Miss Ludington's Sister by Edward Bellamy (books successful people read .txt) 📖

tiptoe. This was a scene where a third person, one might almost say a second person, would be an interloper.

When, a long time after, he returned, Miss Ludington was sitting in the chair where Ida had been sitting, smiling and crying, and the girl, with eyes that shone like stars, was bending over her, and kissing the tears away.

The night was now almost spent, and the early dawn of midsummer, peering through the windows, and already dimming the lights, warned them that the day would soon be at hand.

"You shall have your own bedroom," said Miss Ludington. The face of the old lady was flushed, and her high-pitched and tremulous voice betrayed an exhilaration like that of intoxication. "You will excuse me for having cluttered it up with my things; to-morrow I will take them away. You see I had not dared hope you would come back to me. I had expected to go to you."

"I and you--you and I." The girl repeated the words after her, slowly, as if trying to grasp their full meaning as she uttered them. Then a sudden terror leaped into her eyes, and she cried shudderingly: "Oh, how strange it is!"

"You do not doubt it? You do not doubt it still?" exclaimed Miss Ludington, in anguished tones.

"No, no!" said the girl, recovering herself with an evident effort. "I cannot doubt it. I do not," and she threw her aims about Miss Ludington's neck in an embrace in which, nevertheless, a subtle shrinking still mingled with the impulse of tenderness which had overcome it.

When presently Miss Ludington and Ida went upstairs together, the latter, with eager, unhesitating step, led the way through a complexity of roundabout passages, and past many other doors, to that of the chamber which had been the common possession of the girl and the woman. Miss Ludington followed her, wondering, yet not wondering.

"It seems so strange to see you so familiar with this house," she said, with a little hysterical laugh, "and yet, of course, I know it is not strange."

"No," replied the girl, looking at her with a certain astonishment, "I should think not. It would be strange, indeed, if I were not familiar here. The only strange thing is to feel that I am not at home here, that I am a guest in this house."

"You are not a guest," exclaimed Miss Ludington, hurriedly, for she saw the dazed look coming again into the girl's eyes. "You shall be mistress here. Paul and I ask nothing better than to be your servants."

To pass from the waking to the dreaming state is in general to exchange a prosaic and matter-of-fact world for one of fantastic improbabilities; but it is safe to assume that the three persons who fell asleep beneath Miss Ludington's roof that morning, just as the birds began to twitter, encountered in dreamland no experiences so strange as those which they had passed through with their eyes open the previous evening.


CHAPTER IX.


The day following, Paul was downstairs before either Ida or Miss Ludington. He was sitting on the piazza, which was connected with the sitting-room by low windows opening like doors, when he heard a scream, and Ellen, the housemaid, who had been busy in the sitting-room, ran out upon the piazza with a face like a sheet.

"What's the matter?" he demanded.

"Sure I saw a ghost!" gasped Ellen. "I was on a chair dusting the picture, as I always does mornings, an' I looked up, an' there in the door stood the very same girl that's in the picture, kind of smiling like. And so I give a yell an' run."

As she spoke Ida stepped out upon the piazza, and precipitately sheltering herself behind Paul, Ellen whispered, "Sure there she is now!"

On seeing that, instead of sharing her terror, he cordially greeted the ghost, the girl's face showed such comical bewilderment that Ida smiled and Paul laughed outright.

"This is no ghost, Ellen. This lady is Miss Ida Ludington, a relative of Miss Ludington's, who came to live here last night."

"I hope ye'll not mind me takin' ye for a ghost, miss," said Ellen, confusedly; "but sure ye are the livin' image of the picture, and me not knowin' anybody was in the house more than the family;" and she disappeared to tell her story in the kitchen.

Ida's appearance was noticeably calmer than the night before. There was, indeed, no indication of excitement in her manner. Paul inquired how she had slept.

"I should think you might have had strange dreams," he said.

"I did not dream at all. I slept soundly," she replied. "But this morning when I woke up and recognized the familiar features of the room I have always slept in--the same books, the same pictures, the furniture just as ever--I had to sit down a long time to collect my thoughts and remember what had happened. I could remember it well enough, but to realize it was very hard. And then, when I went to the window and looked out and saw the meeting-house and the school-house and the neighbours' houses, just where I have seen them from that window all my life since I was a baby, I had to sit down and think it all over, again before I could believe that I was not in Hilton, and last night all a dream."

She spoke in a low, even tone, which was so evidently the result of an effort at self-control, that it impressed Paul more than any display of mental perturbation would have done.

At this moment Miss Ludington appeared on the piazza with a white, excited face, which, however, as soon as she saw Ida, became all smiles.

She had scarcely slept at all. The thought had kept her awake that Ida might vanish as mysteriously as she had come, and be gone at morning. From sheer weariness, however, she had at last fallen into a doze. On awaking she had gone to call Ida, and finding her chamber empty, had hurried downstairs full of apprehension.

Immediately after breakfast, Miss Ludington, to whom Ellen's mistake, if mistake it could be called, had been related, took Ida upstairs, and made her exchange her white dress of the fashion of half a century before for one of her own, in order that her appearance might excite less remark among the servants pending the obtaining of a suitable wardrobe from the city.

There was another consideration which made the change of costume not only desirable, but necessary.

Ida's dress, which had not seemed the night before, to casual examination, to differ from other cloth, had begun to crumble away in a very curious manner. The texture seemed strangely brittle and strengthless. It fell apart at a touch, and was reduced to a fine powder under the pressure of the fingers. She could not possibly have worn it even one day.

The dress of Miss Ludington's, for which she exchanged it, had been made for that lady when considerably stouter than at present, but was with difficulty enlarged sufficiently for the full figure of the girl. Like all but the latest of Miss Ludington's dresses, it was of deepest black, and, strikingly beautiful as Ida had been in white, the funereal hue set off the delicacy of her complexion, the pure expression of her face, and the golden lustre of her hair, like fresh revelations.

Paul was left pretty much to himself during the day. A large part of it was spent by the ladies in an upstairs chamber, which Miss Ludington had devoted to a collection of mementoes of the successive periods of her life from infancy.

"Come," she had said to Ida, "I want to introduce you to the rest of the family. I want to make you acquainted with the other Miss Ludingtons who have borne the name between your time and mine."

Having been an only child, Miss Ludington's garments, toys, school-books, and other belongings had not been handed down to younger brothers and sisters, and eventually to destruction. It had been an easy matter to preserve them, and, consequently, the collection was large and curious, including samples of the wardrobe appertaining to every epoch, from the swaddling-clothes of the infant to a black gown of the last year.

After the period of youth, however, which Ida represented, the number and interest of the mementoes rapidly decreased, and for many years had consisted of nothing more than a few dresses and a collection of photographs, one or two for each year, arranged in order. They numbered not less than fifty in all and covered thirty-seven years, from a daguerreotype of Miss Ludington at the age of twenty-five to a photograph taken the last month. Between these two pictures there was not enough resemblance to suggest to a casual observer that they were pictures of the same individual.

To trace the gradual process of change from year to year during the intervening period, was an employment which never lost its pensive fascination for Miss Ludington. For each of these faces, with their so various expressions, represented a person possessing a peculiar identity and certain incommunicable qualities--a person a little different from any one of those who came before or after her, and from any other person who ever lived on earth.

As now the grey head and the golden head bent together over one picture after another, Miss Ludington related all she could remember of the history and personal peculiarities of the original.

"There is, really, not much to say about them," she said. "They lived very quiet, uneventful lives, and to anybody but us would, doubtless, seem entirely uninteresting persons. All wore black dresses, and had sad faces, and all found in their thoughts of you the source at once of their only consolation and their keenest sorrow. For they fully believed--think of it!--fully and unquestionably believed that you were dead; more hopelessly dead than if you were in your grave, dead, with no possibility of resurrection."

"This is the one," she said, presently, as she took up the picture of a woman of thirty-five, "who had the fortune left to her, which has come down to me. I want you to like her. Next to you I think more of her than I do of any of the rest. It was she who cut loose from the old life at Hilton which had become so sour and sad, and built this new Hilton here, where life has been so much calmer, and, on the whole, happier, than it had got to be at home. It was she who had the portrait of you painted which is downstairs."

Ida took up a picture of the Miss Ludington of twenty-six or seven.

"Tell me something about her," she said. "What kind of a person was she?"

The elder woman's manner, when she saw what picture it was that Ida had taken up, betrayed a marked embarrassment, and first she made no reply.

Noticing her confusion and hesitation, Ida said, softly, "Don't tell me if it is anything you don't like to speak of. I do not care to know it."

"I will tell you," replied Miss Ludington, with determination. "You have as good a right to know as I have. She cannot blame me for telling you. She knows your secrets as I do, and you have a right to know hers. She had a little escapade. You must not be too hard on her. It was the outcome of the desperate dulness and life-weariness that came over her with the knowledge that youth and its joys were