St. Ronan's Well by Walter Scott (top books to read .TXT) 📖

expressions, a deeper and esoteric meaning, expressive of something mysterious, and not meant to meet the eye. Mr. Meiklewham, the writer, dwelt on the word circumstances, which he read with peculiar emphasis.

“Ah, poor lad!” he concluded, “I doubt he sits cheaper at Meg Dorts's chimney-corner than he could do with the present company.”

Doctor Quackleben, in the manner of a clergyman selecting a word from his text, as that which is to be particularly insisted upon, repeated in an under tone, the words, “State of health?—umph—state of health?—Nothing acute—no one has been sent for—must be chronic—tending to gout, pe[Pg 75]rhaps.—Or his shyness to society—light wild eye—irregular step—starting when met suddenly by a stranger, and turning abruptly and angrily away—Pray, Mr. Winterblossom, let me have an order to look over the file of newspapers—it's very troublesome that restriction about consulting them.”

“You know it is a necessary one, Doctor,” said the president; “because so few of the good company read any thing else, that the old newspapers would have been worn to pieces long since.”

“Well, well, let me have the order,” said the Doctor; “I remember something of a gentleman run away from his friends—I must look at the description.—I believe I have a strait-jacket somewhere about the Dispensary.”

While this suggestion appalled the male part of the company, who did not much relish the approaching dinner in company with a gentleman whose situation seemed so precarious, some of the younger Misses whispered to each other—“Ah, poor fellow!—and if it be as the Doctor supposes, my lady, who knows what the cause of his illness may have been?—His spirits he complains of—ah, poor man!”

And thus, by the ingenious commentaries of the company at the Well, on as plain a note as ever covered the eighth part of a sheet of foolscap, the writer was deprived of his property, his reason, and his heart, “all or either, or one or other of them,” as is briefly and distinctly expressed in the law phrase.

In short, so much was said pro and con, so many ideas started and theories maintained, concerning the disposition and character of the Misanthrope, that[Pg 76], when the company assembled at the usual time, before proceeding to dinner, they doubted, as it seemed, whether the expected addition to their society was to enter the room on his hands or his feet; and when “Mr. Tyrrel” was announced by Toby, at the top of his voice, the gentleman who entered the room had so very little to distinguish him from others, that there was a momentary disappointment. The ladies, in particular, began to doubt whether the compound of talent, misanthropy, madness, and mental sensibility, which they had pictured to themselves, actually was the same with the genteel, and even fashionable-looking man whom they saw before them; who, though in a morning-dress, which the distance of his residence, and the freedom of the place, made excusable, had, even in the minute points of his exterior, none of the negligence, or wildness, which might be supposed to attach to the vestments of a misanthropic recluse, whether sane or insane. As he paid his compliments round the circle, the scales seemed to fall from the eyes of those he spoke to; and they saw with surprise, that the exaggerations had existed entirely in their own preconceptions, and that whatever the fortunes, or rank in life, of Mr. Tyrrel might be, his manners, without being showy, were gentlemanlike and pleasing. He returned his thanks to Mr. Winterblossom in a manner which made that gentleman recall his best breeding to answer the stranger's address in kind. He then escaped from the awkwardness of remaining the sole object of attention, by gliding gradually among the company,—not like an owl, which seeks to hide itself in a thicket, or an awkward and retired man, shrinking from the society into which he is compelled, bu[Pg 77]t with the air of one who could maintain with ease his part in a higher circle. His address to Lady Penelope was adapted to the romantic tone of Mr. Chatterly's epistle, to which it was necessary to allude. He was afraid, he said, he must complain to Juno of the neglect of Iris, for her irregularity in delivery of a certain ethereal command, which he had not dared to answer otherwise than by mute obedience—unless, indeed, as the import of the letter seemed to infer, the invitation was designed for some more gifted individual than he to whom chance had assigned it.

Lady Penelope by her lips, and many of the young ladies with their eyes, assured him there was no mistake in the matter; that he was really the gifted person whom the nymphs had summoned to their presence, and that they were well acquainted with his talents as a poet and a painter. Tyrrel disclaimed, with earnestness and gravity, the charge of poetry, and professed, that, far from attempting the art itself, he “read with reluctance all but the productions of the very first-rate poets, and some of these—he was almost afraid to say—he should have liked better in humble prose.”

“You have now only to disown your skill as an artist,” said Lady Penelope, “and we must consider Mr. Tyrrel as the falsest and most deceitful of his sex, who has a mind to deprive us of the opportunity of benefiting by the productions of his unparalleled endowments. I assure you I shall put my young friends on their guard. Such dissimulation cannot be without its object.”

“And I,” said Mr. Winterblossom, “can produce a piece of real evidence against the culprit.”

So saying, he unrolled the sketch which he had filched from T[Pg 78]rotting Nelly, and which he had pared and pasted, (arts in which he was eminent,) so as to take out its creases, repair its breaches, and vamp it as well as my old friend Mrs. Weir could have repaired the damages of time on a folio Shakspeare.

“The vara corpus delicti,” said the writer, grinning and rubbing his hands.

“If you are so good as to call such scratches drawings,” said Tyrrel, “I must stand so far confessed. I used to do them for my own amusement; but since my landlady, Mrs. Dods, has of late discovered that I gain my livelihood by them, why should I disown it?”

This avowal, made without the least appearance either of shame or retenue, seemed to have a striking effect on the whole society. The president's trembling hand stole the sketch back to the portfolio, afraid doubtless it might be claimed in form, or else compensation expected by the artist. Lady Penelope was disconcerted, like an awkward horse when it changes the leading foot in galloping. She had to recede from the respectful and easy footing on which he had contrived to place himself, to one which might express patronage on her own part, and dependence on Tyrrel's; and this could not be done in a moment.

The Man of Law murmured, “Circumstances—circumstances—I thought so!”

Sir Bingo whispered to his friend the Squire, “Run out—blown up—off the course—pity—d——d pretty fellow he has been!”

“A raff from the beginning!” whispered Mowbray.—“I never thought him any thing else.”

“I'll hold ye a poney of that, my dear, and I'll ask him.”

[Pg 79]

“Done, for a poney, provided you ask him in ten minutes,” said the Squire; “but you dare not, Bingie—he has a d——d cross game look, with all that civil chaff of his.”

“Done,” said Sir Bingo, but in a less confident tone than before, and with a determination to proceed with some caution in the matter.—“I have got a rouleau above, and Winterblossom shall hold stakes.”

“I have no rouleau,” said the Squire; “but I'll fly a cheque on Meiklewham.”

“See it be better than your last,” said Sir Bingo, “for I won't be skylarked again. Jack, my boy, you are had.”

“Not till the bet's won; and I shall see yon walking dandy break your head, Bingie, before that,” answered Mowbray. “Best speak to the Captain before hand—it is a hellish scrape you are running into—I'll let you off yet, Bingie, for a guinea forfeit.—See, I am just going to start the tattler.”

“Start, and be d——d!” said Sir Bingo. “You are gotten, I assure you o' that, Jack.” And with a bow and a shuffle, he went up and introduced himself to the stranger as Sir Bingo Binks.

“Had—honour—write—sir,” were the only sounds which his throat, or rather his cravat, seemed to send forth.

“Confound the booby!” thought Mowbray; “he will get out of leading strings, if he goes on at this rate; and doubly confounded be this cursed tramper, who, the Lord knows why, has come hither from the Lord knows where, to drive the pigs through my game.”

In the[Pg 80] meantime, while his friend stood with his stop-watch in his hand, with a visage lengthened under the influence of these reflections, Sir Bingo, with an instinctive tact, which self-preservation seemed to dictate to a brain neither the most delicate nor subtle in the world, premised his enquiry by some general remark on fishing and field-sports. With all these, he found Tyrrel more than passably acquainted. Of fishing and shooting, particularly, he spoke with something like enthusiasm; so that Sir Bingo began to hold him in considerable respect, and to assure himself that he could not be, or at least could not originally have been bred, the itinerant artist which he now gave himself out—and this, with the fast lapse of the time, induced him thus to address Tyrrel.—“I say, Mr. Tyrrel—why, you have been one of us—I say”——

“If you mean a sportsman, Sir Bingo—I have been, and am a pretty keen one still,” replied Tyrrel.

“Why, then, you did not always do them sort of things?”

“What sort of things do you mean, Sir Bingo?” said Tyrrel. “I have not the pleasure of understanding you.”

“Why, I mean them sketches,” said Sir Bingo. “I'll give you a handsome order for them, if you will tell me. I will, on my honour.”

“Does it concern you particularly, Sir Bingo, to know any thing of my affairs?” said Tyrrel.

“No—certainly—not immediately,” answered Sir Bingo, with some hesitation, for he liked not the dry tone in which Tyrrel's answers were returned, half so well as a bumper of dry sherry; “only I said you were a d——d gnostic fellow, and I laid a bet you have not been always professional—that's all.”[Pg 81]

Mr. Tyrrel replied, “A bet with Mr. Mowbray, I suppose?”

“Yes, with Jack,” replied the Baronet—“you have hit it—I hope I have done him?”

Tyrrel bent his brows, and looked first at Mr. Mowbray, then at the Baronet, and, after a moment's thought, addressed the latter.—“Sir Bingo Binks, you are a gentleman of elegant enquiry and acute judgment.—You are perfectly right—I was not bred to the profession of an artist, nor did I practise it formerly, whatever I may do now; and so that question is answered.”

“And Jack is diddled,” said the Baronet, smiting his thigh in triumph, and turning towards the Squire and the stake-holder, with a smile of exultation.

“Stop a single moment, Sir Bingo,” said Tyrrel; “take one word with you. I have a great respect for bets,—it is part of an Englishman's character to bet on what he thinks fit, and to prosecute his enquiries over hedge and ditch, as if he were steeple-hunting. But as I have satisfied you on the subject of two bets, that is sufficient compliance with the custom of the country; and therefore I request, Sir Bingo, you will not make me or my affairs the subject of any more wagers.”

“I'll be d——d if I do,” was the internal resolution of Sir Bingo. Aloud he muttered some apologies, and w[Pg 82]as heartily glad that the dinner-bell, sounding at the moment, afforded him an apology for shuffling off in a different direction.

CHAPTER VI. TABLE-TALK.