Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Rivers of Ice by R. M. Ballantyne (best fiction novels to read TXT) 📖
- Author: R. M. Ballantyne
Book online «Rivers of Ice by R. M. Ballantyne (best fiction novels to read TXT) 📖». Author R. M. Ballantyne
“Flows, ma’am?” exclaimed Susan, in surprise.
“Yes, so it is said,” replied Mrs Stoutley, with a smile.
“But we can see, ma’am, by lookin’ at it, that it don’t flow; can’t we, ma’am?” said Susan.
“True, Susan, it does not seem to move; nevertheless scientific men tell us that it does, and sometimes we are bound to believe against the evidence of our senses.”
Susan looked steadily at the glacier for some time; and then, although she modestly held her tongue, scientific men fell considerably in her esteem.
While the ladies were thus discussing the glacier and enlightening their maid, Lewis, Lawrence, and the Captain, taking advantage of the improved state of the weather, had gone out for a stroll, partly with a view, as Lewis said, to freshen up their appetites for dinner—although, to say truth, the appetites of all three were of such a nature as to require no freshening up. They walked smartly along the road which leads up the valley, pausing, ever and anon, to look back in admiration at the wonderful glimpses of scenery disclosed by the lifting mists. Gradually these cleared away altogether, and the mountain summits stood out well defined against the clear sky. And then, for the first time, came a feeling of disappointment.
“Why, Lawrence,” said Lewis, “didn’t they tell us that we could see the top of Mont Blanc from Chamouni?”
“They certainly did,” replied Lawrence, “but I can’t see it.”
“There are two or three splendid-looking peaks,” said Lewis, pointing up the valley, “but surely that’s not the direction of the top we look for.”
“No, my lad, it ain’t the right point o’ the compass by a long way,” said the Captain; “but yonder goes a strange sail a-head, let’s overhaul her.”
“Heave a-head then, Captain,” said Lewis, “and clap on stun’s’ls and sky-scrapers, for the strange sail is making for that cottage on the hill, and will get into port before we overhaul her if we don’t look sharp.”
The “strange sail” was a woman. She soon turned into the cottage referred to, but our travellers followed her up, arranging, as they drew near, that Lawrence, being the best French scholar of the three (the Captain knowing nothing whatever of the language), should address her.
She turned out to be a very comely young woman, the wife, as she explained, of one of the Chamouni guides, named Antoine Grennon. Her daughter, a pretty blue-eyed girl of six or so, was busy arranging a casket of flowers, and the grandmother of the family was engaged in that mysterious mallet-stone-scrubbing-brush-and-cold-water system, whereby the washerwomen of the Alps convert the linen of tourists into shreds and patches in the shortest possible space of time.
After some complimentary remarks, Lawrence asked if it were possible to see the summit of Mont Blanc from where they stood.
Certainly it was; the guide’s pretty wife could point it out and attempted to do so, but was for a long time unsuccessful, owing to the interference of preconceived notions—each of our travellers having set his heart upon beholding a majestic peak of rugged rock, mingled, perhaps, with ice-blocks and snow.
“Most extraordinary,” exclaimed the puzzled Captain, “I’ve squinted often enough at well-known peaks when on the look-out for landmarks from the sea, an’ never failed to make ’em out. Let me see,” he added, getting behind the woman so as to look straight along her outstretched arm, “no, I can’t see it. My eyes must be giving way.”
“Surely,” said Lawrence, “you don’t mean that little piece of smooth snow rising just behind the crest of yonder mountain like a bit of rounded sugar?”
“Oui, monsieur”—that was precisely what she meant; that was the summit of Mont Blanc.
And so, our three travellers—like many hundreds of travellers who had gone before them, and like many, doubtless, who shall follow—were grievously disappointed with their first view of Mont Blanc! They lived, however to change their minds, to discover that the village of Chamouni lies too close to the toe of the Great White Mountain to permit of his being seen to advantage. One may truly see a small scrap of the veritable top from Chamouni, but one cannot obtain an idea of what it is that he sees. As well might a beetle walk close up to the heel of a man, and attempt from that position to form a correct estimate of his size; as well might one plant himself two inches distant from a large painting and expect to do it justice! No, in order to understand Mont Blanc, to “realise” it, to appreciate it adequately, it requires that we should stand well back, and get up on one of the surrounding heights, and make the discovery that as we rise he rises, and looks vaster and more tremendous the further off we go and the higher up we rise, until, with foot planted on the crest of one of the neighbouring giants, we still look up, as well as down, and learn—with a feeling of deeper reverence, it may be, for the Maker of the “everlasting hills”—that the grand monarch with the hoary head does in reality tower supreme above them all.
At this time our travellers, having only just been introduced to the mountain, had a great deal to hear and see before they understood him. They returned to the hotel with the feeling of disappointment still upon them, but with excellent appetites for dinner.
In the Salle à manger they met with a miscellaneous assortment of tourists. These, of whom there were above thirty, varied not only as to size and feature, but as to country and experience. There were veteran Alpine men—steady, quiet, bronzed-looking fellows, some of them—who looked as if they had often “attacked” and conquered the most dangerous summits, and meant to do so again. There were men, and women too, from England, America, Germany, France, and Russia. Some had been at Chamouni before, and wore the self-possessed air of knowledge; others had obviously never been there before, and were excited. Many were full of interest and expectation, a few, chiefly very young men, wore a blasé, half-pitiful, half-patronising air, as though to say, “that’s right, good people, amuse yourselves with your day-dreams while you may. We have tried a few weeks of this sort of thing, and have done a summit or two; in imagination we have also been up Mont Blanc and Monte Rosa, and the Matterhorn, and a few of the Hymalaya peaks, and most of the mountains in the moon, and several of the fixed stars, and—haw—are now rather boa–ord with it all than otherwise!” There were men who had done much and who said little, and men who had done little and who spoke much. There were “ice-men” who had a desire to impart their knowledge, and would-be ice-men who were glad to listen. Easy-going men and women there were, who flung the cares of life behind them, and “went in,” as they said, for enjoyment; and who, with abounding animal spirits, a dash of religious sentiment, much irrepressible humour and fun, were really pleasant objects to look at, and entertaining companions to travel with. Earnest men and women there were, too, who gathered plants and insects, and made pencil-sketches and water-colour drawings during their rambles among mountains and valleys, and not a few of whom chronicled faithfully their experiences from day to day. There was a Polish Count, a tall, handsome, middle-aged, care-worn, anxious-looking man, who came there, apparently in search of health, and who was cared for and taken care of by a dark-eyed little daughter. This daughter was so beautiful, that it ought to have made the Count well—so thought most of the young men—simply to look at her! There was a youthful British Lord, who had come to “do” Mont Blanc and a few other peaks. He was under charge of a young man of considerable experience in mountaineering, whose chief delight seemed to be the leading of his charge to well-known summits by any other and more difficult tracks than the obvious and right ones, insomuch that Lewis Stoutley, who had a tendency to imprudent remark, said in his hearing that he had heard of men who, in order to gain the roof of a house, preferred to go up by the waterspout rather than the staircase. There was an artist, whom Lewis—being, as already observed, given to insolence—styled the mad artist because he was enthusiastic in his art, galvanic in his actions, and had large, wild eyes, with long hair, and a broad-brimmed conical hat. Besides these, there was a Russian Professor, who had come there for purposes of scientific investigation, and a couple of German students, and a Scotch man of letters, whose aim was general observation, and several others, whose end was simply seeing the world.
In the arrangements of the table, Captain Wopper found himself between Emma Gray and the Polish Count, whose name was Horetzki. Directly opposite to him sat Mrs Stoutley, having her son Lewis on her right, and Dr Lawrence on her left. Beside the Count sat his lovely little daughter Nita, and just opposite to her was the mad artist. This arrangement was maintained throughout the sojourn of the various parties during their stay at Chamouni. They did, indeed, shift their position as regarded the table, according to the arrival or departure of travellers, but not in regard to each other.
Now it is an interesting, but by no means surprising fact, that Cupid planted himself in the midst of this party, and, with his fat little legs, in imminent danger of capsizing the dishes, began to draw his bow and let fly his arrows right and left. Being an airy sprite, though fat, and not at any time particularly visible, a careless observer might have missed seeing him; but to any one with moderate powers of observation, he was there, straddling across a dish of salad as plain as the salt-cellar before Captain Wopper’s nose. His deadly shafts, too, were visibly quivering in the breasts of Lewis Stoutley, George Lawrence, and the mad artist. Particularly obvious were these shafts in the case of the last, who was addicted to gazing somewhat presumptuously on “lovely woman” in general, from what he styled an artistic point of view—never from any other point of view; of course not.
Whether or not Cupid had discharged his artillery at the young ladies, we cannot say, for they betrayed no evidence of having been wounded. In their case, he must either have missed his aim, or driven his shafts home with such vigour, that they were buried out of sight altogether in their tender hearts. It is probable that not one member of that miscellaneous company gave a thought at that time to the wounded men, except the wounded men themselves, so absorbing is the love of food! The wounded were, however, sharp-set in all respects. They at once descried each other’s condition, and, instead of manifesting sympathy with each other, were, strange to say, filled with intense jealousy. This at least is true of the younger men. Lawrence, being somewhat older, was more secretive and self-possessed.
At first Captain Wopper, having declined a dish of cauliflower because it was presented alone, and having afterwards accepted a mutton chop alone, with feelings of poignant regret that he had let the cauliflower go by, was too busy to observe what the heathen-mythological youngster was doing. Indeed, at most times, the said youngster might have discharged a whole quiver of arrows into the Captain’s eyes without his being aware of the attack; but, at the present time, the Captain, as the reader is aware, was up to the eyes in a plot in which Cupid’s aid was necessary; he had, as it were, invoked the fat child’s presence. When, therefore, he had got over the regrets about the cauliflower, and had swallowed the mutton-chop, he began to
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