The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (reading an ebook .TXT) 📖

that power, whether of barons or of people, which any other prince of half his talents would have trembled to arouse against an unrooted throne,—it almost seemed as if he loved to provoke a danger for the pleasure it gave the brain to baffle or the hand to crush it. His whole nature coveting excitement, nothing was left to the beautiful, the luxurious Edward, already wearied with pomp and pleasure, but what was unholy and forbidden. In his court were a hundred ladies, perhaps not less fair than Anne, at least of a beauty more commanding the common homage, but these he had only to smile on with ease to win. No awful danger, no inexpiable guilt, attended those vulgar frailties, and therefore they ceased to tempt. But here the virgin guest, the daughter of his mightiest subject, the beloved treasure of the man whose hand had built a throne, whose word had dispersed an army—here, the more the reason warned, the conscience started, the more the hell-born passion was aroused.

Like men of his peculiar constitution, Edward was wholly incapable of pure and steady love. His affection for his queen the most resembled that diviner affection; but when analyzed, it was composed of feelings widely distinct. From a sudden passion, not otherwise to be gratified, he had made the rashest sacrifices for an unequal marriage. His vanity, and something of original magnanimity, despite his vices, urged him to protect what he himself had raised,—to secure the honour of the subject who was honoured by the king. In common with most rude and powerful natures, he was strongly alive to the affections of a father, and the faces of his children helped to maintain the influence of the mother. But in all this, we need scarcely say that that true love, which is at once a passion and a devotion, existed not. Love with him cared not for the person loved, but solely for its own gratification; it was desire for possession,—nothing more. But that desire was the will of a king who never knew fear or scruple; and, pampered by eternal indulgence, it was to the feeble lusts of common men what the storm is to the west wind. Yet still, as in the solitude of night he paced his chamber, the shadow of the great crime advancing upon his soul appalled even that dauntless conscience. He gasped for breath; his cheeks flushed crimson, and the next moment grew deadly pale. He heard the loud beating of his heart. He stopped still. He flung himself on a seat, and hid his face with his hands; then starting up, he exclaimed, “No, no! I cannot shut out that sweet face, those blue eyes from my gaze. They haunt me to my destruction and her own. Yet why say destruction? If she love me, who shall know the deed? If she love me not, will she dare to reveal her shame? Shame!—nay, a king’s embrace never dishonours. A king’s bastard is a House’s pride. All is still,—the very moon vanishes from heaven. The noiseless rushes in the gallery give no echo to the footstep. Fie on me! Can a Plantagenet know fear?” He allowed himself no further time to pause; he opened the door gently and stole along the gallery. He knew well the chamber, for it was appointed by his command, and, besides the usual door from the corridor, a small closet conducted to a secret panel behind the arras. It was the apartment occupied, in her visits to the court, by the queen’s rival, the Lady Elizabeth Lucy. He passed into the closet; he lifted the arras; he stood in that chamber, which gratitude and chivalry and hospitable faith should have made sacred as a shrine. And suddenly, as he entered, the moon, before hid beneath a melancholy cloud, broke forth in awful splendour, and her light rushed through the casement opposite his eye, and bathed the room with the beams of a ghostlier day.

The abruptness of the solemn and mournful glory scared him as the rebuking face of a living thing; a presence as if not of earth seemed to interpose between the victim and the guilt. It was, however, but for a moment that his step halted. He advanced: he drew aside the folds of the curtain heavy with tissue of gold, and the sleeping face of Anne lay hushed before him. It looked pale in the moonlight, but ineffably serene, and the smile on its lips seemed still sweeter than that which it wore awake. So fixed was his gaze, so ardently did his whole heart and being feed through his eyes upon that exquisite picture of innocence and youth, that he did not see for some moments that the sleeper was not alone. Suddenly an exclamation rose to his lips. He clenched his hand in jealous agony; he approached; he bent over; he heard the regular breathing which the dreams of guilt never know; and then, when he saw that pure and interlaced embrace,—the serene yet somewhat melancholy face of Sibyll, which seemed hueless as marble in the moonlight, bending partially over that of Anne, as if even in sleep watchful; both charming forms so linked and woven that the two seemed as one life, the very breath in each rising and ebbing with the other; the dark ringlets of Sibyll mingling with the auburn gold of Anne’s luxuriant hair, and the darkness and the gold, tress within tress, falling impartially over either neck, that gleamed like ivory beneath that common veil,—when he saw this twofold loveliness, the sentiment, the conviction of that mysterious defence which exists in purity, thrilled like ice through his burning veins. In all his might of monarch and of man, he felt the awe of that unlooked-for protection,—maidenhood sheltering maidenhood, innocence guarding innocence. The double virtue appalled and baffled him; and that slight arm which encircled the neck he would have perilled his realm to clasp, shielded his victim more effectually than the bucklers of all the warriors that ever gathered round the banner of the lofty Warwick. Night and the occasion befriended him; but in vain. While Sibyll was there, Anne was saved. He ground his teeth, and muttered to himself. At that moment Anne turned restlessly. This movement disturbed the light sleep of her companion. She spoke half inaudibly, but the sound was as the hoot of shame in the ear of the guilty king. He let fall the curtain, and was gone. And if one who lived afterwards to hear and to credit the murderous doom which, unless history lies, closed the male line of Edward, had beheld the king stealing, felon-like, from the chamber,—his step reeling to and fro the gallery floors, his face distorted by stormy passion, his lips white and murmuring, his beauty and his glory dimmed and humbled,—the spectator might have half believed that while Edward gazed upon those harmless sleepers, A VISION OF THE TRAGEDY TO COME had stricken down his thought of guilt, and filled up its place with horror,—a vision of a sleep as pure, of two forms wrapped in an embrace as fond, of intruders meditating a crime scarce fouler than his own; and the sins of the father starting into grim corporeal shapes, to become the deathsmen of the sons!