The Mystery of Edwin Drood by Charles Dickens (best english novels to read TXT) 📖

the oftenest when they were separated, and whom she would most rejoice to see again when they were reunited; even these gentle rivalries were not without their slight dashes of bitterness in the Nuns’ House. Well for the poor Nuns in their day, if they hid no harder strife under their veils and rosaries!

Thus Rosa had grown to be an amiable, giddy, wilful, winning little creature; spoilt, in the sense of counting upon kindness from all around her; but not in the sense of repaying it with indifference. Possessing an exhaustless well of affection in her nature, its sparkling waters had freshened and brightened the Nuns’ House for years, and yet its depths had never yet been moved: what might betide when that came to pass; what developing changes might fall upon the heedless head, and light heart, then; remained to be seen.

By what means the news that there had been a quarrel between the two young men overnight, involving even some kind of onslaught by Mr. Neville upon Edwin Drood, got into Miss Twinkleton’s establishment before breakfast, it is impossible to say. Whether it was brought in by the birds of the air, or came blowing in with the very air itself, when the casement windows were set open; whether the baker brought it kneaded into the bread, or the milkman delivered it as part of the adulteration of his milk; or the housemaids, beating the dust out of their mats against the gateposts, received it in exchange deposited on the mats by the town atmosphere; certain it is that the news permeated every gable of the old building before Miss Twinkleton was down, and that Miss Twinkleton herself received it through Mrs. Tisher, while yet in the act of dressing; or (as she might have expressed the phrase to a parent or guardian of a mythological turn) of sacrificing to the Graces.

Miss Landless’s brother had thrown a bottle at Mr. Edwin Drood.

Miss Landless’s brother had thrown a knife at Mr. Edwin Drood.

A knife became suggestive of a fork; and Miss Landless’s brother had thrown a fork at Mr. Edwin Drood.

As in the governing precedence of Peter Piper, alleged to have picked the peck of pickled pepper, it was held physically desirable to have evidence of the existence of the peck of pickled pepper which Peter Piper was alleged to have picked; so, in this case, it was held psychologically important to know why Miss Landless’s brother threw a bottle, knife, or fork-or bottle, knife, and fork—for the cook had been given to understand it was all three—at Mr. Edwin Drood?

Well, then. Miss Landless’s brother had said he admired Miss Bud. Mr. Edwin Drood had said to Miss Landless’s brother that he had no business to admire Miss Bud. Miss Landless’s brother had then “up’d” (this was the cook’s exact information) with the bottle, knife, fork, and decanter (the decanter now coolly flying at everybody’s head, without the least introduction), and thrown them all at Mr. Edwin Drood.

Poor little Rosa put a forefinger into each of her ears when these rumours began to circulate, and retired into a corner, beseeching not to be told any more; but Miss Landless, begging permission of Miss Twinkleton to go and speak with her brother, and pretty plainly showing that she would take it if it were not given, struck out the more definite course of going to Mr. Crisparkle’s for accurate intelligence.

When she came back (being first closeted with Miss Twinkleton, in order that anything objectionable in her tidings might be retained by that discreet filter), she imparted to Rosa only, what had taken place; dwelling with a flushed cheek on the provocation her brother had received, but almost limiting it to that last gross affront as crowning “some other words between them,” and, out of consideration for her new friend, passing lightly over the fact that the other words had originated in her lover’s taking things in general so very easily. To Rosa direct, she brought a petition from her brother that she would forgive him; and, having delivered it with sisterly earnestness, made an end of the subject.

It was reserved for Miss Twinkleton to tone down the public mind of the Nuns’ House. That lady, therefore, entering in a stately manner what plebeians might have called the school-room, but what, in the patrician language of the head of the Nuns’ House, was euphuistically, not to say round-aboutedly, denominated “the apartment allotted to study,” and saying with a forensic air, “Ladies!” all rose. Mrs. Tisher at the same time grouped herself behind her chief, as representing Queen Elizabeth’s first historical female friend at Tilbury fort. Miss Twinkleton then proceeded to remark that Rumour, Ladies, had been represented by the bard of Avon—needless were it to mention the immortal SHAKESPEARE, also called the Swan of his native river, not improbably with some reference to the ancient superstition that that bird of graceful plumage (Miss Jennings will please stand upright) sang sweetly on the approach of death, for which we have no ornithological authority,—Rumour, Ladies, had been represented by that bard—hem!—

        “who drew
The celebrated Jew,”

as painted full of tongues. Rumour in Cloisterham (Miss Ferdinand will honour me with her attention) was no exception to the great limner’s portrait of Rumour elsewhere. A slight fracas between two young gentlemen occurring last night within a hundred miles of these peaceful walls (Miss Ferdinand, being apparently incorrigible, will have the kindness to write out this evening, in the original language, the first four fables of our vivacious neighbour, Monsieur La Fontaine) had been very grossly exaggerated by Rumour’s voice. In the first alarm and anxiety arising from our sympathy with a sweet young friend, not wholly to be dissociated from one of the gladiators in the bloodless arena in question (the impropriety of Miss Reynolds’s appearing to stab herself in the hand with a pin, is far too obvious, and too glaringly unladylike, to be pointed out), we descended from our maiden elevation to discuss this uncongenial and this unfit theme. Responsible inquiries having assured us that it was but one of those “airy nothings” pointed at by the Poet (whose name and date of birth Miss Giggles will supply within half an hour), we would now discard the subject, and concentrate our minds upon the grateful labours of the day.

But the subject so survived all day, nevertheless, that Miss Ferdinand got into new trouble by surreptitiously clapping on a paper moustache at dinner-time, and going through the motions of aiming a water-bottle at Miss Giggles, who drew a table-spoon in defence.

Now, Rosa thought of this unlucky quarrel a great deal, and thought of it with an uncomfortable feeling that she was involved in it, as cause, or consequence, or what not, through being in a false position altogether as to her marriage engagement. Never free from such uneasiness when she was with her affianced husband, it was not likely that she would be free from it when they were apart. To-day, too, she was cast in upon herself, and deprived of the relief of talking freely with her new friend, because the quarrel had been with Helena’s brother, and Helena undisguisedly avoided the subject as a delicate and difficult one to herself. At this critical time, of all times, Rosa’s guardian was announced as having come to see her.

Mr. Grewgious had been well selected for his trust, as a man of incorruptible integrity, but certainly for no other appropriate quality discernible on the surface. He was an arid, sandy man, who, if he had been put into a grinding-mill, looked as if he would have ground immediately into high-dried snuff. He had a scanty flat crop of hair, in colour and consistency like some very mangy yellow fur tippet; it was so unlike hair, that it must have been a wig, but for the stupendous improbability of anybody’s voluntarily sporting such a head. The little play of feature that his face presented, was cut deep into it, in a few hard curves that made it more like work; and he had certain notches in his forehead, which looked as though Nature had been about to touch them into sensibility or refinement, when she had impatiently thrown away the chisel, and said: “I really cannot be worried to finish off this man; let him go as he is.”

With too great length of throat at his upper end, and too much ankle-bone and heel at his lower; with an awkward and hesitating manner; with a shambling walk; and with what is called a near sight—which perhaps prevented his observing how much white cotton stocking he displayed to the public eye, in contrast with his black suit—Mr. Grewgious still had some strange capacity in him of making on the whole an agreeable impression.

Mr. Grewgious was discovered by his ward, much discomfited by being in Miss Twinkleton’s company in Miss Twinkleton’s own sacred room. Dim forebodings of being examined in something, and not coming well out of it, seemed to oppress the poor gentleman when found in these circumstances.

“My dear, how do you do? I am glad to see you. My dear, how much improved you are. Permit me to hand you a chair, my dear.”

Miss Twinkleton rose at her little writing-table, saying, with general sweetness, as to the polite Universe: “Will you permit me to retire?”

“By no means, madam, on my account. I beg that you will not move.”

“I must entreat permission to move,” returned Miss Twinkleton, repeating the word with a charming grace; “but I will not withdraw, since you are so obliging. If I wheel my desk to this corner window, shall I be in the way?”

“Madam! In the way!”

“You are very kind.—Rosa, my dear, you will be under no restraint, I am sure.”

Here Mr. Grewgious, left by the fire with Rosa, said again: “My dear, how do you do? I am glad to see you, my dear.” And having waited for her to sit down, sat down himself.

“My visits,” said Mr. Grewgious, “are, like those of the angels—not that I compare myself to an angel.”

“No, sir,” said Rosa.

“Not by any means,” assented Mr. Grewgious. “I merely refer to my visits, which are few and far between. The angels are, we know very well, up-stairs.”

Miss Twinkleton looked round with a kind of stiff stare.

“I refer, my dear,” said Mr. Grewgious, laying his hand on Rosa’s, as the possibility thrilled through his frame of his otherwise seeming to take the awful liberty of calling Miss Twinkleton my dear; “I refer to the other young ladies.”

Miss Twinkleton resumed her writing.

Mr. Grewgious, with a sense of not having managed his opening point quite as neatly as he might have desired, smoothed his head from back to front as if he had just dived, and were pressing the water out—this smoothing action, however superfluous, was habitual with him—and took a pocket-book from his coat-pocket, and a stump of black-lead pencil from his waistcoat-pocket.

“I made,” he said, turning the leaves: “I made a guiding memorandum or so—as I usually do, for I have no conversational powers whatever—to which I will, with your permission, my dear, refer. ‘Well and happy.’ Truly. You are well and happy, my dear? You look so.”

“Yes, indeed, sir,” answered Rosa.

“For which,” said Mr. Grewgious, with a bend of his head towards the corner window, “our warmest acknowledgments are due, and I am sure are rendered, to the maternal kindness and the constant care and consideration of the lady whom I have now the honour to see before me.”

This point, again, made but a lame departure from Mr. Grewgious, and never got to its destination; for, Miss Twinkleton, feeling that the courtesies required her to be by this time quite outside the conversation, was biting the end of her pen, and looking upward, as waiting for the descent of an idea from any member of the Celestial Nine who might have one to spare.

Mr. Grewgious smoothed his smooth head again, and then made another reference to his pocket-book; lining out “well and happy,” as disposed of.

“‘Pounds, shillings, and pence,’ is my next note. A dry subject for a young lady, but an important subject too. Life is pounds, shillings, and pence. Death is—” A sudden recollection of the death of her two parents seemed to stop him, and he said in a softer tone, and evidently inserting the negative as an after-thought: “Death is not pounds, shillings, and pence.”

His voice was as hard and dry as himself, and Fancy might have ground it straight, like himself, into high-dried snuff. And yet, through the very limited means of expression that he possessed, he seemed to express kindness. If Nature had but finished him off, kindness might have been recognisable in his face at this moment. But if the notches in his forehead wouldn’t fuse together, and if his face would work and couldn’t play, what could he do, poor man!

“‘Pounds, shillings,