Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Pagan Passions by Randall Garrett and Laurence M. Janifer (ebook e reader TXT) 📖
Book online «Pagan Passions by Randall Garrett and Laurence M. Janifer (ebook e reader TXT) 📖». Author Randall Garrett and Laurence M. Janifer
First came a corps of Priests and Myrmidons, leading their way stolidly through the paths of Central Park. Following them came the revelers, a mass of men and women marching, laughing, singing, shouting, dancing their way along to the accompaniment of more music than Forrester had ever dreamed of.
The Dionysians had practiced for months, and almost everything was represented. There were violinists prancing along, violists and a crew of long-haired gentlemen and ladies playing the viol da gamba and the viol d'amore; there were guitarists plunking madly away, banjo players strumming and ukelele addicts picking at their strings, somehow all chorusing together. In a special pair of floats there were bass players, bass fiddle players and cellists, jammed tightly together and somehow managing to draw enormous sounds and scratches[92] out of the big instruments. And behind them came the main band of musicians.
The woodwinds followed: piccolo players piping, flutists fluting, oboe players, red-cheeked and glassy-eyed, concentrating on making the most piercing possible sounds, men playing English horns, clarinets, bass clarinets, bassoons and contra-bassoons, along with men playing serpents and, behind them, a dancing group fingering ocarinas and adding their bit to the general tumult, and two women tootling madly away on hoarse-sounding zootibars.
And then, near the center of the musicians, were the brass: trumpets and trumpets-a-piston, trombones and valve trombones and Fulk horns, all blatting away to split the sky with maddening sound, Sousaphones and saxophones and French horns and bass horns and hunting horns, and tubas along in their own little cart, six round-cheeked men lost in the curves of the great instruments, valiantly blowing away as they rolled by into the woods of the park, making the city itself resound with tremendous noise and shattering cadence. And behind them was the battery.
Kettle drums, bass drums, xylophones, Chinese gongs, vibraphones, snare drums and high-hat cymbals paraded by in carts, banged and stroked and tinkled enthusiastically by crew after crew of maddened tympanists. And then came the others, on foot: tambourines and wood blocks and parade cymbals and castanets. At the tail of this portion of the Procession came a single old man wearing spectacles and riding in a small cart drawn by a donkey. He had white hair and he was playing on a series of water-glasses filled to various levels. His ear was cocked toward the glasses with painstaking care. He was entirely inaudible in the general din, but he looked happy and satisfied; he was doing his bit.
After him followed a group of entirely naked men and women playing sackbuts, and another group playing[93] recorders. Bringing up the rear, as the Procession curved, was a magnificent aggregation of men and women yowling away on bagpipes of all shapes and sizes. All of the men wore sporrans and nothing more; the women wore nothing at all. The music that emanated from this group was enough to unhinge the mind.
And then came the keyboard instruments, into the middle of which the five theremin-players had been stuck for no reason at all. The strange howls of this unearthly instrument filtered through the sound of pianos, harpsichords, psalters, clavichords, virginals and three gigantic electric organs pumping at full strength.
And bringing up the very rear of the Procession was a special decorated cart, full of color and holding a lone man with long white hair, wearing a rusty black suit and playing away, with great attention and care, on the largest steam calliope Forrester had ever met. Jets of steam fizzed out of the top, and music bawled from the interior of the massive thing as it went by, trailing the Procession into the woods, and the entire aggregation swung into a single song, hundred upon hundreds of musicians and singers all coming down hard on the opening strains of the Hymn to Dionysus:
He has trampled out the vintage of the grapes upon the vine!"
The twelve Priests picked up the palanquin and Forrester adjusted his weight so they wouldn't find it too heavy. It was impossible to think in the mass of noise and music that went on and on, as the Procession wound uptown through the paths of Central Park, and the musicians banged and scraped and blew and pounded and stroked and plucked, and the great Hymn rose into the air, filling the entire city with the bawled chorus as even[94] the twelve Priests joined in, adding to the ear-splitting din:
Glory, Glory, Dionysus!
Glory, Glory, Dionysus!
While his wine goes flowing on!"
Forrester had always been disturbed by what he thought might have been a double meaning in that last line, but it didn't disturb him now. Nothing seemed to disturb him as the Procession wound on, and he was laughing uproariously and winking and nodding at his worshippers as they sang and played all around him, and the hours went by. Halfway there, he fished in the air and brought down the small golden disks with the picture of Dionysus on them that were a regular feature of the Processional, and flung them happily into the crowd ahead.
Only one was allowed per person, so there was not much scrambling, but some of the coins pattered down on the various instruments, and one landed in the old gentleman's middle-C water glass and had to be fished out before he could go on with the Hymn.
Carousing and noisy, the Procession finally reached the huge stand at the far end of the park, and the music stopped. On the stand was a whole new group of musicians: harpists, lyrists, players of the flageolet and dulcimer, two men sweating over glockenspiels, a group equipped with zithers and citharas and sitars, three women playing nose-flutes, two men with shofars, and a tall, blond man playing a clarino trumpet. As the Procession ground to a halt, this new band struck up the Hymn again, played it through twice, and then stopped.
Seven girls filed out onto the platform in front of the musicians. One was there representing every year since the last Sabbatical Bacchanal. Forrester, riding high on[95] the palanquin, beamed down at them, roaring with happy laughter. They were all for him. Having been carried to one end of the park in triumph, he was now to march back at the head of his people, surrounded by seven of the most beautiful girls in New York.
Their final selection had been left, he knew, to a brewery which had experience in these matters. And the girls certainly looked like the pick of anybody's crop. Forrester beamed at them again, stood up in the palanquin and spread his arms wide.
Then he sprang. In a flying leap, he went high into the air and did a full somersault, landing on his toes on the stage, twenty-five feet away. The girls were kneeling in a circle around him.
"Come, my doves!" he bellowed. "Come, my pigeons!" His Godlike golden baritone carried for blocks.
He grabbed the two nearest girls by their hands and helped them to their feet. They blushed and lowered their eyes.
"Come, all of you!" Forrester shouted. "We are about to begin the revels!"
The girls rose and Forrester gestured them in closer. Then, surrounded by all seven, he threw back his head again.
"A revel to make history!" he roared. "A revel beyond the imagination of man! A revel fit for your God!"
The crowd cheered wildly. Forrester picked up one of the girls, tossed her into the air and caught her easily as she descended. He set her on her feet and put his hands solidly on his hips.
"My cup!" he shouted. "Fill you my cup!"
Behind the stage was a corps of Priests guarding a mountainous golden hogshead of wine, adjudged the finest wine produced during the year.
"We shall have drink!" Forrester shouted. "We shall let the revels roar on!"
Two priests came forward, staggering under the[96] weight of a gigantic crystal goblet containing fully two gallons of the clear purple liquid. They bore it to Forrester with great pomp, and before them came a dozen players on the gahoon and the contra-gahoon, making Forrester's ears ring with deafening fanfares.
Forrester took the great goblet in one hand and held it with ease. Then he lifted it into the air with a wordless shout, filled his lungs and laughed. He put the goblet to his lips and drained it in a single long motion. A mighty hurrah shook the trees and rocks of the park.
Forrester waved the goblet. "Again. Fill you my cup once more!" He embraced the seven girls with one sweeping gesture of his arms. "My little beauties must have drink! Fill you the cup!"
He passed it back to the Priests carefully. They received it and went back to where the others were waiting to fill it. Then they staggered forward again and Forrester picked up the brimming goblet. He held it for the girls, each of whom tried to outdrink the others. But it was still more than half-full when they were finished.
Forrester raised it again. The crowd shouted. "Observe your God!" Forrester roared. "Observe his powers!" He threw his head back and emptied the goblet. Then, holding it in one hand, he faced the assemblage and delivered himself of one Godlike belch.
The crowd shrieked its approval. Forrester had the goblet filled once more and put three of the girls in charge of it. Then he came down the steps from the platform and began the long march back to the Temple-on-the-Green.
The shouting, carousing revelers followed him joyfully. Halfway back, one of them stumbled forward and caught at the trailing edge of his robe. There was an immediate crackle and burst of static electricity, and the stumbler fell back yelping and shaking his arms. The Myrmidons came and took him away.
Dionysus couldn't be touched by anyone except those[97] authorized to do so—the seven girls and the Priests. But Forrester barely noticed the accident; he was too happy on top of his world, laughing and hugging the girls close to him.
Behind him, the Priests at the golden hogshead, now set free to taste the wine themselves, had lost no time. They were dipping in busily with their own goblets—a good deal smaller than the two-gallon crystal one for Dionysus himself. There was not even any need for libations; enough ran over the brimming edges of the goblets to take care of that detail, and the Priests were soon well on the way to becoming sozzled.
The musicians, now joined by the corps which had waited on the uptown stage, struck up a new tune, and drowned out even the shouting crowds as they cheered their God. After a little while, the crowds began to sing along with the magnificent noise:
Around the goblet—around the goblet—
Dionysus wrapped his hand around the goblet,
And we'll all get—stinking drunk!"
It was by no means an official hymn, but Forrester didn't mind; it was sung with such a great deal of honest enthusiasm. He himself did not join in the singing; he was otherwise occupied. With his arms around two of the girls, drinking now and then from the great goblet three more were holding, and winking and laughing at the extra two, he made his joyous way down the petal-strewn paths of Central Park.
The Procession wound down through the paths, over bridges and under tunnels, singing and playing and marching and dancing madly, while Forrester, at its head, caroused as merrily as any four of them. They reached a bridge crossing a little stream and Forrester sprang at it with a great somersaulting leap that carried[98] the two girls he was holding right along with him. He set them down at the slope of the bridge, laughing and giggling and the other girls, with the Procession behind them, soon caught up. Forrester let go of one of the girls, grabbed the goblet with his free hand and swung it in a magnificent gesture.
"Forward!" he cried.
The Procession surged over the bridge, Forrester at its head. He grabbed the girl again, handing the goblet back to his corps of three carriers, and bowed and grinned at his worshippers behind him, surging forward, and at some others standing under the bridge, ankle-deep, shin-deep, even knee-deep in the rushing water, craning their necks upward to get a really good view of their God as he passed over. There were over a hundred of them there.
Forrester didn't see a hundred of them.
He saw one of them first, and then two more. And time seemed to stop with a grinding halt. Forrester wanted to run and hide. He clutched the girls closer to him with one instinctive gesture, and then realized he'd made the wrong move. But it was too late. He was lost, he told himself dolefully. The sun had gone out, the wine had lost its power and the celebration had degenerated to a succession
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