The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖

“Yes, the last time I saw the Englishman he spoke with such respectful homage of one lady, whose hand he would deem it the highest reward of ambition to secure, that I cannot but feel deep compassion for him if that ambition has been foiled; and thus only do I account for his absence from Paris.”

“You are an intimate friend of Mr. Vane’s?”

“No, indeed, I have not that honour; our acquaintance is but slight, but it impressed me with the idea of a man of vigorous intellect, frank temper, and perfect honour.”

Isaura’s face brightened with the joy we feel when we hear the praise of those we love.

At this moment, Duplessis, who had been observing the Italian and the young Marquis, for the first time during dinner, broke silence.

“Mademoiselle,” he said, addressing Isaura across the table, “I hope I have not been correctly informed that your literary triumph has induced you to forego the career in which all the best judges concur that your successes would be not less brilliant; surely one art does not exclude another.”

Elated by Alain’s report of Graham’s words, by the conviction that these words applied to herself, and by the thought that her renunciation of the stage removed a barrier between them, Isaura answered, with a sort of enthusiasm:

“I know not, M. Duplessis, if one art excludes another; if there be desire to excel in each. But I have long lost all desire to excel in the art you refer to, and resigned all idea of the career in which it opens.”

“So M. Vane told me,” said Alain, in a whisper.

“When?”

“Last year—on the day that he spoke in terms of admiration so merited of the lady whom M. Duplessis has just had the honour to address.”

All this while, Valerie, who was seated at the further end of the table beside the Minister, who had taken her in to dinner, had been watching, with eyes, the anxious tearful sorrow of which none but her father had noticed, the low-voiced confidence between Alain and the friend, whom till that day she had so enthusiastically loved. Hitherto she had been answering in monosyllables all attempts of the great man to draw her into conversation; but now, observing how Isaura blushed and looked down, that strange faculty in women, which we men call dissimulation, and which in them is truthfulness to their own nature, enabled her to carry off the sharpest anguish she had ever experienced, by a sudden burst of levity of spirit. She caught up some commonplace the Minister had adapted to what he considered the poverty of her understanding, with a quickness of satire which startled that grave man, and he gazed at her astonished. Up to that moment he had secretly admired her as a girl well brought up—as girls fresh from a French convent are supposed to be; now, hearing her brilliant rejoinder to his stupid observation, he said inly: “Dame! the low birth of a financier’s daughter shows itself.”

But, being a clever man himself, her retort put him on his mettle, and he became, to his own amazement, brilliant himself. With that matchless quickness which belongs to Parisians, the guests around him seized the new esprit de conversation which had been evoked between the statesman and the childlike girl beside him; and as they caught up the ball, lightly flung among them, they thought within themselves how much more sparkling the financier’s pretty, lively daughter was than that dark-eyed young muse, of whom all the journalists of Paris were writing in a chorus of welcome and applause, and who seemed not to have a word to say worth listening to, except to the handsome young Marquis, whom, no doubt, she wished to fascinate.

Valerie fairly outshone Isaura in intellect and in wit; and neither Valerie nor Isaura cared, to the value of a bean-straw, about that distinction. Each was thinking only of the prize which the humblest peasant women have in common with the most brilliantly accomplished of their sex—the heart of a man beloved.