Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Sisters — Complete by Georg Ebers (feel good books to read txt) 📖
- Author: Georg Ebers
Book online «The Sisters — Complete by Georg Ebers (feel good books to read txt) 📖». Author Georg Ebers
“That is not what I want,” interrupted Klea. “What I wish is that you should not punish and scold the boy, and that you should be as glad as I am when you see his poor little dormant soul slowly waking up. If he goes on like this, the poor little fellow will be quite sharp and intelligent. What is my name, my little one?”
“Ke-ea,” stammered the child, smiling at his friend. “And now taste this that I have in my hand; what is it?—I see you know. It is called—whisper in my ear. That’s right, mil—mil-milk! to be sure, my tiny, it is milk. Now open your little mouth and say it prettily after me—once more—and again—say it twelve times quite right and I will give you a kiss—Now you have earned a pretty kiss—will you have it here or here? Well, and what is this? your ea-? Yes, your ear. And this?—your nose, that is right.”
The child’s eyes brightened more and more under this gentle teaching, and neither Klea nor her pupil were weary till, about an hour later, the re-echoing sound of a brass gong called her away. As she turned to go the little one ran after her crying; she took him in her arms and carried him back to his mother, and then went on to her own room to dress herself and her sister for the procession. On the way to the Pastophorium she recalled once more her expedition to the temple and her prayer there.
“Even before the sanctuary,” said she to herself, “I could not succeed in releasing my soul from its burden—it was not till I set to work to loosen the tongue of the poor little child. Every pure spot, it seems to me, may be the chosen sanctuary of some divinity, and is not an infant’s soul purer than the altar where truth is mocked at?”
In their room she found Irene; she had dressed her hair carefully and stuck the pomegranate-flower in it, and she asked Klea if she thought she looked well.
“You look like Aphrodite herself,” replied Klea kissing her forehead. Then she arranged the folds of her sister’s dress, fastened on the ornaments, and proceeded to dress herself. While she was fastening her sandals Irene asked her, “Why do you sigh so bitterly?” and Klea replied, “I feel as if I had lost my parents a second time.”
CHAPTER V. The procession was over.
At the great service which had been performed before him in the Greek Serapeum, Ptolemy Philometor had endowed the priests not with the whole but with a considerable portion of the land concerning which they had approached him with many petitions. After the court had once more quitted Memphis and the procession was broken up, the sisters returned to their room, Irene with crimson cheeks and a smile on her lips, Klea with a gloomy and almost threatening light in her eyes.
As the two were going to their room in silence a temple-servant called to Klea, desiring her to go with him to the high-priest, who wished to speak to her. Klea, without speaking, gave her water-jar to Irene and was conducted into a chamber of the temple, which was used for keeping the sacred vessels in. There she sat down on a bench to wait. The two men who in the morning had visited the Pastophorium had also followed in the procession with the royal family. At the close of the solemnities Publius had parted from his companion without taking leave, and without looking to the right or to the left, he had hastened back to the Pastophorium and to the cell of Serapion, the recluse.
The old man heard from afar the younger man’s footstep, which fell on the earth with a firmer and more decided tread than that of the softly-stepping priests of Serapis, and he greeted him warmly with signs and words.
Publius thanked him coolly and gravely, and said, dryly enough and with incisive brevity:
“My time is limited. I propose shortly to quit Memphis, but I promised you to hear your request, and in order to keep my word I have come to see you; still—as I have said—only to keep my word. The water-bearers of whom you desired to speak to me do not interest me—I care no more about them than about the swallows flying over the house yonder.”
“And yet this morning you took a long walk for Klea’s sake,” returned Serapion.
“I have often taken a much longer one to shoot a hare,” answered the Roman. “We men do not pursue our game because the possession of it is any temptation, but because we love the sport, and there are sporting natures even among women. Instead of spears or arrows they shoot with flashing glances, and when they think they have hit their game they turn their back upon it. Your Klea is one of this sort, while the pretty little one I saw this morning looks as if she were very ready to be hunted, I however, no more wish to be the hunter of a young girl than to be her game. I have still three days to spend in Memphis, and then I shall turn my back forever on this stupid country.”
“This morning,” said Serapion, who began to suspect what the grievance might be which had excited the discontent implied in the Roman’s speech, “This morning you appeared to be in less hurry to set out than now, so to me you seem to be in the plight of game trying to escape; however, I know Klea better than you do. Shooting is no sport of hers, nor will she let herself be hunted, for she has a characteristic which you, my friend Publius Scipio, ought to recognize and value above all others—she is proud, very proud; aye, and so she may be, scornful as you look—as if you would like to say ‘how came a water-carrier of Serapis by her pride, a poor creature who is ill-fed and always engaged in service, pride which is the prescriptive right only of those, whom privilege raises above the common herd around them?—But this girl, you may take my word for it, has ample reason to hold her head high, not only because she is the daughter of free and noble parents and is distinguished by rare beauty, not because while she was still a child she undertook, with the devotion and constancy of the best of mothers, the care of another child—her own sister, but for a reason which, if I judge you rightly, you will understand better than many another young man; because she must uphold her pride in order that among the lower servants with whom unfortunately she is forced to work, she may never forget that she is a free and noble lady. You can set your pride aside and yet remain what you are, but if she were to do so and to learn to feel as a servant, she would presently become in fact what by nature she is not and by circumstances is compelled to be. A fine horse made to carry burdens becomes a mere cart-horse as soon as it ceases to hold up its head and lift its feet freely. Klea is proud because she must be proud; and if you are just you will not contemn the girl, who perhaps has cast a kindly glance at you—since the gods have so made you that you cannot fail to please any woman—and yet who must repel your approaches because she feels herself above being trifled with, even by one of the Cornelia gens, and yet too lowly to dare to hope that a man
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