—and the last cry was yet more prolonged than the others, as if to affirm the dynasty.
“Certainly I can imagine no Court in the old days of chivalry more splendid than the audience in that grand hall of the Louvre. To the right of the throne all the ambassadors of the civilised world in the blaze of their rich costumes and manifold orders. In the gallery at the left, yet more behind, the dresses and jewels of the dames d’honneur and of the great officers of State. And when the Empress rose to depart, certainly my fancy cannot picture a more queenlike image, or one that seemed more in unison with the representation of royal pomp and power. The very dress, of colour which would have been fatal to the beauty of most women equally fair—a deep golden colour—(Valerie profanely called it buff)—seemed so to suit the splendour of the ceremony and the day; it seemed as if that stately form stood in the midst of a sunlight reflected from itself. Day seemed darkened when that sunlight passed away.
“I fear you will think I have suddenly grown servile to the gauds and shows of mere royalty. I ask myself if that be so—I think not. Surely it is a higher sense of greatness which has been impressed on me by the pageant of to-day I feel as if there were brought vividly before me the majesty of France, through the representation of the ruler she has crowned.
“I feel also as if there, in that hall, I found a refuge from all the warring contests in which no two seem to me in agreement as to the sort of government to be established in place of the present. The ‘Liberty’ clamoured for by one would cut the throat of the ‘Liberty’ worshipped by another.
“I see a thousand phantom forms of LIBERTY—but only one living symbol of ORDER—that which spoke from
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