Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Rienzi, the Last of the Roman Tribunes by Baron Edward Bulwer Lytton Lytton (distant reading .txt) 📖
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The young cavalier, left alone in that spot, followed with his eyes the receding form of the mercenary, as the sun, now setting, shone slant upon his glittering casque, and said bitterly to himself—“Unfortunate city, fountain of all mighty memories—fallen queen of a thousand nations—how art thou decrowned and spoiled by thy recreant and apostate children! Thy nobles divided against themselves—thy people cursing thy nobles—thy priests, who should sow peace, planting discord—the father of thy church deserting thy stately walls, his home a refuge, his mitre a fief, his court a Gallic village—and we! we, of the haughtiest blood of Rome—we, the sons of Caesars, and of the lineage of demigods, guarding an insolent and abhorred state by the swords of hirelings, who mock our cowardice while they receive our pay—who keep our citizens slaves, and lord it over their very masters in return! Oh, that we, the hereditary chiefs of Rome, could but feel—oh, that we could but find, our only legitimate safeguard in the grateful hearts of our countrymen!”
So deeply did the young Adrian feel the galling truth of all he uttered, that the indignant tears rolled down his cheeks as he spoke. He felt no shame as he dashed them away; for that weakness which weeps for a fallen race, is the tenderness not of women but of angels.
As he turned slowly to quit the spot, his steps were suddenly arrested by a loud shout: “Rienzi! Rienzi!” smote the air. From the walls of the Capitol to the bed of the glittering Tiber, that name echoed far and wide; and, as the shout died away, it was swallowed up in a silence so profound, so universal, so breathless, that you might have imagined that death itself had fallen over the city. And now, at the extreme end of the crowd, and elevated above their level, on vast fragments of stone which had been dragged from the ruins of Rome in one of the late frequent tumults between contending factions, to serve as a barricade for citizens against citizens,—on these silent memorials of the past grandeur, the present misery, of Rome, stood that extraordinary man, who, above all his race, was the most penetrated with the glories of the one time, with the degradation of the other.
From the distance at which he stood from the scene, Adrian could only distinguish the dark outline of Rienzi’s form; he could only hear the faint sound of his mighty voice; he could only perceive, in the subdued yet waving sea of human beings that spread around, their heads bared in the last rays of the sun, the unutterable effect which an eloquence, described by contemporaries almost as miraculous,—but in reality less so from the genius of the man than the sympathy of the audience,—created in all, who drank into their hearts and souls the stream of its burning thoughts.
It was but for a short time that that form was visible to the earnest eye, that that voice at intervals reached the straining ear, of Adrian di Castello; but that time sufficed to produce all the effect which Adrian himself had desired.
Another shout, more earnest, more prolonged than the first—a shout, in which spoke the release of swelling thoughts, of intense excitement—betokened the close of the harangue; and then you might see, after a minute’s pause, the crowd breaking in all directions, and pouring down the avenues in various knots and groups, each testifying the strong and lasting impression made upon the multitude by that address. Every cheek was flushed—every tongue spoke: the animation of the orator had passed, like a living spirit, into the breasts of the audience. He had thundered against the disorders of the patricians, yet, by a word, he had disarmed the anger of the plebeians—he had preached freedom, yet he had opposed licence. He had calmed the present, by a promise of the future. He had chid their quarrels, yet had supported their cause. He had mastered the revenge of today, by a solemn assurance that there should come justice for the morrow. So great may be the power, so mighty the eloquence, so formidable the genius, of one man,—without arms, without rank, without sword or ermine, who addresses himself to a people that is oppressed!
Chapter 1.IV. An Adventure.
Avoiding the broken streams of the dispersed crowd, Adrian Colonna strode rapidly down one of the narrow streets leading to his palace, which was situated at no inconsiderable distance from the place in which the late contest had occurred. The education of his life made him feel a profound interest, not only in the divisions and disputes of his country, but also in the scene he had just witnessed, and the authority exercised by Rienzi.
An orphan of a younger, but opulent branch of the Colonna, Adrian had been brought up under the care and guardianship of his kinsman, that astute, yet valiant Stephen Colonna, who, of all the nobles of Rome, was the most powerful, alike from the favour of the pope, and the number of armed hirelings whom his wealth enabled him to maintain. Adrian had early manifested what in that age was considered an extraordinary disposition towards intellectual pursuits, and had acquired much of the little that was then known of the ancient language and the ancient history of his country.
Though Adrian was but a boy at the time in which, first presented to the reader, he witnessed the emotions of Rienzi at the death of his brother, his kind heart had been penetrated with sympathy for Cola’s affliction, and shame for the apathy of his kinsmen at the result of their own feuds. He had earnestly sought the friendship of Rienzi, and, despite his years, had become aware of the power and energy of his character. But though Rienzi, after a short time, had appeared to think no more of his brother’s death—though he again entered the halls of the Colonna, and shared their disdainful hospitalities, he maintained a certain distance and reserve of manner, which even Adrian could only partially overcome. He rejected every offer of service, favour, or promotion; and any unwonted proof of kindness from Adrian seemed, instead of making him more familiar, to offend him into colder distance. The easy humour and conversational vivacity which had first rendered him a welcome guest with those who passed their lives between fighting and feasting, had changed into a vein ironical, cynical, and severe. But the dull barons were equally amused at his wit, and Adrian was almost the only one who detected the serpent couched beneath the smile.
Often Rienzi sat at the feast, silent, but observant, as if watching every look, weighing every word, taking gauge and measurement of the intellect, policy, temperament, of every guest; and when he had seemed to satisfy himself, his spirits would rise, his words flow, and while his dazzling but bitter wit lit up the revel, none saw that the unmirthful flash was the token of the coming storm. But all the while, he neglected no occasion to mix with the humbler citizens, to stir up their minds, to inflame their imaginations, to kindle their emulation, with pictures of the present and with legends of the past. He grew in popularity and repute, and was yet more in power with the herd, because in favour with the nobles. Perhaps it was for that reason that he had continued the guest of the Colonna.
When, six years before the present date, the Capitol of the Caesars witnessed the triumph of Petrarch, the scholastic fame of the young Rienzi had attracted the friendship of the poet,—a friendship that
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