Les MisĂ©rables by Victor Hugo (top novels .txt) đ
- Author: Victor Hugo
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Marius exclaimed:â
âI am mortified, sirââ
âFirst of all,â interposed Laigle, âI demand permission to embalm Blondeau in a few phrases of deeply felt eulogium. I will assume that he is dead. There will be no great change required in his gauntness, in his pallor, in his coldness, and in his smell. And I say: âErudimini qui judicatis terram. Here lies Blondeau, Blondeau the Nose, Blondeau Nasica, the ox of discipline, bos disciplinĂŠ, the bloodhound of the password, the angel of the roll-call, who was upright, square, exact, rigid, honest, and hideous. God crossed him off as he crossed me off.ââ
Marius resumed:â
âI am very sorryââ
âYoung man,â said Laigle de Meaux, âlet this serve you as a lesson. In future, be exact.â
âI really beg you a thousand pardons.â
âDo not expose your neighbor to the danger of having his name erased again.â
âI am extremely sorryââ
Laigle burst out laughing.
âAnd I am delighted. I was on the brink of becoming a lawyer. This erasure saves me. I renounce the triumphs of the bar. I shall not defend the widow, and I shall not attack the orphan. No more toga, no more stage. Here is my erasure all ready for me. It is to you that I am indebted for it, Monsieur Pontmercy. I intend to pay a solemn call of thanks upon you. Where do you live?â
âIn this cab,â said Marius.
âA sign of opulence,â retorted Laigle calmly. âI congratulate you. You have there a rent of nine thousand francs per annum.â
At that moment, Courfeyrac emerged from the café.
Marius smiled sadly.
âI have paid this rent for the last two hours, and I aspire to get rid of it; but there is a sort of history attached to it, and I donât know where to go.â
âCome to my place, sir,â said Courfeyrac.
âI have the priority,â observed Laigle, âbut I have no home.â
âHold your tongue, Bossuet,â said Courfeyrac.
âBossuet,â said Marius, âbut I thought that your name was Laigle.â
âDe Meaux,â replied Laigle; âby metaphor, Bossuet.â
Courfeyrac entered the cab.
âCoachman,â said he, âhotel de la Porte-Saint-Jacques.â
And that very evening, Marius found himself installed in a chamber of the hotel de la Porte-Saint-Jacques side by side with Courfeyrac.
In a few days, Marius had become Courfeyracâs friend. Youth is the season for prompt welding and the rapid healing of scars. Marius breathed freely in Courfeyracâs society, a decidedly new thing for him. Courfeyrac put no questions to him. He did not even think of such a thing. At that age, faces disclose everything on the spot. Words are superfluous. There are young men of whom it can be said that their countenances chatter. One looks at them and one knows them.
One morning, however, Courfeyrac abruptly addressed this interrogation to him:â
âBy the way, have you any political opinions?â
âThe idea!â said Marius, almost affronted by the question.
âWhat are you?â
âA democrat-Bonapartist.â
âThe gray hue of a reassured rat,â said Courfeyrac.
On the following day, Courfeyrac introduced Marius at the CafĂ© Musain. Then he whispered in his ear, with a smile: âI must give you your entry to the revolution.â And he led him to the hall of the Friends of the A B C. He presented him to the other comrades, saying this simple word which Marius did not understand: âA pupil.â
Marius had fallen into a waspsâ-nest of wits. However, although he was silent and grave, he was, nonetheless, both winged and armed.
Marius, up to that time solitary and inclined to soliloquy, and to asides, both by habit and by taste, was a little fluttered by this covey of young men around him. All these various initiatives solicited his attention at once, and pulled him about. The tumultuous movements of these minds at liberty and at work set his ideas in a whirl. Sometimes, in his trouble, they fled so far from him, that he had difficulty in recovering them. He heard them talk of philosophy, of literature, of art, of history, of religion, in unexpected fashion. He caught glimpses of strange aspects; and, as he did not place them in proper perspective, he was not altogether sure that it was not chaos that he grasped. On abandoning his grandfatherâs opinions for the opinions of his father, he had supposed himself fixed; he now suspected, with uneasiness, and without daring to avow it to himself, that he was not. The angle at which he saw everything began to be displaced anew. A certain oscillation set all the horizons of his brains in motion. An odd internal upsetting. He almost suffered from it.
It seemed as though there were no âconsecrated thingsâ for those young men. Marius heard singular propositions on every sort of subject, which embarrassed his still timid mind.
A theatre poster presented itself, adorned with the title of a tragedy from the ancient repertory called classic: âDown with tragedy dear to the bourgeois!â cried Bahorel. And Marius heard Combeferre reply:â
âYou are wrong, Bahorel. The bourgeoisie loves tragedy, and the bourgeoisie must be left at peace on that score. Bewigged tragedy has a reason for its existence, and I am not one of those who, by order of Ăschylus, contest its right to existence. There are rough outlines in nature; there are, in creation, ready-made parodies; a beak which is not a beak, wings which are not wings, gills which are not gills, paws which are not paws, a cry of pain which arouses a desire to laugh, there is the duck. Now, since poultry exists by the side of the bird, I do not see why classic tragedy should not exist in the face of antique tragedy.â
Or chance decreed that Marius should traverse Rue Jean-Jacques Rousseau between Enjolras and Courfeyrac.
Courfeyrac took his arm:â
âPay attention. This is the Rue PlĂątriĂšre, now called Rue Jean-Jacques Rousseau, on account of a singular household which lived in it sixty years ago. This consisted of Jean-Jacques and ThĂ©rĂšse. From time to time, little beings were born there. ThĂ©rĂšse gave birth to them, Jean-Jacques represented them as foundlings.â
And Enjolras addressed Courfeyrac roughly:â
âSilence in the presence of Jean-Jacques! I admire that man. He denied his own children, that may be; but he adopted the people.â
Not one of these young men articulated the word: The Emperor. Jean Prouvaire alone sometimes said Napoleon; all the others said âBonaparte.â Enjolras pronounced it âBuonaparte.â
Marius was vaguely surprised. Initium sapientiĂŠ.
One of the conversations among the young men, at which Marius was present and in which he sometimes joined, was a veritable shock to his mind.
This took place in the back room of the Café Musain. Nearly all the Friends of the A B C had convened that evening. The argand lamp was solemnly lighted. They talked of one thing and another, without passion and with noise. With the exception of Enjolras and Marius, who held their peace, all were haranguing rather at hap-hazard. Conversations between comrades sometimes are subject to these peaceable tumults. It was a game and an uproar as much as a conversation. They tossed words to each other and caught them up in turn. They were chattering in all quarters.
No woman was admitted to this back room, except Louison, the dish-washer of the cafĂ©, who passed through it from time to time, to go to her washing in the âlavatory.â
Grantaire, thoroughly drunk, was deafening the corner of which he had taken possession, reasoning and contradicting at the top of his lungs, and shouting:â
âI am thirsty. Mortals, I am dreaming: that the tun of Heidelberg has an attack of apoplexy, and that I am one of the dozen leeches which will be applied to it. I want a drink. I desire to forget life. Life is a hideous invention of I know not whom. It lasts no time at all, and is worth nothing. One breaks oneâs neck in living. Life is a theatre set in which there are but few practicable entrances. Happiness is an antique reliquary painted on one side only. Ecclesiastes says: âAll is vanity.â I agree with that good man, who never existed, perhaps. Zero not wishing to go stark naked, clothed himself in vanity. O vanity! The patching up of everything with big words! a kitchen is a laboratory, a dancer is a professor, an acrobat is a gymnast, a boxer is a pugilist, an apothecary is a chemist, a wigmaker is an artist, a hodman is an architect, a jockey is a sportsman, a wood-louse is a pterigybranche. Vanity has a right and a wrong side; the right side is stupid, it is the negro with his glass beads; the wrong side is foolish, it is the philosopher with his rags. I weep over the one and I laugh over the other. What are called honors and dignities, and even dignity and honor, are generally of pinchbeck. Kings make playthings of human pride. Caligula made a horse a consul; Charles II. made a knight of a sirloin. Wrap yourself up now, then, between Consul Incitatus and Baronet Roastbeef. As for the intrinsic value of people, it is no longer respectable in the least. Listen to the panegyric which neighbor makes of neighbor. White on white is ferocious; if the lily could speak, what a setting down it would give the dove! A bigoted woman prating of a devout woman is more venomous than the asp and the cobra. It is a shame that I am ignorant, otherwise I would quote to you a mass of things; but I know nothing. For instance, I have always been witty; when I was a pupil of Gros, instead of daubing wretched little pictures, I passed my time in pilfering apples; rapin24 is the masculine of rapine. So much for myself; as for the rest of you, you are worth no more than I am. I scoff at your perfections, excellencies, and qualities. Every good quality tends towards a defect; economy borders on avarice, the generous man is next door to the prodigal, the brave man rubs elbows with the braggart; he who says very pious says a trifle bigoted; there are just as many vices in virtue as there are holes in Diogenesâ cloak. Whom do you admire, the slain or the slayer, CĂŠsar or Brutus? Generally men are in favor of the slayer. Long live Brutus, he has slain! There lies the virtue. Virtue, granted, but madness also. There are queer spots on those great men. The Brutus who killed CĂŠsar was in love with the statue of a little boy. This statue was from the hand of the Greek sculptor Strongylion, who also carved that figure of an Amazon known as the Beautiful Leg, Eucnemos, which Nero carried with him in his travels. This Strongylion left but two statues which placed Nero and Brutus in accord. Brutus was in love with the one, Nero with the other. All history is nothing but wearisome repetition. One century is the plagiarist of the other. The battle of Marengo copies the battle of Pydna; the Tolbiac of Clovis and the Austerlitz of Napoleon are as like each other as two drops of water. I donât attach much importance to victory. Nothing is so stupid as to conquer; true glory lies in convincing. But try to prove something! If you are content with success, what mediocrity, and with conquering, what wretchedness! Alas, vanity and cowardice everywhere. Everything obeys success, even grammar. Si volet usus, says Horace. Therefore I disdain the human race. Shall we descend to the party at all? Do you wish me to begin admiring the peoples? What people, if you please? Shall it be Greece? The Athenians, those Parisians of days gone by, slew Phocion, as we might say Coligny, and fawned upon tyrants to such an extent that Anacephorus said of Pisistratus: âHis urine attracts the bees.â The most prominent man in Greece for fifty years was that grammarian Philetas, who was so small and so thin that he was obliged to load his shoes with lead in order not to be blown away by the wind. There stood on the great square in Corinth a statue carved by Silanion and catalogued by Pliny; this statue represented Episthates. What did Episthates do? He invented a trip. That sums up Greece and glory. Let us pass on to others. Shall I admire England? Shall I admire France? France? Why? Because of Paris? I have just told you my opinion of Athens. England? Why? Because of London? I hate Carthage. And then, London, the metropolis of luxury, is the headquarters of wretchedness. There are a hundred deaths a year of hunger in the parish of Charing-Cross alone. Such
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